1. B U S I N E S S B A S I C S Copyright Law for Artists & Entrepreneurs 515-288-3667

2. What is Copyright? Copyright is a form of protection provided by the laws of the United States to the authors of "original works of authorship," including: Literary Video Music Architecture Drama Software Art Other

3. What is unprotectable? Unoriginal work An element within a work may be unprotectable even if other elements, or the work as a whole, can be protected (i.e. the Mark Twain quote is not protectable even though the essay is). Material in the public domain is unprotectable because it "is free for the taking and cannot be appropriated by a single author even though it is included in a copyrighted work."

4. What is unprotectable? Works involving no creativity While only a “modicum” of creativity is required, there must be some creative aspect in order to be protected Examples of things not protected: Facts Ideas Blank forms Titles Lists of ingredients Pseudonyms

5. Copyright provides the rights to: Reproduce Prepare derivative works Sell or distribute copies Perform publicly Display publicly Perform publicly by a digital audio transmission.

6. Under the present copyright law, a work is automatically protected when it is created. Registration in the Copyright Office nor publication is required to secure copyright under the present law. BUT… there are advantages to registration and/or publication. Rights assumed upon creation

7. Why register or publish? What’s the difference? Establishes a public record Is required prior to initiating an infringement suit Required before infringement occurs to recover statutory damages or attorney fees Is considered public distribution of copies of a work When reproductions are publicly distributed or offered to a group for further distribution or public display. A public display does not constitute publication. A work of art that exists in only one copy is not regarded as published when the single existing copy is sold or offered for sale in the traditional way Whether a work is published or not may affect the number of copies and the type of material that must be deposited when registering for copyright. Registration Publication

8. Length of Protection Individual Life of Author/Creator + 70 years Works For Hire 95 years from publication or 120 years from creation, whichever expires first. *The Sonny Bono Copyright Extension Act of 1998 extended these rights by 20 years

9. Other rights for visual artists Applies only to photographs, paintings, drawings, prints, or sculpture Must either be –Original –Limited edition of 200 or fewer, signed and consecutively numbered Right of attribution grants the right to: –Claim or disclaim authorship –Prevent the use of the author’s name with works he or she did not create or with works that have been modified in such a way that it would harm the author’s “honor or reputation” Right of integrity grants the right to: –Prevent intentional distortion, mutilation, or other modification that would harm the author’s “honor or reputation” –Prevent intentional or grossly negligent destruction of a work of recognized stature

10. What is a Work for Hire? Work created by one person for another If it is a work for hire, the copyright is owned by the person who commissioned the work If not, the creator holds the copyright, and the person who commissioned the work get only a nonexclusive license

11. Why does it matter? Affects duration of copyright The employer/commissioning party is considered the “author” Creator cannot terminate the employer/commissioning party’s rights –Applies to works created 1978 or after –Authors can terminate a transfer of rights between 35 and 40 years after the transfer

12. Did I Make a Work for Hire? Created by an employee in the scope of his or her employment –Are you are an “employee”? Employer has the right to control the method or result of the work Employer provides the tools or materials Employer pays by time rather than by job Tax status Can be fired –Work is “in the scope of employment” if: Kind of work employed to perform Work done substantially within work hours and employer’s space Purpose is, at least partly, to serve the employer

13. Did I Make a Work for Hire? Independent contractor making a specially commissioned work –Only certain types of commissioned works can be a work for hire Contribution to a collective work Part of a motion picture or other audiovisual work Translation Supplementary work (forewords, illustrations, tables, maps, charts, bibliographies, appendices, indices) Compilation Instructional text (purpose of use in systematic instructional activities) Test Answer materials for a test Atlas

14. Did I Make a Work for Hire? Independent contractor making a specially commissioned work –Must be a written agreement –Must be signed before work has begun (probably) –Must specifically state that the agreement is for a work made for hire Courts often favor authors if the language is not precise –Agreements often have “backup assignments”

15. What is Fair Use? A privilege for others is the ability to use the copyrighted material in a reasonable manner without consent. Purposes: Criticism Comment News reporting Teaching Scholarship or research

16. Rules of Fair Use Quantity of copied material Proportion of work copied Proportion of new work comprised of copied material Nature of work in which copied material appears Copied work published or unpublished Effect of market for copied work

17. Has your copyright been infringed? Copyright infringement can be found with or without intent The making of even a single unauthorized copy may constitute an infringement The owner must prove ownership of the work and that the defendant "copied" the work Copying must be of protected expression, not just ideas

18. Copyrights came in handy for… George Rodrigue, creator of Blue Dog Jim Davis, creator of Garfield Brian Andreas, author and creator of “Story People” Susan Kelk Cervantes and Juana Alicia, et al. – muralists who sued Corbis Corp. owned by Bill Gates

19. Fixing infringement CIVIL REMEDIES Preliminary or permanent injunction to prevent or restrain infringement Before final judgment is rendered, copyright owner may elect to recover actual damages and profits of the infringer or be awarded statutory damages - Innocent infringement vs. willful infringement Attorney fees –Frivolousness –Bad faith –Objectively unreasonable claim/defense –Compensation/deterrence –Applied equally to plaintiffs & defendants

20. CRIMINAL OFFENSES Must be proven that infringement was willful and for purposes of commercial advantage or financial gain Criminal proceedings must begin within 3 years after the criminal action arose Other criminal copyright offenses: - placement, with fraudulent intent, of a copyright notice - the public distribution or importation for public distribution, with fraudulent intent, of any article containing a copyright notice the distributor or importer knows to be false - the removal or alteration, with fraudulent intent, of any notice of copyright on a copy of a copyrighted work - false representation, with knowledge, of a material fact in an application for copyright registration Fixing infringement

21. Questions? Thanks for your Time!