1. University of British Columbia CPSC 314 Computer Graphics Jan-Apr 2005 Tamara Munzner http://www.ugrad.cs.ubc.ca/~cs314/Vjan2005 Advanced Rendering II, Sampling Week 9, Wed Mar 9

2. 2 News some people still haven’t demoed P2 if you don’t demo you get a 0! come see me after class sign up with cyang@cs ASAP 74832049 40112005 84323013 79325999 81163990

3. 3 News guest lecture Friday Prof. Robert Bridson, on animation among the many cool things he’s done: cloth simulation used for Yoda fight scene

4. 4 News summer job available in civil engineering

5. 5 Summer Job Opportunity Student needed to integrate UBC Earthquake Engineering Research Facility with Network for Earthquake Engineering Simulation (www.nees.org) Student needed to integrate UBC Earthquake Engineering Research Facility with Network for Earthquake Engineering Simulation (www.nees.org)www.nees.org Required: Required:  Graphics background  Linux familiarity  NSERC USRA eligible (http://www.nserc.ca/) Contact Ken Elwood (elwood@civil.ubc.ca) and CC me Contact Ken Elwood (elwood@civil.ubc.ca) and CC me Contact today by 2pm Contact today by 2pm Decision will be made by Friday! Decision will be made by Friday!

6. 6 News summer job available in civil engineering today is last day to express interest! position must be filled by Friday come see me after class if you’re interested even if you already sent mail, so that I can match faces to names

7. 7 Review: Particle Systems changeable/fluid stuff fire, steam, smoke, water, grass, hair, dust, waterfalls, fireworks, explosions, flocks life cycle generation, dynamics, death rendering tricks avoid hidden surface computations

8. 8 Review: Simple Ray Tracing view dependent method cast a ray from viewer’s eye through each pixel compute intersection of ray with first object in scene cast ray from intersection point on object to light sources projection reference point pixel positions on projection plane

9. 9 Review: Recursive Ray Tracing ray tracing can handle reflection (chrome) refraction (glass) shadows spawn secondary rays reflection, refraction if another object is hit, recurse to find its color shadow cast ray from intersection point to light source, check if intersects another object projection reference point pixel positions on projection plane

10. 10 Review: Subsurface Scattering light enters surface, bounces around inside, leaves at different location on the surface

11. 11 Advanced Rendering II

12. 12 Radiosity radiosity definition rate at which energy emitted or reflected by a surface radiosity methods capture diffuse-diffuse bouncing of light indirect effects difficult to handle with raytracing

13. 13 Radiosity recall radiative heat transfer conserve light energy in a volume model light transport until convergence solution captures diffuse-diffuse bouncing of light view independent technique calculate solution for entire scene offline browse from any viewpoint in realtime heat/light source thermometer/eye reflective objects energy packets

14. 14 Radiosity [IBM] divide surfaces into small patches loop: check for light exchange between all pairs form factor: orientation of one patch wrt other patch (n x n matrix)

15. 15 Raytracing vs. Radiosity Comparison ray-tracing: great specular, approx. diffuse view dependent radiosity: great diffuse, specular ignored view independent, mostly-enclosed volumes advanced hybrids: combine them raytraced radiosity

16. 16 Image-Based Rendering store and access only pixels no geometry, no light simulation,... input: set of images output: image from new viewpoint surprisingly large set of possible new viewpoints

17. 17 IBR Characteristics display time not tied to scene complexity expensive rendering or real photographs massive compression possible (120:1) can point camera in or out QuickTimeVR: camera rotates, no translation

18. 18 Characterizing Light 7D plenoptic function: P(x, y, z, , t) (x,y,z): every position in space  every angle : every wavelength of light t: every time can simplify to 4D function fix time: static scene fix wavelength: static lighting partially fix position: empty space between camera and object

19. 19 4D Light Field / Lumigraph P(u,v,s,t) images: just one kind of 2D slice

20. 20 Non-Photorealistic Rendering look of hand-drawn sketches or paintings www.red3d.com/cwr/npr /

21. 21 NPRQuake www.cs.wisc.edu/graphics/Gallery/NPRQuake/

22. 22 Advanced Rendering so many more algorithms, so little class time! Renderman REYES photon mapping and lots more...

23. 23 Sampling

24. 24 Samples most things in the real world are continuous everything in a computer is discrete the process of mapping a continuous function to a discrete one is called sampling the process of mapping a discrete function to a continuous one is called reconstruction the process of mapping a continuous variable to a discrete one is called quantization rendering an image requires sampling and quantization displaying an image involves reconstruction

25. 25 Line Segments we tried to sample a line segment so it would map to a 2D raster display we quantized the pixel values to 0 or 1 we saw stair steps, or jaggies

26. 26 Line Segments instead, quantize to many shades but what sampling algorithm is used?

27. 27 Unweighted Area Sampling shade pixels wrt area covered by thickened line equal areas cause equal intensity, regardless of distance from pixel center to area rough approximation formulated by dividing each pixel into a finer grid of pixels primitive cannot affect intensity of pixel if it does not intersect the pixel

28. 28 Weighted Area Sampling intuitively, pixel cut through the center should be more heavily weighted than one cut along corner weighting function, W(x,y) specifies the contribution of primitive passing through the point (x, y) from pixel center x Intensity W(x,y)

29. 29 Images an image is a 2D function I (x, y) that specifies intensity for each point (x, y)

30. 30 Image Sampling and Reconstruction convert continuous image to discrete set of samples display hardware reconstructs samples into continuous image finite sized source of light for each pixel discrete input valuescontinuous light output

31. 31 Point Sampling an Image simplest sampling is on a grid sample depends solely on value at grid points

32. 32 Point Sampling multiply sample grid by image intensity to obtain a discrete set of points, or samples. Sampling Geometry

33. 33 some objects missed entirely, others poorly sampled could try unweighted or weighted area sampling but how can we be sure we show everything? need to think about entire class of solutions! Sampling Errors

34. 34 Image As Signal image as spatial signal 2D raster image discrete sampling of 2D spatial signal 1D slice of raster image discrete sampling of 1D spatial signal Examples from Foley, van Dam, Feiner, and Hughes Pixel position across scanline Intensity

35. 35 Sampling Theory how would we generate a signal like this out of simple building blocks? theorem any signal can be represented as an (infinite) sum of sine waves at different frequencies

36. 36 Sampling Theory in a Nutshell terminology bandwidth – length of repeated sequence on infinite signal frequency – 1/bandwidth (number of repeated sequences in unit length) example – sine wave bandwidth = 2  frequency = 1/ 2 

37. 37 Summing Waves I

38. 38 Summing Waves II represent spatial signal as sum of sine waves (varying frequency and phase shift) very commonly used to represent sound “spectrum”

39. 39 1D Sampling and Reconstruction

40. 40 1D Sampling and Reconstruction

41. 41 1D Sampling and Reconstruction

42. 42 1D Sampling and Reconstruction

43. 43 1D Sampling and Reconstruction problems jaggies – abrupt changes

44. 44 1D Sampling and Reconstruction problems jaggies – abrupt changes lose data

45. 45 Sampling Theorem continuous signal can be completely recovered from its samples iff sampling rate greater than twice maximum frequency present in signal - Claude Shannon

46. 46 Nyquist Rate lower bound on sampling rate twice the highest frequency component in the image’s spectrum

47. 47 Falling Below Nyquist Rate when sampling below Nyquist Rate, resulting signal looks like a lower-frequency one this is aliasing!

48. 48 Nyquist Rate

49. 49 Aliasing incorrect appearance of high frequencies as low frequencies to avoid: antialiasing supersample sample at higher frequency low pass filtering remove high frequency function parts aka prefiltering, band-limiting

50. 50 Supersampling None3x35x5

51. 51 Low-Pass Filtering

52. 52 Low-Pass Filtering

53. 53 Filtering low pass blur high pass edge finding

54. 54 Previous Antialiasing Example texture mipmapping: low pass filter