1. FORWARD SERVER FS1000,2000,3000 KM300 Technology
Darim Vision Co., Ltd.

2. Forward Server Product Lines
FS1000 (Automation & Title Server) Ingestion+Logo/Titling+APC+Playout server with Switcher and Mixer
FS2000 (PostPlay Server) Automatic Record-edit-Rebroadcast Server in Realtime
FS3000 (Slow Motion Server) Mainly SPORT Realtime replay Server
KM300 (Key Machine)
2ch. Chromakey Machine

3. FS1000 Automation Server
Automation and Title Server includes all hardware and software for building fully automated playback system
Switcher+Mixer+Ingestion+Multi-Titling/Logo/PIP scheduler+TV Clock+Chromakey+Remote Control server
All In One solution for Single channel full Broadcast Automation : Comes with necessary Tools for edit, Title, logo, Multichannel titling, etc..
Full H/W and S/W solutions

4. FS2000 Replay Server Schedule Satelite Playout with Logo Ingest
PostPlay Server allows to capture, re-schedule and playback delayed video/audio data
FS Circular Buffered Recorder + Realtime Editor.
Can do Ad. / Title insertion in realtime or create schedule from remote Machine
Satelite
Analog IP
Ingest
Video
RealTime
Edit Video
Schedule
Playout with Logo
Title, Clock etc
FS1000

5. FS3000 Sport SlowMotion Server
Slow Motion Server is price effective replay machine with unbelievable fast user interface and very low price
FS2000+Multichannel Recording and Slow motion Realtime play control.

6. KM200 Chromakey Server
Key Machine is 2D virtual studio especially designed to generate good picture with bad environment (non-professional camera, bad lights, ‘stupid’ operator).
Keyout
Video1
KM200
Video Out or
Mixed Video output
Video2
Avi/Picutre

7. FS1000 Automation Server line
FS1000 – basic automation & title server
FS1100 – FS1000 server with web-IP information titling support
FS1200 – FS1000 server with SMS information titling support
FS900 – Remote web-IP titling only station
FS800 – SMS titling automation only station
FS500 – capture (ingest)/preparation station

8. FS2000 Replay server line FS2000
Basic re-scheduling, automation & title server
FS2020
Dual capture re-scheduling, automation & title server

9. FS3000 Sport Slow Motion product line
2 channels slow motion replay server
FS3040
4 channels slow motion replay server

10. FS Server In/Out options
FSnnn0 – Y/C version
FSnnn1 – YUV/RGB version
FSnnn2 – SDI version

11. Forward 1000 Automation Tapeless Automated Broadcast

12. Audio mixer + audio delay
Non-automated studio
Video inputs
Mixer
Playback server
Video outputs
Titling server
Clock generator
Logo insertion
Weather report
...
Audio inputs
Audio outputs
Audio mixer + audio delay

13. Semi Automated studio - APC
APC server
Video inputs
Mixer
Playback server
Video outputs
Titling server
Clock generator
Logo insertion
Weather report
...
Audio inputs
Audio outputs
Audio mixer + audio delay

14. Audio mixer + audio delay
FS1000 automated studio
Forward Server
APC server
Video inputs
Mixer
Playback server
Video outputs
Titling server
Clock generator
Logo insertion
Weather report
...
Audio inputs
Audio outputs
Audio mixer + audio delay

15. FS2000 RePlay automated studio
PostPlay Server
Forward Server
APC server
Video inputs
Mixer
Switcher + TBC
Time shift server
Playback server
Video outputs
Titling server
Clock generator
Logo insertion
Weather report
...
Audio inputs
Audio outputs
Audio mixer + audio delay

16. FS 1000 Application Areas Scheduled Advertisement insertion
Scheduled Multi-layer titling with PIP video, flash and so on
“All in one” (fully integrated automation server)
Ingestion+Playout+Multilayer titling +Logo + TV Clock + PIP video,Flash..

17. Other Applications of FS Servers
Title generation Server(with internal or external mixer usage)
Scheduled video playout Server
Scheduled Multi-layer titling Server
Scheduled input switcher, ingestion Server
Scheduled time shifter with full rescheduling/rebroadcasting of multi-channels
OEM Server– selection of key component features

18. Typical Tasks and Problems of regional broadcasters
Stable On air for 24/7/365 environment
Automated playback/scheduling
Whole Titling and decoration
Time Shift and Re-broadcasting of media (with re-scheduling)
Best Performance vs Price ratio
Chroma key and Mix - 2D Virtual Sets

19. Forward Series Server structure
Unique hardware for Server: FD300 board
Big set of software package:
Automation schedule (OnAir)
Ingest capture
Titling
Remote workplaces
H/W and S/W Optimized for Automation

20. FD300 H/W Functions
DSP

21. FD300 H/W Digital Signal Processing
To VIDEO
ENCODER
Form FPGA
MIXER

22. FD300 H/W Board Internal Structure of DSP Video Mixer

23. Technology Highlights: FD 300 Input/Out Diagram
Balanced Audio and
Active In/out signal Proc.

24. FD300 H/W Built-in audio mixer/delay unit
Up to 6 analog or 2 digital audio inputs/outputs
Selectable delay per channel (up to 1000 ms)
Multiple simultaneous outputs available

25. FD300 H/W configuration s/w

26. FS1000 softwares
Forward OnAir S/W– automated scheduled playback video and titles
Forward Title software:
Title Designer
Title generation utility
Forwards Capture (ingest)
Forward Video/Audio real time editing

27. FS OnAir: Broadcasting Automation
Forward 1000
OnAir software
Flexible combination of schedule and interactive controls
Multiformat media representation and operation
Real-time editing and updating
provides
An opportunity of updating of any not yet executed part of the schedule
Dynamic check of a correctness of the schedule
Bypassing erroneous tasks
Recording all actions of the operator and all successfully executed tasks to a LOG-file
The adjustable interface for operative creation of the schedule from the prepared materials
Automatic restore of execution of the schedule after emergency reset of systems

28. FS OnAir: Interactive Controls
Audio and Video Control Panel
Titling
Control Panel

29. FS OnAir: Media access Pictures Pictures with Alpha Movies
Movies with Alpha
Sounds
Virtual PostPlay clips
NLE projects
External events
Title scripts
Title objects

30. FS OnAir: Schedule Control
On-line Schedule
Visualisation and Editing
Dual window operation
Trim-editor
Cross-fade
Alarm on incidents
Log-book

31. Multi-instance Applications Title & Video separate schedule

32. FS OnAir: Broadcasting Automation Architecture

33. FS OnAir: Functional Diagram Broadcasting Automation system

34. FS OnAir multi-layer titles
OnAir application
Output video
Title engine (mix images)
Title object 1 F9
Title object 2 F10
Title object 3 F11
Title element 1 (crawl)
Title element 2a (AVI)
Title element 3 (Clock)
OnAir application uses title engine to mix different images, like static images, crawls, rolls and so on.
Title object #1 (static image) check the image changing every second and automatically update picture when the image file changes.
Title object #2 (static image) also automatically redraw new image if the file changed by external software.
Crawl title object #3 reread every crawl image on looped playback. Thus if 3-d party software will change one or more crawl files then new image will automatically displayed on next crawl loop.
Title element 2b (roll)

35. FS Title Designer Multi-layer Titles Compositor

36. Forward Title Title Creation - any style of OWN stype can be created.

37. FS TV Clock Designer Any clocks what you can imagine

38. Image Updater Dynamic titles generation from any text

39. MovieList Editor Playback movies in Titles Engine
Scheduled playback of pictures and movies with or without transparency layers inside titling objects (PIP)

40. FS WebTracker Automated Monitoring of WEB for news

41. Dynamic update of title images
OnAir application
Output video
Title engine (mix images)
Static image title object 1
Static image title object 2
Crawl title object 3
Read image every second
Read image every second
Read crawl image by image
Image1 (graphic file)
Image2 (graphic file)
Crawl images (graphic files)
OnAir application uses title engine to mix different images, like static images, crawls, rolls and so on.
Title object #1 (static image) check the image changing every second and automatically update picture when the image file changes.
Title object #2 (static image) also automatically redraw new image if the file changed by external software.
Crawl title object #3 reread every crawl image on looped playback. Thus if 3-d party software will change one or more crawl files then new image will automatically displayed on next crawl loop.
3-d party software (update the images)

42. 3-d party software (update the text files)
Automatic Dynamic Titling from updated Text Files
OnAir application
Output video
Title engine (mix images)
Static image title object
Static image title object
Crawl title object
Read image every second
Read image every second
Read crawl image by image
Image1 (graphic file)
Image2 (graphic file)
Crawl images (graphic files)
ForwardTSoftware includes FDImageUpdater application which can automatically recreate output image file from task sequence (or one task). Task is text file and corresponding title template. FDImageUpdater check time, read text file and recreate output image file which can be used as source file for static image title object or crawl title object.
At any case you need some kind of external software (or manually) to change text files or image files.
ImageUpdater application
ImageUpdater application
ImageUpdater application
ImageUpdater application
ImageUpdater application
Read text every second
Read text every second
3-d party software (update the text files)
Text 1a
Text 1b
Text2

43. FD Capture: Uncompressed/Multiformat Capture
Batch Capturing Via VTR control or Scheduled Recording Software
MultiFormat Codec:
Uncompressed
I-MPEG-2
Motion JPEG DV
DVC Pro. etc.
Capture drive support
Direct Show filter
Video For Windows
Capture SDK
Windows

44. FD AV Studio: Video / Audio editing software
Real-Time Editing Studio
Optimized for Video Server Project Preparation

45. FS2000 Server
PostPlay server – file storage with automatic data cleaning
PostPlay VideoIn – capture video and audio
PostPlay Preview – clip selection
OnAir – playback selected clips

46. PostPlay operation
Ingestion
Reschedule Play
Edit

47. FS2000 vs FS1000 + Dramatically decrease operator usage
+ More safety (no human errors)
– OnAir can not switch from one LIVE1 to LIVE2 or LIVE3
– More CPU requirement

48. For Slow Motion Instant Replay
FS3000
Sports Replay Server
For Slow Motion Instant Replay

50. FS3000
Based on technology of PostPlay system- Ability to edit and play back video with out stopping recording.
Allows capturing of up to 4 video channels and replaying any of them at any speed, from any specified position.
Main purpose of the system – replay goals, offsides, penalties and other sport moments from best view.
Very short delay between the moment and replay (~2-3 seconds).

51. FS3000 Sport Server features
Management of system through keyboard, mouse, Touch Screen, or external switcher.
Integration with a video equipment through GPI. (start/stop, GPI-in/GPI-out)
Insertion of a static or dynamic logo.
Easily playback all the highlights at the end of the game.
2 channel or 4 channel models.
Compact, integrated, ready to work.

54. FS3000: console user interface

55. FS3000 Server

56. FS3000: Replay console user interface

57. K M3 0 0 Innovative color keying toolkit
Chromate backdrop material Light emitting ring
for camera Color keying interface card

58. KM300 Digital Key Machine Automatic Digital Keying - Easy to use
Enhanced Mask Filtering/Clipping
Static/Animation(JPEG,DV,MPEG2)
Live Video Background
Optimized for SVHS as well

59. KM300 Unique chroma key especially designed for low-cost studio
Up to 2 cameras with independent chroma key settings
Decoration: live, movie or still images
Automatic settings
Presets

60. Digital Chroma Keyer Advantage
Fully Integrated
Fast Setting
Not so sensitive with Color and Light
Full Intelligent Automatic Key Set up.
Special Noise filter..
S-video/Composite Support

61. KM300: Chroma key
Unique algorithms of chroma key for low-budget cameras

62. K M 30 0
The powerful kit offering superior video digitizing and keying performance
- High quality automatic keying with manual adjustments of fine details
- Convenient user interface for both simple and advanced applications
- Multiple Composite, S-Video and YUV Component inputs with built-in TBC
- Optional SDI video input/output
- Genlocked video outputs with user-defined delay
- Key output channel for external mixing

63. KM 300 advantages background inconsistencies
• Improved tolerance to the lights and
background inconsistencies
• Lower sensitivity to the image noise caused by
video cameras
• Reduced cost of virtual set studios
• Excellent source for real time 3D video effects

64. H/W Specifications (FD 300)
Video Formats:
Uncompressed YUV 4:2:2,
MPEG1, MPEG2 (with/without Alpha)
DV, MJPEG (with/without Alpha)
Video Standards:
NTSC (720x480) or PAL (720x576)
Video switcher Inputs:
Up to 6 Composite (RCA, 75 Ohm)
Up to 3 S-Video (4-pin miniDIN, 75 Ohm)
Up to 2 YUV Component (BNC, 75 Ohm)
Optional SDI (BNC)
Sampling format:
YUV 4:2:2, 8-bit

65. Specifications (Forward 300)
Video Outputs:
Composite (RCA, 75 Ohm)
S-Video (4-pin miniDIN, 75 Ohm)
YUVa Component (BNC, 75 Ohm)
Optional SDI (BNC)
Sampling format:
YUVa 4:2:2:4, 8-bit
Color Keying:
Two independent channel of table-based color key with color correction and color mask filtering and clipping

66. Specifications (Forward 300)
Alpha Channel:
Real time 8-bit Alpha mixing of live video with CG images or compressed video
Time Base Correction:
Dual channel TBC
Genlock:
Outputs genlocked to any video input with programmable delay
Special I/O options:
CCIR 656 input/output interface
back drop material.

67. KM 300 KM 300 is an all new color keying toolkit
from Darim Vision. It delivers sophisticated real time keying functionality that
will amaze even the most experienced video professionals - yet the KM 200 is
easy to use. In KM300, we at Darim Vision have combined the world’s latest advances in light reflecting technology with our video engineering experience.
Thanks to the uniform light emitter and unique PC add-on hardware with table-based keying, color correction, mask filtering and clipping, KM 200 can
separate very fine details and transparent objects in the foreground from the
back drop material. Technically, this enables the background to be easily - without bleeding around the edges of the talent - substituted with recorded video in AVI or MPEG format (with or without embedded alpha channel).
In today’s era of virtual studio program making and broadcasting this means ....

68. Thank you
Darim Vision