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Neoclassicism. Clodion (Claude Michel), Intoxication of Wine, 1775, terra- cotta.

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Presentation on theme: "Neoclassicism. Clodion (Claude Michel), Intoxication of Wine, 1775, terra- cotta."— Presentation transcript:

1 Neoclassicism

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3 Clodion (Claude Michel), Intoxication of Wine, 1775, terra- cotta

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5 Antonio Canova, Cupid and Psyche, 1787-1793, marble

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8 Timeline of French Revolution and the Reign of Napoleon 1789- storming of the Bastille prison in Paris, followed by the Reign of Terror. Many associated with the “old regime” and the hereditary monarchy are killed. 1793- Louis XVI and his wife, Marie Antoinette, are beheaded by the guillotine 1795-99 The Directory rule by the middle class 1799 – Napoleon becomes first consul 1803 – Napoleon law code is issued 1804- Napoleon is crowned emperor 1806- Napoleon begins a building campaign in Paris with the intention of creating a new Rome. He takes Julius Caesar, who was also a consul before becoming a dictator, as his model. Like Caesar, Napoleon adopts the eagle for his military emblem and the laurel wreath for his crown. 1812- Napoleon attacks Russia but is forced to retreat 1814- Napoleon abdicates. Monarchy is restored under Louis XVII. 1815 – Napoleon is defeated in the Battle of Waterloo. The Congress of Vienna established the borders of European countries, which last until World War I (1914-1918) 1821- Napoleon dies in exile

9 Jacques-Louis David, Oath of Horatii, 1784-1785, oil on canvas

10 Jacques-Louis David, Death of Socrates, 1787, oil on canvas

11 Jacques-Louis David, Death of Marat, 1793, oil on canvas

12 Jacques-Louis David, Napoleon at Saint Bernard Pass, 1800, oil on canvas

13 Jean-Francois-Therese Chalgrin et al., Arc de Triomphe, Paris, 1806-1836

14 Charles Percier and Pierre F.L. Fontaine, Place Vendome column, Paris, 1810

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17 Antonio Canova, Maria Paolina Borghese as Venus, 1808, marble

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19 Marie-Guillemine Benoist, Portrait of a Negress, 1800, oil on canvas

20 Jean-Auguste-Dominique Ingres, Madame Riviere, 1805, oil on canvas

21 Jean-Auguste-Dominique Ingres, Napoleon Enthroned, 1806, oil on canvas

22 Jean-Auguste-Dominique Ingres, Oedipus and the Sphinx, 1808, oil on canvas

23 Jean-Auguste-Dominique Ingres, Grande Odalisque, 1814, oil on canvas

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25 Jean-Antoine Houdon, Thomas Jefferson, 1789, marble American “ambassador” in France Studied Classical and Palladian architecture; owned the first copy in America of Palladio’s “Four Books on Architecture” Saw the Maison Carree at Nimes, reminiscent of Temple Portunus in Rome.

26 Thomas Jefferson, Monticello, near Charlottesville, Virginia, 1769-1784 (rebuilt 1794-1809) “The College and Hospital are rude, mis-shapen piles, which, but that they have roofs, would be taken for brick-kilns. There are no other public buildings but churches and court-houses, in which no attempts are made at elegance.”

27 Colonial Williamsburg, Va.

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31 Thomas Jefferson, State Capitol, Richmond, Virginia, 1785-1789 By helping to introduce classical architecture to the United States, Jefferson intended to reinforce the ideals behind the classical past: democracy, education, rationality, civic responsibility. Because he detested the English, Jefferson continually rejected British architectural precedents for those from France. In doing so, Jefferson reinforced the symbolic nature of architecture. Jefferson did not just design a building; he designed a building that eloquently spoke to the democratic ideals of the United States.

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33 Thomas Jefferson, Rotunda, University of Virginia, Charlottesville, VA, 1817- 1826

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35 John Trumbull, Declaration of Independence, 1818, oil on canvas

36 Horatio Greenough, George Washington, 1832-1841, Marble

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