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Chapter 12.3 Realism Realist artist were concerned with showing everyday people involved in common, non-heroic activities. In this case, realism refers.

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Presentation on theme: "Chapter 12.3 Realism Realist artist were concerned with showing everyday people involved in common, non-heroic activities. In this case, realism refers."— Presentation transcript:

1 Chapter 12.3 Realism Realist artist were concerned with showing everyday people involved in common, non-heroic activities. In this case, realism refers more to the content of these artworks, rather than how “realistic” they appear in terms of illusionism.

2 Jean Francois Millet (1814-1875), French The Gleaners, oil on canvas, 32x 43”

3 Jean Francois Millet (1814-1875), French Oil on canvas

4 Jean Francois Millet (1814-1875), French Oil on canvas

5 Honore Daumier (1808-1879), French Lithograph

6 Honore Daumier (1808-1879), French Third Class Carriage, oil on canvas, 26 x 35”

7 Honore Daumier (1808-1879), French Oil on canvas

8 Gustave Courbet (1819-1877), French Oil on canvas

9 Gustave Courbet (1819-1877), French Self-portrait, Oil on canvas

10 Gustave Courbet (1819-1877), French Oil on canvas

11 Gustave Courbet (1819-1877), French Oil on canvas

12 Gustave Courbet (1819-1877), French Burial at Ornans, 1850, oil on canvas, 10x 21’

13 Gustave Courbet (1819-1877), French Oil on canvas

14 Gustave Courbet (1819-1877), French Oil on canvas

15 Gustave Courbet (1819-1877), French Oil on canvas

16 Rosa Bonheur (1822-1899), French Oil on canvas

17 Rosa Bonheur (1822-1899), French Oil on canvas

18 Rosa Bonheur (1822-1899), French Oil on canvas

19 Jean-Baptiste-Camille Corot (1796-1875), French Oil on canvas

20 Jean-Baptiste-Camille Corot (1796-1875), French Oil on canvas

21 Jean-Baptiste-Camille Corot (1796-1875), French Oil on canvas

22 Jean-Baptiste-Camille Corot (1796-1875), French Agostina Oil on canvas 52 x 38”

23 Jean-Baptiste-Camille Corot (1796-1875), French Oil on canvas

24 Winslow Homer (1836-1910), American Breezing Up, 1876, oil on canvas, 24 x 38”

25 Winslow Homer (1836-1910), American Oil on canvas

26 Winslow Homer (1836-1910), American Oil on canvas

27 Winslow Homer (1836-1910), American Oil on canvas

28 Winslow Homer (1836-1910), American Oil on canvas

29 Winslow Homer (1836-1910), American Oil on canvas

30 Winslow Homer (1836-1910), American Oil on canvas

31 Thomas Eakins (1844-1916), American The Gross Clinic, 1875, 96 x 78” oil on canvas

32 Thomas Eakins (1844-1916), American Oil on canvas

33 Thomas Eakins (1844-1916), American Oil on canvas

34 Thomas Eakins (1844-1916), American Oil on canvas

35 Thomas Eakins (1844-1916), American Self portrait, oil on canvas

36 Thomas Eakins (1844-1916), American Oil on canvas

37 Thomas Eakins (1844-1916), American Oil on canvas

38 Chapter 12.4 Photography Photography became a new art form in the 1800s. Although the camera was used for portraiture and photo-journalism, it was also used to create a poetic visual statement with intentions similar to that of painting. Emotions, mood, and sensual tactile appeal were all considerations in creating photographs.

39 Edward Steichen (1879-1973), American The Flatiron Building, 1904, Photograph

40 Edward Steichen (1879-1973), American The Brooklyn Bridge, Photograph

41 Edward Steichen (1879- 1973), American The Brooklyn Bridge, Photograph

42 Eadward Muybridge (1830-1904), Trip-wire photographic series

43 Eadward Muybridge (1830-1904), Photographic series

44 Eadward Muybridge (1830-1904), Photographic series

45 Eadward Muybridge (1830-1904), Photographic series (single frame detail)

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