1. SYMBOLISM Can also get a reflection of your inner self—
“younger, lighter, happier in body”
Light Dark
Good Evil
Jekyll Hyde
Appearance is important
Jekyll looks in the mirror and sees Hyde
Hyde is deformed—feel of evil like it is written on his face
Mirrors
Is a small part of Jekyll
SYMBOLISM
You have to open a door to reveal something—
“nothing but a door on the lower storey...bore in every feature, the marks of prolonged and sordid negligence”
Its broken and it is the only key to the door
Keys
Doors
Means that the truth cannot be unlocked easily—has to be forced open
Wine symbolises addiction
Doors are also there to conceal something from the reader

2. SYMBOLISM “Satan’s signature on his face”
Symbol,of hell and all things evil (Hyde)
Hyde = Hide Utterson = To speak/utter
Jekyll = I Kill Gabriel = The angel messenger
Names
Symbolises universal drug addiction
Satan
SYMBOLISM
Windows
White Powder
No windows on gable end
Windows are clean at start and dirty at the end
Hiding secret
“Three dusty windows barred with iron”
Back Door—not to be seen
Father and Son
“errant son”
“Jekyll had more than a fathers interest; Hyde had more than a son indifference”

3. Symbolism Hyde has a key, so he can unlock the secret
Utterson doesn’t have a key, cannot unlock the secret
Hyde has a power .U doesn’t
No key = kick of power and authority
“Story of the door” Stands at the doorstep
Secrets behind the door Behind the door, Jekyll succumbs to his evil ways
Reflection of yourself, “younger, lighter, happier”
“When the wine was to his taste”
Brings in aspects of duality
Symbolises personality altering substances
Poole doesn’t drink which shows that the respectable can be unrespectable
“Drank gin when he was alone “ similar to an alcoholic
Utterson goes “soberly to bed”
Difference as he does not abuse this power
Keys
Doors
Symbolises secrets and evil
“Some city in a nightmare”
Mirrors
Symbolism
Soho
Alcohol
Fog
Documents
Represents things being covered up, unclear
Fog-conceal mystery
When the mystery deepens “ even in the houses the fog began to lie thickly”
“Labyrinth”-streets symbolises J. getting lost in his addiction
Windows
Give story flow
Key to mystery –Utterson holds the key =Lanyon’s letter and Jekyll's confession
Burnt paper-paper represents truth. burnt =truth destroyed
Bars
Prison for Jekyll—discontent prisoner
Symbolise Jekyll’s state of mind- “clean” to begin with but become un kept
Full Moon
Symbolises Hyde’s savagery and evil.—represents horror, but also a romantic scene
The name Hyde symbolises that he is covering up his behaviour-something to “Hyde” behind

4. By Alan Ferguson and Kimberly Smith.
Hyde—Lower Class
Jekyll—Upper Class
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde always turns into Jekyll at night.
Victorian London—two side of society. The upper class and lower class, linking to duality.
Almost everything important happen at night.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Fear of degeneration.
Setting
“Furnished with luxury and good taste”
Hyde’s house in Soho.
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
By Alan Ferguson and Kimberly Smith.
“My devil had been long caged and he came out roaring.”
This means that his addiction has been held back for such a long time that it comes out in a binge form and he goes on a “bender”.
“The powers of Hyde seem to have grown with his sickliness of Jekyll.”
This means as Jekyll grows weak he is easily taken over by Hyde.
“This drug is wanted bitter bad” - Jekyll This shows how Jekyll wanted this drug, it shows desperation.
“White powder” This quote has a universal significance of any kind of drug. It can also relate to cocaine in a modern perspective.
“The moment I choose I can be rid of Mr Hyde.”
This shows illusion versus reality, as Jekyll believes he can control his addiction, but he really cannot.
“I neither gave up the house in Soho, nor destroyed the clothes of Edward Hyde.”
This shows Jekyll has not committed to giving up his addiction, as he does not give up the material positions of Mr Hyde.
“Their last sample is impure.” This shows how Jekyll has became more addicted to this drug, as he needed a more concentrated substance for it to have the same effect on him.
Hyde—Lower Class
Jekyll—Upper Class
Hyde—Lower Class
Jekyll—Upper Class
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Hyde—Lower Class
Jekyll—Upper Class
Almost everything important happen at night.
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
“The dismal quarter of Soho”
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Almost everything important happen at night.
Victorian London—two side of society. The upper class and lower class, linking to duality.
Hyde always turns into Jekyll at night.
“The dismal quarter of Soho”
Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil.
Almost everything important happen at night.
Victorian London—two side of society. The upper class and lower class, linking to duality.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Fear of degeneration.
Victorian London—two side of society. The upper class and lower class, linking to duality.
Alcohol. Wine is referred to a lot throughout the novel. All of the main characters drink it excessively, alone and socially. However, none of the servants in the play touch alcohol when offered. Gin is also mentioned, as Utterson drinks this when he is by himself. Note: Gin is said to be the drink of the alcoholic when drank alone. “Jekyll and Hyde Syndrome” This is a commonly used term to describe the change that takes place in someone's persona when influenced by alcohol. It can be the dire need for more drink that makes it like this, and the efforts some people go to get it.
Drugs Jekyll is addicted to the drug he created, in which he transforms into Hyde. He does this to become another person where is relieved of his responsibilities as Dr Henry Jekyll. This drug soon takes over Jekyll and starts to control his life. It soon takes so much control over him that he can’t control when his personality splits. The drug is never identified, there fore it could be anything, which is why it can be related to today’s society.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
Addiction.
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
“Furnished with luxury and good taste”
Almost everything important happen at night.
Setting
Fear of degeneration.
“The dismal quarter of Soho”
Hyde’s house in Soho.
“Furnished with luxury and good taste”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Setting
Fear of degeneration.
Hyde’s house in Soho.
“the rooms bore every mark of having been recently and hurriedly ransacked.”
“Furnished with luxury and good taste”
Setting
Fear of degeneration.
“by-street in a busy quarter of London”
Hyde’s house in Soho.
“Furnished with luxury and good taste”
“the rooms bore every mark of having been recently and hurriedly ransacked.”
Setting
Fear of degeneration.
“by-street in a busy quarter of London”
Hyde’s house in Soho.
“Furnished with luxury and good taste”
Setting
“by-street in a busy quarter of London”
Hyde’s house in Soho.
“Furnished with luxury and good taste”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
Hyde’s house in Soho.
“Furnished with luxury and good taste”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
Hyde’s house in Soho.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“Furnished with luxury and good taste”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
Hyde’s house in Soho.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“Furnished with luxury and good taste”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
Hyde’s house in Soho.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“Furnished with luxury and good taste”
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
Hyde’s house in Soho.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
When Jekyll was at the pinnacle of his addiction he had to triple his dosage to reach to orgininal hit. However this time was taking it to remain normal, and not in distress. This has a very high reference to alcoholics these days, as they must always have alcohol to remain their normal person. Much like Jekyll’s condition.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
“by-street in a busy quarter of London”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde.
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality.
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
“the street shone out in contrast to its dingy neighbourhood like a fire in a forest”
Drugs create a different person in everyone.

5. Homosexuality –written the year after it was made illegal
Homosexuality –written the year after it was made illegal. “unspeakable vice” “unnatural”
The street in the 1st chap shines out with its “neat shop fronts” from its “dingy neighbourhood” intro of duality
“Morning, black as it was”
Jekyll’s house is located amongst “handsome houses...decayed from their high estate” but J’s has an “air of wealth and comfort” and is the only one not fractioned into separate chambers.
19th C. Victorian society J has to adhere to a standard because of his class. Creates Hyde to escape oppression
Hyde created early morning, in the dark-sense of evilness/wickedness.
The back of J’s house is distinct from it surrounds as it’s “sinister” and has the “marks of prolonged and sordid negligence”
London was fashionable for novels at the time although until J+H Gothic horrors were always set in Eastern Europe e.g. Frankenstein
Setting in London brings the action closer to the reader.
Hyde lives in an area of “muddy ways” “slatternly passengers” and “some district in a nightmare” No respectable person would be seen there
Setting
Hyde’s door is “blistered and disdained” and has no bell or knocker. Only Hyde has the key
However, his rooms are “furnished with luxury and good taste”
Fog covers up the mystery and is also an important genre marker.
Moonlight when Carew dies show duality as it can show romantic and horrific atmospheres.
H’s rooms in Soho have “been recently and horribly ransacked”
Hyde appears to occupy the night until J starts to lose control, he then appears in “twilight.”
Victorian society was obsessed with the idea of “degeneration” London was a city of high unemployment, prostitution, poverty and the upper classes were afraid of being brought down to this level.
There is a fore ground (murder) and background (romantic moonlight) aspect to the chapter where Carew dies.

6. Setting Setting Setting
Hyde represents evil demonstrated by him killing Sir Danvers Carew.
Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’
Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste.
Stevenson uses fog to hide the evil side of man.
Victorian time
Setting
Set in London although Stevenson came from Edinburgh.
“Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.”
Poverty and crime
Repression
Hyde represents evil demonstrated by him killing Sir Danvers Carew.
Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’
Hyde represents evil demonstrated by him killing Sir Danvers Carew.
Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’
Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste.
Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste.
Stevenson uses fog to hide the evil side of man.
Stevenson uses fog to hide the evil side of man.
Victorian time
Victorian time
Setting
Setting
Set in London although Stevenson came from Edinburgh.
“Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.”
Set in London although Stevenson came from Edinburgh.
“Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.”
Poverty and crime
Poverty and crime
Repression
Repression

7. Jekyll feels no responsibility for the actions and cruel aspects which is carried out as Hyde. Wants to protect status and respectability.
Jekyll can still be regarded as a respectable gentlemen.
Henry Jekyll, M.D, D.C.L, LL.D, F.R.S and C. This indicates Jekyll’s intelligent. Also that he’s respected and high in society.
Jekyll
Creates Hyde to act without responsibility with no consequences. He uses Hyde to cover and take the blame for what his “concealed pleasures” require
“it was Hyde…and Hyde alone that was guilty”
“ I had gone to bed Hyde and awakened Edward Hyde. This shows that Jekyll is unable to control Hyde.

8. “The moment I choose, I can be rid of Mr Hyde”
“The moment I choose, I can be rid of Mr Hyde”. This is important because we find out this is not true as Jekyll becomes addicted to Hyde. Jekyll accepting a small piece of responsibility.”
“an honest man”. This is ironic because even though Hyde committed the crimes Jekyll made Hyde. This means that Jekyll is not all honest
Born “to a large fortune”. This means he was part of the upper class from when he was born.
Jekyll
“Man is not truly one but truly two”
This represents the duality of man
He believes man has two sides.
He is addicted to Hyde which is
His bad side
“a large, well-made smooth-faced man of fifty, with something of a slyish cast”. This contradicts with Hyde who is small.
His pleasures were repressed when he
Was younger and are still repressed
In Victorian London.
This is why he creates Hyde
Hyde is under-evolved which shows the duality of man because he is not properly formed.

9. J + H J + H J + H J + H J + H J + H J + H
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
The Last Night: tea tray, signs of society, respectability and restraint
Jekyll proves that “man is not truly one but truly two”
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
J + H
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
Lanyon believes J is too unscientific.
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
In turmoil “chief of sinners, chief of sufferers”
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
The Last Night: tea tray, signs of society, respectability and restraint
J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I”
Written at a time that psychology was in its infancy.
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
Jekyll proves that “man is not truly one but truly two”
The Last Night: tea tray, signs of society, respectability and restraint
Written at a time that psychology was in its infancy.
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Jekyll proves that “man is not truly one but truly two”
The Last Night: tea tray, signs of society, respectability and restraint
Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Jekyll proves that “man is not truly one but truly two”
The Last Night: tea tray, signs of society, respectability and restraint
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Jekyll proves that “man is not truly one but truly two”
The Last Night: tea tray, signs of society, respectability and restraint
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Jekyll proves that “man is not truly one but truly two”
The Last Night: tea tray, signs of society, respectability and restraint
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Jekyll proves that “man is not truly one but truly two”
J + H
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
J + H
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
J + H
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
J + H
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents.
There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
J + H
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first.
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
J + H
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
Novel was written one year after homosexuality was banned in UK
As H’s actions become more severe, so does U’s hypothesis
Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut”
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
Lanyon believes J is too unscientific.
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
Lanyon believes J is too unscientific.
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
Lanyon believes J is too unscientific.
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
Lanyon believes J is too unscientific.
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
Lanyon believes J is too unscientific.
J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak?
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
In turmoil “chief of sinners, chief of sufferers”
J a man with “every mark of capacity and kindness” but also has a “slyish cast”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
Lanyon believes J is too unscientific.
In turmoil “chief of sinners, chief of sufferers”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
In turmoil “chief of sinners, chief of sufferers”
Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large”
In turmoil “chief of sinners, chief of sufferers”
In turmoil “chief of sinners, chief of sufferers”
In turmoil “chief of sinners, chief of sufferers”

10. Addiction Jekyll hypocritical about drug addiction characterisation
“The moment I choose I can be rid of Mr Hyde” Jekyll believes this but it’s not true
characterisation
His addiction eventually kills him – never in control
J never really gives up being Hyde after the murder of Carew
Addiction
References to “the drug”
Language word choice
Doesn’t give up the house in Soho
Setting
White powder. Symbolic
Colour change in the drug shows the physical and mental changes in Jekyll
symbolism
“Jekyll and Hyde syndrome used to describe violent drunks = modern use of the name
Drug changes his personality, just like alcohol
characterisation

11. Duality Jekyll/ Hyde Utterson/ Enfield Jekyll/Lanyon
1 side can dominate: evil
Shows everyone has two sides
Enfield: vivacious and “man about town”
Utterson: Quiet and solitary
“man is not truly one but truly two”
Two sides of Jekyll: respectable/ flamboyant
Utterson/ Enfield
Lanyon referred to Jekyll’s work as “unscientific balderdash”
Jekyll is predominantly good/Hyde is predominantly evil
Duality
Jekyll/Lanyon
Jekyll/ Hyde
“The street shone out in contrast to its dingy neighbourhood”
Jekyll
“dismal quarter of Soho”
Soho: place of wickedness and loose morals
Physics vs metaphysics
Lanyon changes when he witnesses the transformation
“furnished with luxury and good taste…recently and hurriedly ransacked”
Upper class
Hyde
Lower class

12. Shows Jekyll is losing control
Main turning point: Jekyll spontaneously turns into Hyde.
Shows good and evil coming together.
Light
Evil is becoming dominant.
When we see Hyde
When Utterson meets Hyde
Duality
When we see Jekyll
Dark
“I must flee before daylight.” Hyde
Mysterious atmosphere
Main events happen at night eg. Carew murder
sinister