1. CS 160 Spring 2005 Visual Information Design Slides from Prof. James Landay

2. 2 Outline Review Typography Grids Small multiples Color Proportion & scale Design economy

3. 3

4. 4 Quotes: Mullet and Sano “Design is not something that can be applied after the fact, when the fundamental organization of the product has already been determined–though this is indeed a common misconception. To be effective, design must be an integral part of the product development lifecycle.”

5. 5 Quotes: Mihai Nadin “Method helps intuition when it is not transformed into dictatorship. Intuition augments method if it does not instill anarchy. In every moment of our semiotic existence, method and intuition complement one another.”

6. 6 Quotes: Antoine de Saint Exupery “In anything at all, perfection is attained not when there is no longer anything to add, but when there is no longer anything to take away.”

7. 7 Jan Tschichold’s Revolution Champion of Modernist Typography Die Neue Typographie Berlin, 1928 Bauhaus school Dessau, 1925-26

8. 8 Type Classifications Sans Serif Serif

9. 9 Grid Systems A key pattern for implementing rationality, modernism, asymmetry Note that no elements are “centered” Java Look and Feel Design Guidelines

10. 10 Small Multiples Economy of line Many similarities enable us to notice differences

11. 11 International Women’s Day Diaz, Estela 1974 March 8 - International Women’s Day Echeverria, Heriberto 1971 March 8 - International Women’s Day S M A L L M U L T I P L E S Cuban Poster Art Gallery, http:///www.sims.berkeley.edu/~lcush/GenCat.html/

12. 12 Reid Miles, Blue Note Cover S M A L L M U L T I P L E S

13. 13 Quotes: Bringhurst & Tufte “Some space must be narrow so that other space may be wide, and some space must be emptied so that other space may be filled.” – Robert Bringhurst The Elements of Typographic Style “Information consists of differences that make a difference.” – Edward Tufte Envisioning Information

14. 14 Color Spaces

15. 15 Technology-Centered Colors Nice Hex codes, “evenly” distributed But yowch! Lime green and hot pink?

16. 16 Human-Centered Colors Munsell (left): Perceptually based Pantone (right): Functionally based Anne Spalter, The Computer in the Visual Arts

17. 17 Color is problematic On-screen color varies widely from device to device for two reasons –The device may not be able to display that color (e.g. #AF5234), replacing it with something else Web safe sometimes helps here –The presentation of that color GUIR logo # AF 2534 Web Safe #993333

18. 18 Color (Java L&F) Six color semantic scheme Clean, consistent look Easy on eyes (mostly gray)

19. 19 Proportion and Scale Kevin Mullet and Darrell Sano, Designing Visual Interfaces

20. 20 Marks of Typographic Style http://www.adobe.com/type/topics/info5.html Ligatures Upper and lower case numbers

21. 21 Proper Quotes Distinguishing open from close makes reading easier Tags in HTML have open and close, e.g., as opposed to |html| Many romance languages have open and close exclamation, question mark, e.g., ¡hay caramba!, ¿que pasa? Quotes “ ” have open and close too Quotes in HTML ““Left Double Quotation ””Right Double Quotation ‘ ‘Left Single Quotation ’ ’Right Single Quotation

22. 22 Palm’s Design Economy

23. 23 Some Starting Points Gather materials you find successful –Could be from a very different domain Include visual design professionals in the iterative design cycle

24. 24 Further Reading Kevin Mullet and Darrell Sano, Designing Visual Interfaces Edward Tufte’s books and course Anne Spalter, The Computer in the Visual Arts Robin Williams, The Non-Designer’s Design Book Typography –Jan Tschichold, The New Typography –Robert Bringhurst, The Elements of Typographic Style –http://www.adobe.com/type/

25. 25 Further Reading Color: Charles Poynton, A Technical Introduction to Digital Video –also his SIGGRAPH course –web http://www.inforamp.net/~poynton/ Typography on the web –http://www.pemberley.com/janeinfo/latin 1.html –http://www.microsoft.com/typography/