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CHS UCB BID 02/02/02 Parameterized Sculpture Design Carlo H. Séquin University of California, Berkeley.

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Presentation on theme: "CHS UCB BID 02/02/02 Parameterized Sculpture Design Carlo H. Séquin University of California, Berkeley."— Presentation transcript:

1 CHS UCB BID 02/02/02 Parameterized Sculpture Design Carlo H. Séquin University of California, Berkeley

2 CHS UCB Designs I worked on:

3 CHS UCB Sculpture Design u How can we use the visualization power offered by computer graphics and by computer-controlled rapid prototyping for the design of geometrical sculptures?

4 CHS UCB “Hyperbolic Hexagon” by B. Collins u 6 saddles in a ring u 6 holes passing through symmetry plane at ±45º u = “wound up” 6-story Scherk tower u What would happen, l if we added more stories ? l or introduced a twist before closing the ring ?

5 CHS UCB “Hyperbolic Hexagon II” (wood) Brent Collins

6 CHS UCB Scherk’s 2nd Minimal Surface Normal “biped” saddles Generalization to higher-order saddles (monkey saddle)

7 CHS UCB Closing the Loop straight or twisted

8 CHS UCB Sculpture Generator, GUI

9 CHS UCB Brent Collins’ Prototyping Process Armature for the "Hyperbolic Heptagon" Mockup for the "Saddle Trefoil" Time-consuming ! (1-3 weeks)

10 CHS UCB A Simple Scherk-Collins Toroid Parameters: (genome) u branches = 2 u stories = 1 u height = 5.00 u flange = 1.00 u thickness = 0.10 u rim_bulge = 1.00 u warp = 360.00 u twist = 90 u azimuth = 90 u textr_tiles = 3 u detail = 8

11 CHS UCB Also a Scherk-Collins Toroid u branches = 1 u stories = 5 u height = 1.00 u flange = 1.00 u thickness = 0.04 u rim_bulge = 1.01 u warp = 360 u twist = 900 u azimuth = 90 u textr_tiles = 1 u detail = 20

12 CHS UCB A Scherk Tower (on its side) u branches = 7 u stories = 3 u height = 0.2 u flange = 1.00 u thickness = 0.04 u rim_bulge = 0 u warp = 0 u twist = 0 u azimuth = 0 u textr_tiles = 2 u detail = 6

13 CHS UCB 180º Arch = Half a Scherk Toroid u branches = 8 u stories = 1 u height = 5 u flange = 1.00 u thickness = 0.06 u rim_bulge = 1.25 u warp = 180 u twist = 0 u azimuth = 0 u textr_tiles = e u detail = 12

14 CHS UCB V-art Virtual Glass Scherk Tower with Monkey Saddles (Radiance 40 hours) Jane Yen

15 CHS UCB Séquin’s “Minimal Saddle Trefoil” u Stereo- lithography master

16 CHS UCB Minimal Trefoils -- cast and finished by Steve Reinmuth

17 CHS UCB Slices through “Minimal Trefoil” 50%10%23%30% 45%5%20%27% 35%2%15%25%

18 CHS UCB Emergence of the “Heptoroid” (1) Assembly of the precut boards

19 CHS UCB Another Joint Sculpture u “Heptoroid” carved by Brent Collins

20 CHS UCB Advantages of CAD of Sculptures u Exploration of a larger domain u Instant visualization of results u Eliminate need for prototyping u Create virtual reality pictures u Making more complex structures u Better optimization of chosen form u More precise implementation u Rapid prototyping of maquettes

21 CHS UCB Rapid Prototyping by FDM

22 CHS UCB Various “Scherk-Collins” Sculptures

23 CHS UCB Parameterized Sculpture Families Within the domain of a sculpture generator, vary selectively 1 to 3 parameters, and create the resulting instances: u Scherk Collins toroids  “Trefoil Family” u Pax Mundy  “Viae Globi”

24 CHS UCB Family of Symmetrical Trefoils W=2 W=1 B=1 B=2 B=3 B=4

25 CHS UCB Close-up of Some Trefoils B=1 B=2 B=3 Varying the number of branches B (the order of the saddles).

26 CHS UCB Higher-order Trefoils (4th order saddles) W=1 (Warp)W=2 

27 CHS UCB 9-story Intertwined Double-Toroid Bronze investment casting from wax original made on 3D Systems’ “Thermojet”

28 CHS UCB Inspiration: Brent Collins’ “Pax Mundi”

29 CHS UCB Sculptures by Naum Gabo Pathway on a sphere: Edge of surface is like seam of tennis ball;  2-period Gabo curve.

30 CHS UCB 2-period Gabo curve u Approximation with quartic B-spline with 8 control points per period, but only 3 DOF are used.

31 CHS UCB 4-period Gabo curve Same construction as for as for 2-period curve

32 CHS UCB “Pax Mundi” Revisited u Can be seen as: Amplitude modulated, 4-period Gabo curve

33 CHS UCB SLIDE-UI for “Pax Mundi” Shapes

34 CHS UCB Parameterized Sculpture Design 3 Phases: l Discover and distill out the key paradigm l Define the most appropriate set of parameters l Develop generalizations of the paradigm  The Program is the Design, is the Artwork!

35 CHS UCB Via Globi 3 (Stone) Wilmin Martono

36 CHS UCB “Maloja” -- FDM part u A rather winding Swiss mountain pass road in the upper Engadin.

37 CHS UCB “Stelvio” u An even more convoluted alpine pass in Italy.

38 CHS UCB “Altamont” u Celebrating American multi-lane highways.

39 CHS UCB “Lombard” u A very famous crooked street in San Francisco

40 CHS UCB Conclusions Design as an aesthetic optimization in the purely geometrical realm. The computer can also be an amplifier / accelerator for the creative process.

41 CHS UCB Questions ? THE END

42 CHS UCB EXTRAS

43 Another Inspiration by B. Collins

44 CHS UCB Collin’s Conceptual Design SWEEP CURVE (FOR DOUBLE CYLINDER) IS COMPOSED OF 4 IDENTICAL SEGMENTS, FOLLOWS THE SURFACE OF A SPHERE.

45 CHS UCB Reconstruction / Analysis (v1) AWKWARD ALIGNMENT FROM THE FDM MACHINE

46 CHS UCB Further Explorations (v2: add twist)

47 CHS UCB A More Complex Design (v3)

48 CHS UCB Fine-tuned Final(?) Version (v5)

49 CHS UCB Galapagos-6 (v6)

50 CHS UCB Circle Splines on the Sphere Examples from Jane Yen’s Editor Program


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