1. Tape #6 & #7 The Beach Boys The Beach Boys The Righteous Brothers The Righteous Brothers The Beatles The Beatles The Rolling Stones The Rolling Stones

2. The Beach Boys Brothers: Brothers: Brian Wilson (keyboards,bass) Brian Wilson (keyboards,bass) Carl Wilson (guitar) Carl Wilson (guitar) Dennis Wilson (drums) Dennis Wilson (drums) Their Cousin: Mike Love (lead vocals,sax) Their Cousin: Mike Love (lead vocals,sax) Their next door neighbor Al Jardin (guitar) Their next door neighbor Al Jardin (guitar)

3. SURFIN’ SAFARI The Beach Boys(9/62) Their 1 st hit Their 1 st hit #14 Top 100 #14 Top 100

4. SURFIN’ USA Beach Boys(4/63) #3 hit - 2nd album release #3 hit - 2nd album release Surfin' USA broke The Beach Boys' career wide open Surfin' USA broke The Beach Boys' career wide open Brian Wilson’ writing with doubled vocals established a unique sound. Brian Wilson’ writing with doubled vocals established a unique sound.

5. SURFIN’ USA Beach Boys(4/63) The song so closely resembled Chuck Berry's Sweet Little Sixteen that the threat of a lawsuit gave Berry co-writing credit on the album. The song so closely resembled Chuck Berry's Sweet Little Sixteen that the threat of a lawsuit gave Berry co-writing credit on the album. Chuck Berry's Sweet Little Sixteen Chuck Berry's Sweet Little Sixteen

6. Song Fact Resources www.songfacts.com www.songfacts.com www.wikipedia.com www.wikipedia.com www.wikipedia.com www.google.com www.google.com

7. LITTLE DEUCE COUPE The Beach Boys(9/63) #15 hit single #15 hit single Little Deuce Coupe was the B-side of the single Surfer Girl. Little Deuce Coupe was the B-side of the single Surfer Girl. Little Deuce Coupe Little Deuce Coupe Also on the album Surfer Girl (1963). Also on the album Surfer Girl (1963). Surfer Girl1963 Surfer Girl1963 written and sung by Brian Wilson. written and sung by Brian Wilson.Brian WilsonBrian Wilson

8. 1932 Ford Deuce Coupe Roadster A Deuce Coupe roadster was easy to find and inexpensive. Literally hundreds of Deuces were recruited for racing on dirt oval tracks and dry lakes. A Deuce Coupe roadster was easy to find and inexpensive. Literally hundreds of Deuces were recruited for racing on dirt oval tracks and dry lakes. Being simple cars made them easy to strip down and modify. Being simple cars made them easy to strip down and modify. John Milner drove a yellow 32 Ford Deuce Coupe in 1973 film American Graffiti John Milner drove a yellow 32 Ford Deuce Coupe in 1973 film American Graffiti

9. IN MY ROOM The Beach Boys(11/63) #6 hit #6 hit written by Brian Wilson written by Brian WilsonBrian WilsonBrian Wilson and Gary Usher and Gary UsherGary UsherGary Usher From the album Surfer Girl (1963). From the album Surfer Girl (1963). Surfer Girl Surfer Girl Also released on a single as the B-side of "Be True To Your School". Also released on a single as the B-side of "Be True To Your School".Be True To Your SchoolBe True To Your School

10. FUN, FUN, FUN The Beach Boys(2/64) #5 hit #5 hit opening electric guitar introduction was lifted directly from Chuck Berry's Johnny B Goode, released in 1955. opening electric guitar introduction was lifted directly from Chuck Berry's Johnny B Goode, released in 1955.electric guitarChuck BerryJohnny B Goode1955electric guitarChuck BerryJohnny B Goode1955

11. FUN, FUN, FUN The Beach Boys(2/64) The conservative Wilsons' father, Murry, denounced the whole idea for the song as immoral, and tried to prevent the group from recording it. The conservative Wilsons' father, Murry, denounced the whole idea for the song as immoral, and tried to prevent the group from recording it. Murry

12. HELP ME RHONDA The Beach Boys(5/65) #1 hit for 2 weeks #1 hit for 2 weeks Also on the album Summer Days and Summer Nights Also on the album Summer Days and Summer Nights

13. CALIFORNIA GIRLS The Beach Boys(8/65) #3 Hit single #3 Hit single One of his greatest compositions- came from Brian Wilson's first LSD experience One of his greatest compositions- came from Brian Wilson's first LSD experience Unfortunately, he claims it also left him with a threatening voice in his head permanently, paving the way for the mental illness which would strike him later in life. Unfortunately, he claims it also left him with a threatening voice in his head permanently, paving the way for the mental illness which would strike him later in life.

14. BARBARA ANN The Beach Boys(1/66) #2 hit single #2 hit single From the album Beach Boys Party! From the album Beach Boys Party! Dean Torrence of Jan and Dean, is featured on lead vocals with Brian Wilson. Dean Torrence of Jan and Dean, is featured on lead vocals with Brian Wilson.Jan and DeanJan and Dean Dean was not credited on the album jacket but "Thanks, Dean" is said by Carl at the end of the track. Dean was not credited on the album jacket but "Thanks, Dean" is said by Carl at the end of the track. Covered by The Who Covered by The Who

15. GOOD VIBRATIONS The Beach Boys(10/66) 3 rd #1 Hit 3 rd #1 Hit One of the most important and influential pop singles ever released. One of the most important and influential pop singles ever released. The most technically advanced single yet recorded The most technically advanced single yet recorded Used multiple thematic segments and highly varied instrumentation Used multiple thematic segments and highly varied instrumentation Unusual use of the cello as well as a simplified version of the theremin, called an electro- theremin. Unusual use of the cello as well as a simplified version of the theremin, called an electro- theremin. celloelectro- theremin celloelectro- theremin

16. 409 The Beach Boys(4/62) Also on the 1963 album Little Deuce Coupe. Also on the 1963 album Little Deuce Coupe.1963Little Deuce Coupe1963Little Deuce Coupe Also released as a single, with the B-side as "Surfin' Safari". Also released as a single, with the B-side as "Surfin' Safari". B-sideSurfin' Safari B-sideSurfin' Safari The single peaked at #14 in the U.S. The single peaked at #14 in the U.S.U.S.

17. LITTLE OLD LADY FROM PASADENA The BeachBoys (1964) From the album Beach Boys Concert From the album Beach Boys Concert written in 1964 by Jan and Dean. "The Little Old Lady From Pasadena" was 1st a Jan & Dean hit. written in 1964 by Jan and Dean. "The Little Old Lady From Pasadena" was 1st a Jan & Dean hit. Jan and DeanJan & Dean Jan and DeanJan & Dean

18. LITTLE OLD LADY FROM PASADENA

19. KOKOMO The Beach Boys(7/88) Written by Mike Love, Scott McKenzie, Terry Melcher, and John Phillips Written by Mike Love, Scott McKenzie, Terry Melcher, and John PhillipsMike LoveScott McKenzieTerry Melcher John PhillipsMike LoveScott McKenzieTerry Melcher John Phillips Their only #1 hit not written or produced by Brian Wilson. Their only #1 hit not written or produced by Brian Wilson. Brian Wilson Brian Wilson Beach Boys' first #1 U.S. hit since 1966's Good Vibrations Beach Boys' first #1 U.S. hit since 1966's Good Vibrations Good Vibrations Good Vibrations

20. KOKOMO The Beach Boys(7/88) Same layered-singing signature style Same layered-singing signature style heavy use of steel drums. heavy use of steel drums.steel drumssteel drums Released on the album Still Cruisin' Released on the album Still Cruisin'Still Cruisin'Still Cruisin' Featured on the soundtrack of the Tom Cruise movie Cocktail. Featured on the soundtrack of the Tom Cruise movie Cocktail.Tom CruiseCocktailTom CruiseCocktail

21. LITTLE LATIN LUPE LU Righteous Brothers(1963) 1 st single – not a big hit 1 st single – not a big hit They gained their name when an African-American Marine shouted out "That was righteous, brothers" at the end of a show. They gained their name when an African-American Marine shouted out "That was righteous, brothers" at the end of a show. African-American Marine African-American Marine

22. YOU’VE LOST THAT LOVIN’ FEELIN’ The Righteous Brothers(1965) Their 1st major hit single Their 1st major hit single Produced by Phil Spector, the record is often cited as one of the best examples of Spector's Wall of Sound production techniques. Produced by Phil Spector, the record is often cited as one of the best examples of Spector's Wall of Sound production techniques.ProducedPhil SpectorWall of SoundProducedPhil SpectorWall of Sound most played song in radio history, over 8 million broadcasts to date. most played song in radio history, over 8 million broadcasts to date. A little known song fact: Spector used Sonny and Cher as back-up singers. A little known song fact: Spector used Sonny and Cher as back-up singers.Sonny and CherSonny and Cher

23. UNCHAINED MELODY*** The Righteous Brothers(1965) #4 hit #4 hit After the early 70’s they were hitless until 1990, when their original 1965 version of "Unchained Melody" returned to #1 hit the charts in the movie Ghost. After the early 70’s they were hitless until 1990, when their original 1965 version of "Unchained Melody" returned to #1 hit the charts in the movie Ghost.Ghost

24. (YOU’RE MY)SOUL & INSPIRATION The Righteous Brothers (1966) Their emotive vocal stylings were sometimes dubbed "blue-eyed soul." Their emotive vocal stylings were sometimes dubbed "blue-eyed soul."blue-eyed soulblue-eyed soul

25. I WANT TO HOLD YOUR HAND The Beatles(1/64) First #1 Hit in U.S. First #1 Hit in U.S. In 1963, the Beatles became stars in England, but couldn't get a major label to distribute their singles in America… In 1963, the Beatles became stars in England, but couldn't get a major label to distribute their singles in America… so songs like "Love Me Do" and "She Loves You" were issued on small labels and flopped, even though they were hits in England. so songs like "Love Me Do" and "She Loves You" were issued on small labels and flopped, even though they were hits in England.

26. I SAW HER STANDING THERE The Beatles(3/63) #14 U.S.chart #14 U.S.chart 1 st track of the Please, Please Me album 1 st track of the Please, Please Me album B Side of single I Want To Hold Your Hand B Side of single I Want To Hold Your Hand McCartney admits to lifting his bass line directly from a Chuck Berry song called "I'm Talking About You" McCartney admits to lifting his bass line directly from a Chuck Berry song called "I'm Talking About You"

27. ALL MY LOVIN’ The Beatles(11/63) 1 st time any song was written by Paul without John. 1 st time any song was written by Paul without John. It is best known for being the band's opening number on their famous US debut performance on The Ed Sullivan Show on February 9, 1964 It is best known for being the band's opening number on their famous US debut performance on The Ed Sullivan Show on February 9, 1964USThe Ed Sullivan ShowFebruary 91964USThe Ed Sullivan ShowFebruary 91964

28. TILL THERE WAS YOU The Beatles(11/63) Most famous cover of the tune from the musical “The Music Man” Most famous cover of the tune from the musical “The Music Man” It is one of the songs they used to audition for a spot with the Parlophone (UK) record label. It is one of the songs they used to audition for a spot with the Parlophone (UK) record label. Albums: Albums: With the Beatles-’63 (UK) With the Beatles-’63 (UK) Meet The Beatles-’64 (US) Meet The Beatles-’64 (US)

29. ’64 US Album – MEET the Beatles

30. ROCK-N ROLL MUSIC The Beatles(11/63) From UK album Beatles For Sale (‘63); From UK album Beatles For Sale (‘63); later on US album Beatles ‘65 later on US album Beatles ‘65 written and originally recorded by Chuck Berry written and originally recorded by Chuck Berry Covered by other well-known artists including: Covered by other well-known artists including: The Beach Boys, Humble Pie, Manic Street Preachers, Bill Haley & His Comets.

32. MY LOVE The Beatles

33. I FEEL FINE The Beatles

34. HELP The Beatles

35. Single – MICHELLE( transformation of The Beatles’ artistic direction started with their album Rubber Soul transformation of The Beatles’ artistic direction started with their album Rubber Soul Rubber Soul Rubber Soul They began to change from a pop oriented act to a more serious and experimental studio band. They began to change from a pop oriented act to a more serious and experimental studio band.

36. "Michelle" is the title of a love ballad by the Beatles, written by Paul McCartney which is featured on their Rubber Soul album. The song departs from most of the Beatles' other recordings in that some of the lyrics are in French, and in fact it is believed to be one of the first bilingual pop songs ever.[citation needed] balladthe BeatlesPaul McCartney Rubber Soul recordingslyricsFrenchbilingualcitation neededballadthe BeatlesPaul McCartney Rubber Soul recordingslyricsFrenchbilingualcitation needed

37. "Michelle" has its origins in the popularity of French Left Bank culture during McCartney's Liverpool days. McCartney had gone to a party of art students where a student with a goatee and a striped T-shirt was singing a French song. He soon wrote a farcical imitation to entertain his friends that involved French-sounding groaning instead of real words. The song remained a party piece until 1965, when Lennon suggested he rework it into a proper song for inclusion on Rubber Soul. FrenchLeft BankLiverpoolT-shirtRubber SoulFrenchLeft BankLiverpoolT-shirtRubber Soul

38. McCartney decided to remain with the French feel of his song and asked Jan Vaughan, the wife of his old friend Ivan Vaughan, who was also a French teacher, to come up with a French name and a phrase that rhymed with it. "It was because I'd always thought that the song sounded French that I stuck with it. I can't speak French properly so that's why I needed help in sorting out the actual words," McCartney said. [citation needed] McCartney decided to remain with the French feel of his song and asked Jan Vaughan, the wife of his old friend Ivan Vaughan, who was also a French teacher, to come up with a French name and a phrase that rhymed with it. "It was because I'd always thought that the song sounded French that I stuck with it. I can't speak French properly so that's why I needed help in sorting out the actual words," McCartney said. [citation needed]Ivan Vaughancitation neededIvan Vaughancitation needed

39. Vaughan came up with "Michelle, ma belle," and a few days later he asked for a translation of "these are words that go together well" — "sont des mots qui vont très bien ensemble". When McCartney played the song for Lennon, Lennon suggested that he put the verse of "I love you" in the middle, and the song was complete. It won the Grammy Award for Song of the Year. In 1999, BMI named "Michelle" as the 42nd-most performed song of the 20th Century. Grammy Award for Song of the Year1999BMI20th CenturyGrammy Award for Song of the Year1999BMI20th Century

40. YESTERDAY From the HELP! Album-’65 From the HELP! Album-’65 most covered pop song of all time, over 3,000 versions recorded according to Guinness World Records. most covered pop song of all time, over 3,000 versions recorded according to Guinness World Records. also the song with the most radio plays, ‘til 1999 when "You've Lost That Lovin' Feeling" had passed it. (BMI Records) also the song with the most radio plays, ‘til 1999 when "You've Lost That Lovin' Feeling" had passed it. (BMI Records)

41. 1st Beatles song to capture a mass adult market. Most fans were young people ‘til then. 1st Beatles song to capture a mass adult market. Most fans were young people ‘til then. It also became one of their "Muzak" classics, as companies recorded instrumental versions as soothing background noise for shopping centers and elevators. It also became one of their "Muzak" classics, as companies recorded instrumental versions as soothing background noise for shopping centers and elevators. McCartney is the only Beatle to play on this. It was the first time a Beatle recorded without the others. McCartney is the only Beatle to play on this. It was the first time a Beatle recorded without the others. A string quartet was brought in to play on this. In addition to the strings, this is notable as one of the first Pop songs to use elements of Classical Music. A string quartet was brought in to play on this. In addition to the strings, this is notable as one of the first Pop songs to use elements of Classical Music.

42. Some of the artists who have covered this song include Some of the artists who have covered this song include Boyz II Men, Boyz II Men, Ray Charles, Ray Charles, En Vogue, En Vogue, Marianne Faithfull, Marianne Faithfull, Tom Jones, Tom Jones, Elvis Presley, Elvis Presley, Frank Sinatra, Frank Sinatra, The Supremes, The Toys, Andy Williams, and Tammy Wynette. The Supremes, The Toys, Andy Williams, and Tammy Wynette.

43. Paul McCartney's first performance at the Grammys came in 2006. He joined in with Jay-Z and the lead singer of Linkin Park to sing part of the lyrics to this song. Paul McCartney's first performance at the Grammys came in 2006. He joined in with Jay-Z and the lead singer of Linkin Park to sing part of the lyrics to this song.

44. Yesterday McCartney had to ask Michael Jackson to use this in his movie Give My Regards to Broadstreet. McCartney had to ask Michael Jackson to use this in his movie Give My Regards to Broadstreet. Jackson outbid McCartney for the publishing rights to The Beatles catalogue. Jackson outbid McCartney for the publishing rights to The Beatles catalogue.

45. When The Beatles Anthology album was released, McCartney asked that the writing credit on this read "McCartney/Lennon," since he wrote it. When The Beatles Anthology album was released, McCartney asked that the writing credit on this read "McCartney/Lennon," since he wrote it. This caused a rift between McCartney and Yoko Ono. Yoko refused, and it was listed as"Lennon/McCartney," This caused a rift between McCartney and Yoko Ono. Yoko refused, and it was listed as"Lennon/McCartney," which is how they usually credited songs written by either Beatle (between Please Please Me and With The Beatles, the song credits turned from McCartney/Lennon to Lennon/McCartney). which is how they usually credited songs written by either Beatle (between Please Please Me and With The Beatles, the song credits turned from McCartney/Lennon to Lennon/McCartney).

46. In 2003, McCartney switched the writing credit for the first time when he listed 19 Beatles songs on his Back In The US album as "Paul McCartney and John Lennon." In 2003, McCartney switched the writing credit for the first time when he listed 19 Beatles songs on his Back In The US album as "Paul McCartney and John Lennon." Paul claims he and John made an informal agreement in 1962 regarding the credits, but he had every right to switch it if he chose. Yoko disagreed. Paul claims he and John made an informal agreement in 1962 regarding the credits, but he had every right to switch it if he chose. Yoko disagreed.

47. Album Cover Controversy

48. DAY TRIPPER The Beatles(12/65) Released as a "double A- side" single with "We Can Work It Out". Released as a "double A- side" single with "We Can Work It Out".double A- sideWe Can Work It Outdouble A- sideWe Can Work It Out #5 US/#1 UK #5 US/#1 UK The Beatles started the practice of releasing Double A sided singles with this song. The Beatles started the practice of releasing Double A sided singles with this song. Lennon famous signature guitar riff, is an attempt to better Stones'"Satisfaction." Lennon famous signature guitar riff, is an attempt to better Stones'"Satisfaction."Satisfaction "Day-tripper" was a typical play on words by John: "Day trippers are people who go on a day trip, right? But [the song] was kind of... you're just a weekend hippie. Get it?" "Day-tripper" was a typical play on words by John: "Day trippers are people who go on a day trip, right? But [the song] was kind of... you're just a weekend hippie. Get it?"Day-trippertrip hippieDay-trippertrip hippie Also on the U.S. album Yesterday and Today Also on the U.S. album Yesterday and Today

49. ELEANOR RIGBY The Beatles Released as a Double A sided single with Yellow Submarine – also on the Revolver album Released as a Double A sided single with Yellow Submarine – also on the Revolver album one of The Beatles' most recognizable and unique songs one of The Beatles' most recognizable and unique songs Backed by an 8-person string section scored by producer George Martin Backed by an 8-person string section scored by producer George MartinGeorge MartinGeorge Martin Striking lyrics were about the loneliness of old age - continuation as an experimental studio band Striking lyrics were about the loneliness of old age - continuation as an experimental studio band

50. HERE, THERE, EVERYWHERE The Beatles(8/66) Many have claimed it to be a landmark triumph of the soft rock genre. Many have claimed it to be a landmark triumph of the soft rock genre.soft rocksoft rock Critics of the song claim it was inspired by the kind of material Brian Wilson crafted for The Beach Boys on the classic Pet Sounds album. Critics of the song claim it was inspired by the kind of material Brian Wilson crafted for The Beach Boys on the classic Pet Sounds album.Brian WilsonThe Beach Boys Pet SoundsBrian WilsonThe Beach Boys Pet Sounds

51. YELLOW SUBMARINE The Beatles(8/66) Ringo Starr performed lead vocals. Ringo Starr performed lead vocals. Ringo Starr Ringo Starr #1 UK/#2 US #1 UK/#2 US The single was released at the height of the controversy surrounding John Lennon’s comments about the Beatles being “more popular than Jesus” - cited as part of the reason that it failed to reach #1 on all US charts The single was released at the height of the controversy surrounding John Lennon’s comments about the Beatles being “more popular than Jesus” - cited as part of the reason that it failed to reach #1 on all US charts

52. GOODDAY SUNSHINE The Beatles(8/66) From album Revolver From album Revolver Most Beatle songs were co-written by Lennon and McCartney Most Beatle songs were co-written by Lennon and McCartney was played as the wake-up music on the final day of the "Return to Flight" Discovery Space Shuttle MissionJuly 2005 was played as the wake-up music on the final day of the "Return to Flight" Discovery Space Shuttle MissionJuly 2005 "Return to Flight" Discovery Space Shuttle MissionJuly 2005 "Return to Flight" Discovery Space Shuttle MissionJuly 2005

53. SGT. PEPPER’S LONELY HEARTS CLUB BAND- The Beatles(6/67) 8th album 8th album Acclaimed as the most influential album of all time Acclaimed as the most influential album of all time immediate critical and popular sensation. immediate critical and popular sensation. Set new standards for the Concept Album : Set new standards for the Concept Album : structure recording techniques cover artwork

54. Sgt. Pepper album art featured tragic figures in pop history, including an earlier wax version of the Bealtes from Madam Trouseau’s Wax Museum Sgt. Pepper album art featured tragic figures in pop history, including an earlier wax version of the Bealtes from Madam Trouseau’s Wax Museum

55. Sgt. Pepper’s -1st album with a gatefold sleeve that opened like a book.

56. Sgt. Pepper’s album… Cut outs inside included: Cut outs inside included: Badges Mustache Stripes

57. Sgt. Pepper’s… 1 st album to print lyrics on the back album cover 1 st album to print lyrics on the back album cover

58. Sgt. Pepper’s cover parodies Frank Zappa Frank Zappa

59. The

60. TheSimpsons

61. WITH A LITTLE HELP FROM MY FRIENDS (Sgt. Pepper’s) The Beatles The song went number one on the UK charts when it was recorded by Joe Cocker in 1968. The song went number one on the UK charts when it was recorded by Joe Cocker in 1968. Joe Cocker1968 Joe Cocker1968 It hit#1 again on the 2 nd recording Cocker made at Woodstock in 1969. It hit#1 again on the 2 nd recording Cocker made at Woodstock in 1969.Woodstock 1969Woodstock 1969 Cocker's cover version was the theme song for the TV series, The Wonder Years. Cocker's cover version was the theme song for the TV series, The Wonder Years. The Wonder Years The Wonder Years

62. LUCY IN THE SKY WITH DIAMONDS The Beatles complex arrangement typical of later Lennon- McCartney compositions; much of the song is in triple metre or 3/4 time, except in the chorus, where it switches to 4/4 time. It is said to have been the first rock song written in two different metres or beats. complex arrangement typical of later Lennon- McCartney compositions; much of the song is in triple metre or 3/4 time, except in the chorus, where it switches to 4/4 time. It is said to have been the first rock song written in two different metres or beats.arrangementLennon- McCartney triple metrechorus metresarrangementLennon- McCartney triple metrechorus metres The Beatles, however, have steadily maintained that the initials of the title forming the word "LSD" (Lucy in the Sky with Diamonds) is mere coincidence, as the title is taken from a drawing by a young Julian Lennon. The Beatles, however, have steadily maintained that the initials of the title forming the word "LSD" (Lucy in the Sky with Diamonds) is mere coincidence, as the title is taken from a drawing by a young Julian Lennon.LSDJulian LennonLSDJulian Lennon

63. GETTING BETTER The Beatles(6/67) 4 TH track from Sgt. Pepper’s album 4 TH track from Sgt. Pepper’s album Performed live 1 st time by McCartney on his 2002-03 World Tours. Performed live 1 st time by McCartney on his 2002-03 World Tours.

64. WHEN I’M 64 Sgt. Pepper’s L.H.C.B.) The song features a clarinet trio - unusual in the context of rock and roll. The song features a clarinet trio - unusual in the context of rock and roll. The song accompanies the "Sea of Time" sequence in the film Yellow Submarine. The song accompanies the "Sea of Time" sequence in the film Yellow Submarine. Yellow Submarine Yellow Submarine The song was parodied by The Rutles as "Back in '64" on the album Archaeology. The song was parodied by The Rutles as "Back in '64" on the album Archaeology.The RutlesThe Rutles

65. LOVELY RITA Beatles(Pepper’s) the song was inspired when John was issued a parking ticket outside Abbey Road Studios, by a female Traffic warden. the song was inspired when John was issued a parking ticket outside Abbey Road Studios, by a female Traffic warden. Instead of becoming angry, he accepted it with good grace and expressed his feelings (sarcastically) in song Instead of becoming angry, he accepted it with good grace and expressed his feelings (sarcastically) in song Lyrics about a meter- maid whom the narrator seems to be in love with. Lyrics about a meter- maid whom the narrator seems to be in love with.meter- maidmeter- maid George Martin also does a piano solo in this track. George Martin also does a piano solo in this track. George Martin George Martin The unusual noises during the song were caused by John, Paul, and George playing the comb-and-paper. The unusual noises during the song were caused by John, Paul, and George playing the comb-and-paper.

66. SGT. PEPPER’S L.H.C.B. REPRISE The Beatles The idea for a Reprise was devised by The Beatles' road manager The idea for a Reprise was devised by The Beatles' road manager He thought that as there was a "welcome song", there should be a "goodbye song". He thought that as there was a "welcome song", there should be a "goodbye song". The song contains the same melody as the opening version, however with different lyrics. The song contains the same melody as the opening version, however with different lyrics. At 1:18, it was one of the shortest songs The Beatles ever recorded At 1:18, it was one of the shortest songs The Beatles ever recorded The Beatles The Beatles The ending segues into the last cut on the record,”A Day In The Life” The ending segues into the last cut on the record,”A Day In The Life”

67. A DAY IN THE LIFE The Beatles After the chord: Immediately following the dying moments of the crashing piano chord is an extremely high-pitched tone - too high-pitched for most humans to hear (though some can) but audible to dogs and other animals. Immediately following the dying moments of the crashing piano chord is an extremely high-pitched tone - too high-pitched for most humans to hear (though some can) but audible to dogs and other animals. The high tone was inserted, as was John Lennon's intention, to irritate the owner's dog. The high tone was inserted, as was John Lennon's intention, to irritate the owner's dog. This noise is interrupted by a loop of incomprehensible Beatles studio chatter, spliced together apparently at random, so that some sections would play forward and others backward. This noise is interrupted by a loop of incomprehensible Beatles studio chatter, spliced together apparently at random, so that some sections would play forward and others backward. The phrase "Never could see any other way, Aha" can clearly be discerned, and is repeated 'endlessly'. The phrase "Never could see any other way, Aha" can clearly be discerned, and is repeated 'endlessly'.

69. MAGICAL MYSTERY TOUR Beatles( The song is about a man who is considered a fool by others, but whose foolish demeanor is actually an indication of wisdom. The song is about a man who is considered a fool by others, but whose foolish demeanor is actually an indication of wisdom.

70. I AM THE WALRUS The Beatles(11/76)

71. one of the Beatles' most striking and effective experimental songs from the psychedelic period, and is noted as being one of the most adventurous examples of Lennon's wordplay. one of the Beatles' most striking and effective experimental songs from the psychedelic period, and is noted as being one of the most adventurous examples of Lennon's wordplay. The Walrus within the song is a reference to the walrus from Lewis Carroll's The Walrus and the Carpenter. Lennon later expressed dismay at learning that the Walrus was the villain within the poem The Walrus within the song is a reference to the walrus from Lewis Carroll's The Walrus and the Carpenter. Lennon later expressed dismay at learning that the Walrus was the villain within the poemWalrusLewis CarrollThe Walrus and the CarpenterWalrusLewis CarrollThe Walrus and the Carpenter

72. STRAWBERRY FIELDS FOREVER The Beatles

73. PENNY LANE The Beatles

74. BACK IN THE U.S.S.R. (WHITE ALBUM ‘68)- The Beatles This song pays direct tribute to the Beach Boys with a section that imitates a portion of their hit California Girls This song pays direct tribute to the Beach Boys with a section that imitates a portion of their hit California Girls

75. HERE COMES THE SUN (ABBEY ROAD Album ’69) The Beatles

76. CAN’T BUY ME LOVE A HARD DAYS NIGHT ALBUM ’64 HEY JUDE ALBUM ‘70

77. REVOLUTION WHITE ALBUM ‘68

78. HEY JUDE (1970)

79. MAGGIE MAY LET IT BE Album(’70)

80. NOT FADE AWAY The Rolling Stones

81. YOU CAN’T CATCH ME The Rolling Stones

82. THE LAST TIME The Rolling Stones

83. SATISFACTION The Rolling Stones