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Equivalence. The many different definitions of equivalence in translation fall broadly into one of two categories: they are either descriptive or prescriptive.

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Presentation on theme: "Equivalence. The many different definitions of equivalence in translation fall broadly into one of two categories: they are either descriptive or prescriptive."— Presentation transcript:

1 Equivalence

2 The many different definitions of equivalence in translation fall broadly into one of two categories: they are either descriptive or prescriptive. Descriptively, 'equivalence' denotes the relationship between ST features and TT features that are seen as directly corresponding to one another, regardless of the quality of the TT.

3 Thus, descriptively, the following utterances are equivalents forbidden is the entrance ممنوع الدخول مع السلامة with the well-being :

4 Prescriptively, 'equivalence' denotes the relationship between an SL expression and the canonic TL rendering of it as required, for example, by a teacher. So, prescriptively, the following pairs of utterances are equivalents: ممنوع الدخول No entry goodbye مع السلامة

5 An influential variant (form) of prescriptive equivalence is the 'dynamic equivalence' suggested by Nida. This is based on the 'principle of equivalent effect', which states that “the relationship between receptor and message should be substantially the same as that which existed between the original receptors and the message”(Nida 1964: 159)

6 Nida's view does have real attractions: 1. There are all sorts of reasons - reasons of grammar, idiom, context, genre, etc. - why a translator might not want to translate a given expression literally. 2. Who is to know what the relationship between ST message and source-culture receptors is? For that matter, is it reasonable to speak of the relationship, as if there were only one: are there not as many relationships as there are receptors?

7 A good example of the problematicity of achieving an equivalent effect in Arabic>English translation is the translation of a piece of ancient Arabic poetry, such as معلقة لبيد

8 Even in principle, it seems impossible to achieve in an English translation the effect created by معلقة لبيد on the original audience of the poem, i.e. the Arabs of pre-Islamic Arabia. In fact, it seems impossible even to determine what these effects might have been. Equally, it seems almost certain that the effects achieved on a modem Arabic audience will be quite different from those achieved on the original audience

9 All this illustrates the dangers in the use of the term 'equivalence‘ to imply 'sameness', as it does in logic, mathematics. In mathematics, an equivalent relationship is objective, incontrovertible and, crucially, reversible. In translation, however, such unanimity and such reversibility are unthinkable for any but the very simplest of texts - and even then, only in terms of denotative meaning

10 هل أعجبتك مصر؟ For example, if translates as 'Do you like Egypt?', will back- translation (that is, translating a TT back into the SL) automatically هل أعجبتك مصر؟ give, or هل تعجبك مصر؟ or ؟ will it give...

11 The answer depends, as it always does in translation matters, on context - both the context of the ST utterance and that of the TT utterance. The simplest of contexts is usually enough to inhibit the reversibility that is crucial to equivalence in the mathematical sense.

12 We have found it useful, both in translating and in teaching translation, to avoid an absolutist ambition to maximize sameness between ST and TT, in favour of a relativist ambition to minimize difference : to look not for what is to be put into the TT, but for what one might save from the ST.

13 Because maximizing sameness is not what the translator is looking for, it is more realistic, and more productive, to start by admitting that, because SL and TL are fundamentally different, the transfer from ST to TT inevitably entails difference - that is, loss.

14 Translation loss


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