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Teaching support – 9 lecturers Paul Bentley Paul Hodson Placement Student – Zaid Crowe Teaching support – 9 lecturers Paul Bentley Paul Hodson Placement Student – Zaid Crowe Themes - Music Technology Media Business Themes - Music Technology Media Business VENUE - VENUE - E8/E10/E1 VENUE - VENUE - E8/E10/E1
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A three year BSc honours Technology degree course. Each year (level) is in two semesters (half year). There are four modules in each semester - Four/Eight over a year. Music Technology is largely in-course assessment. A three year BSc honours Technology degree course. Each year (level) is in two semesters (half year). There are four modules in each semester - Four/Eight over a year. Music Technology is largely in-course assessment. The course
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Modules (normally 3 hours each week) 1.MIDI, Audio Processing, Mixing Desk 2.Introduction to Media Technology, Internet 3a.Basic Electronics, PC3b Music Business 4.Music Principles OR Music Performance 3. 3.Introduction to Business, Marketing, Human Resources Replaces (3a) for Music Technology with Management Modules (normally 3 hours each week) 1.MIDI, Audio Processing, Mixing Desk 2.Introduction to Media Technology, Internet 3a.Basic Electronics, PC3b Music Business 4.Music Principles OR Music Performance 3. 3.Introduction to Business, Marketing, Human Resources Replaces (3a) for Music Technology with Management The course LEVEL ONE Semester 1&2 LEVEL ONE Semester 1&2
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LEVEL TWO Semester 3&4 1.Studio Technology, Equipment & Recording 2. 2.Synthesizer Technology, MIDI, Audio Visual Control 3. 3.Sound, Acoustics 4. 4.Group Option Multimedia Technology Creative Music Development Film Production Technology Management & Business LEVEL TWO Semester 3&4 1.Studio Technology, Equipment & Recording 2. 2.Synthesizer Technology, MIDI, Audio Visual Control 3. 3.Sound, Acoustics 4. 4.Group Option Multimedia Technology Creative Music Development Film Production Technology Management & Business The course
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LEVEL TWO Semester 3&4 1.Studio Technology, Equipment & Recording 2. Event Management 3. Sound, Acoustics 4.Group Option Synthesizer Technology, MIDI, Audio Visual Control Business Options Creative Music Development LEVEL TWO Semester 3&4 1.Studio Technology, Equipment & Recording 2. Event Management 3. Sound, Acoustics 4.Group Option Synthesizer Technology, MIDI, Audio Visual Control Business Options Creative Music Development The course
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LEVEL THREE Semester 5Semester 6 1.ProjectProject 2.Project ManagementStarting a Business 3. 3.Music Processing Pro Tools 4. 4.Group Option Managing Solutions, DVD Authoring, Video Recording, Technology Options LEVEL THREE Semester 5Semester 6 1.ProjectProject 2.Project ManagementStarting a Business 3. 3.Music Processing Pro Tools 4. 4.Group Option Managing Solutions, DVD Authoring, Video Recording, Technology Options The course
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LEVEL THREE Semester 5Semester 6 1.ProjectProject 2.Project ManagementStarting a Business 3.Music ProcessingMarketing 4.Group Option Pro Tools, Business Options Technology Options LEVEL THREE Semester 5Semester 6 1.ProjectProject 2.Project ManagementStarting a Business 3.Music ProcessingMarketing 4.Group Option Pro Tools, Business Options Technology Options The course
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2 ‘Traditional’ Recording Studios with Live Room 2 ‘Digital’ Recording Studios (one with Live Room) 2 ‘Project’ Booths (Recording & Mixing) Pro-Tools Professional Recording Studio Rehearsal Room PC lab consisting 80 seats 2 ‘Traditional’ Recording Studios with Live Room 2 ‘Digital’ Recording Studios (one with Live Room) 2 ‘Project’ Booths (Recording & Mixing) Pro-Tools Professional Recording Studio Rehearsal Room PC lab consisting 80 seats FacilitiesFacilities
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Hard disk Recorders ADAT Recorders Instruments FX Units Samplers Compressors Mixers Hard disk Recorders ADAT Recorders Instruments FX Units Samplers Compressors Mixers STUDIO EQUIPMENT
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Professional Studio with Live Room Film/Music Synchronisation Second Pro Tools Teaching Area Level 3 Module and Projects Professional Studio with Live Room Film/Music Synchronisation Second Pro Tools Teaching Area Level 3 Module and Projects PRO-TOOLSPRO-TOOLS
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September 1997 20 students COURSE DEVELOPMENT September 1998 87 students September 1999 145 students September 2001 145 students September 2002 100 students September 2000 150 students September 2003 120 students
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Sound Engineer(including EMI, BBC) Studio Management Education (2 HOD’s, 5 Lecturers, 1 Teacher, 6 Research) Consultant Production assistant (including BBC), Runner Sound for Theatre Composer Sky Web Design TV and Video Post Production Sound Design Computer Games (incl Harry Potter) Sound Engineer(including EMI, BBC) Studio Management Education (2 HOD’s, 5 Lecturers, 1 Teacher, 6 Research) Consultant Production assistant (including BBC), Runner Sound for Theatre Composer Sky Web Design TV and Video Post Production Sound Design Computer Games (incl Harry Potter) CAREERSCAREERS
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Tours of Facilities (30 mins) WHAT NEXT ? Interview (30 mins) View Accommodation ? View Other Universities Goodbye Tea Coffee, Questions …..for now …..for now
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Aaron McLellend running a record label in Ireland Jo Pettit runner for Capital Studios, London Charlotte Hanslow Head of Music at school in Derby Aidan Pepper Organiser for Birmingham youth scheme Martin HolmesAudio consultant Jonathan Cundey Studio engineer in Derby Ramon Gonzalez Telefonika, Spain, Sound Engineer James Hotchkiss Production assistant, BBC Radio, London Ivan Geraghty Sky Ian Dowling Studio engineer, Strongroom Studios, London Matthew Seymour Head of Music Technology at Stafford College Hannah Dovey Part-time lecturer in Music technology at Glamorgan University Ian Dowling Strongroom Studios, London Philip Plumpton Technical Engineer, EMI Olympic Studios, London James O’Donovan Metropolis films, Brighton, Sound Engineer and composer Aaron McLellend running a record label in Ireland Jo Pettit runner for Capital Studios, London Charlotte Hanslow Head of Music at school in Derby Aidan Pepper Organiser for Birmingham youth scheme Martin HolmesAudio consultant Jonathan Cundey Studio engineer in Derby Ramon Gonzalez Telefonika, Spain, Sound Engineer James Hotchkiss Production assistant, BBC Radio, London Ivan Geraghty Sky Ian Dowling Studio engineer, Strongroom Studios, London Matthew Seymour Head of Music Technology at Stafford College Hannah Dovey Part-time lecturer in Music technology at Glamorgan University Ian Dowling Strongroom Studios, London Philip Plumpton Technical Engineer, EMI Olympic Studios, London James O’Donovan Metropolis films, Brighton, Sound Engineer and composer
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Chris Rivers Turnkey, London, Web design, e-commerce James Singleton Program Co-ordinator for Media, Preston College Daniel Tate Biddup TV, London Victor Jeyaseelan MSc Computer Science, Westminster University Kirsten Cheal Musician’s database organiser in London. Andrew Moore BBC, London, trainee in video post-production William Yates Technician at technical College Rebecca Gorman PhD in Acoustics, Loughborough Uni Richard Holding Further degree in computer gaming, Lincoln Uni Katrina Hutchins Interactive editor, Manchester College of Arts &Technology Ioannis Kassotis EMI, Athens Paul Kearney training as studio manager David Kilgallon MA in Electro-acoustic composition, York Uni James Locke-HartEA, (Electronic Arts) sound design for computer games (sound for the Harry Potter films) Robert Malkowski Industrial DJ at Turnkey, London Previously Tech Stage Manager, Alton Towers Chris Rivers Turnkey, London, Web design, e-commerce James Singleton Program Co-ordinator for Media, Preston College Daniel Tate Biddup TV, London Victor Jeyaseelan MSc Computer Science, Westminster University Kirsten Cheal Musician’s database organiser in London. Andrew Moore BBC, London, trainee in video post-production William Yates Technician at technical College Rebecca Gorman PhD in Acoustics, Loughborough Uni Richard Holding Further degree in computer gaming, Lincoln Uni Katrina Hutchins Interactive editor, Manchester College of Arts &Technology Ioannis Kassotis EMI, Athens Paul Kearney training as studio manager David Kilgallon MA in Electro-acoustic composition, York Uni James Locke-HartEA, (Electronic Arts) sound design for computer games (sound for the Harry Potter films) Robert Malkowski Industrial DJ at Turnkey, London Previously Tech Stage Manager, Alton Towers
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Matthew Nelson Portable recording studio (Nelsoundmusic) Debbie Spendlove Music technician, Napier University Rhys Tudur Audio technician, recording studio, Wales Marcos Willatts Chief technical co-ordinator in theatre, N.Devon Carl Barton Studio manager,Studio Q, Stoke-on-Trent 8th in the Radio One Unsigned Chart(Feb.04) Benjamin HuxleyNXT sound solutions, website design works Richard SpellerM.A. Bangor University, completed Feb. 04 Dirin OvuerayeM.A. in Digital Media, completed Feb. 04, possible project with David Holmes who did soundtrack for Oceans Eleven Vikash MorjariaMusic PR in London Patrick Leesepart-time lecturing at Ellesmere Port John Carter AndersonWorking at BBC Jan 04 Jonathan GoughYouth and music, Portishead Steven TunnicliffeIndependent soundscape producer Claire Rogerspart-time lecturing Stafford College Alastair FayRegent Theatre Hanley Matthew Nelson Portable recording studio (Nelsoundmusic) Debbie Spendlove Music technician, Napier University Rhys Tudur Audio technician, recording studio, Wales Marcos Willatts Chief technical co-ordinator in theatre, N.Devon Carl Barton Studio manager,Studio Q, Stoke-on-Trent 8th in the Radio One Unsigned Chart(Feb.04) Benjamin HuxleyNXT sound solutions, website design works Richard SpellerM.A. Bangor University, completed Feb. 04 Dirin OvuerayeM.A. in Digital Media, completed Feb. 04, possible project with David Holmes who did soundtrack for Oceans Eleven Vikash MorjariaMusic PR in London Patrick Leesepart-time lecturing at Ellesmere Port John Carter AndersonWorking at BBC Jan 04 Jonathan GoughYouth and music, Portishead Steven TunnicliffeIndependent soundscape producer Claire Rogerspart-time lecturing Stafford College Alastair FayRegent Theatre Hanley
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