1. HAMLET FEMINIST THEORY By: Angie Ellison, Jenny Torres, Minerva Dominguez, and Paulo Fonseca

2. FEMINIST THEORY: IS THE EXTENSION OF FEMINISM INTO THEORETICAL, OR PHILOSOPHICAL DISCOURSE; IT AIMS TO UNDERSTAND THE NATURE OF GENDER.

3. WOMEN: CAN’T LIVE WITH THEM, CAN’T LIVE WITHOUT THEM…  Gertrude’s and Ophelia’s mistreatment and demise reveals Hamlet’s views of women that can be interpreted as fear and hatred that bring to light feminine qualities of his own.

4.  Hamlet cannot trust women because he fears them. Although he hates women, he embodies his own feminine characteristics that prevents him from acting on his masculine ones.

5. Hamlet has a fear/hate for women. Hamlet’s “mommy complex” roots from his betrayal by Gertrude for her marriage to Claudius. His betrayal by Gertrude leads to his prejudice of all women: his phobia hinders his ability to trust them.

6.  Hamlet exclaims “O god, a beast that wants discourse of reason would have mourned longer”. (Act 1, Scene 2, Line 149)  He sees Gertrude as weak and applies this to all women: “Frailty, thy name is woman!”

7.  “Ay, truly. For the power of Beauty will sooner transform Honesty from what it is to a bawd than the force of Honesty can translate Beauty into his likeness.”(Act 3, Scene 1, Line 110- 112) ONE OF THE REASONS HAMLET FEARS WOMEN IS BECAUSE HE BELIEVES THEIR BEAUTY HAS THE POWER TO CORRUPT. Nunnery Scene

8. “O THROW AWAY THE WORSER PART OF IT AND LIVE THE PURER WITH THE OTHER HALF. GOODNIGHT, BUT GO NOT TO MY UNCLE’S BED; ASSUME A VIRTUE IF YOU HAVE IT NOT.” (ACT 3, SCENE 4, LINE 155-158) Hamlet cannot trust women because they don’t meet his expectations.

9. Hamlet expresses feminine qualities such as indecisiveness and emotional vulnerability, these prevent him from making decisions on his actions.

10.  “Now might I do it. But now ‘a is a-praying. And now ill do it and so ‘a goes to heaven” (Act 3, Scene 3, lines73-75).  Hamlet’s indecisiveness to kill Claudius while he is praying reveals one of his feminine traits.

11.  “To be or not to be- that is the question; Whether ‘tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a seas of troubles And by opposing end them;” (Act 3, Scene 1, Lines 55- 59)

12. Hamlet is emotionally vulnerable like a woman. Women are often stereotyped as overdramatic and sensitive. Hamlet embodies both of these characteristics.

13. “O, THAT THIS TOO, TOO SULLIED FLESH WOULD MELT, THAW, AND RESOLVE ITSELF INTO A DEW OR THAT THE EVERLASTING HAD NOT FIXED HIS CANNON ‘GAINST SELF SLAUGHTER” “’ Tis sweet and commendable in your nature, Hamlet, to give these mourning duties to your father” (Act 1, Scene 2, Line 87-88)

14.  Hamlet acts as a women when he lets his emotions get the better of him, resulting in the death of Polonius.

15.  Through Hamlet’s mistreatment and prejudice of the female characters in the play, Hamlet’s own female qualities surface.

16. Hamlet was created by women and embodies his own female characteristics, yet he hates them. This paradox implies that Hamlet is self-loathing, which he projects towards women, when he really hates himself.

17. BIBLIOGRAPHY Mabillard, Amanda. Ophelia. Shakespeare online.20 Aug.2000.(4 Feb 2013) http://www.shakespearonline.com/plays/hamlet/op heliacharacter.html Shakespeare, William, and William Shakespeare. Hamlet and Related Readings. Evanston, IL: McDougal Littell, 1997. Print.