1. “Unthinking Eurocentrism” (left) Joaquin Torres-Garcia (Uruguay, 1874-1949) Map of South America, 1943 (right) André Breton (French Surrealist poet, 1896-1966) Surrealist Map of the World, 1929 In the Surrealist "Map of the World," 1929, the Pacific Ocean is central, the United States does not exist. Mexico, Russia, Alaska, China, and Labrador are large and important.

2. Dimaxion map

3. Voyages of Christopher Columbus, 1492, 1493, 1502

4. The Taíno: The Caribbean before European Conquest

5. Taíno Zemi, Dominican Republic, cotton, shell, and human skull, 75 in H, Anthropological museum, Turin, Italy

6. Taíno Duho, Dominican Republic, wood and manatee bone, 45 x 62 in, Museum of Dominican Man, Santo Domingo; (right) detail of duho carving

7. Taíno (left & center) Zemi, clay & stone; (right) stone belt or yoke, C.E.1200 to 1500

8. Taíno reliquaries, hollow earthenware, C.E.1200 to 1500

9. Taíno, ritual objects: monkey-effigy ax, stone (left) and rattle, incised clay (right), C.E.1200 to 1500

10. Latin America was the main destination of the millions of people enslaved and taken out of Africa between 1500 and 1850. The U.S. received about 523,000 enslaved immigrants. Cuba alone got more. Spanish America absorbed around 1.5 million and Brazil at least 3.5 million. Their descendants form about half of the population in the Caribbean and Brazil – the two historic centers of sugar production.

11. Taíno, Zemi, (left: back view), Dominican Republic, after 1515 CE, wood, cotton, shell, and glass, 32” H, National Ethnographic Museum, Rome. Combines Taino, European, and African materials, a syncretic spiritual object made for a high ranking cacique

12. Raphael, The School of Athens (Philosophy), 1511, from the fresco suite made for the Pope’s Vatican Library, Vatican City, Rome, Italy

13. El Escorial, palace-monastery of Philip II of Spain, mid-16 th Century, this vast complex was the center of the Counter-Reformation in Europe funded by the enormous wealth drawn from Latin America. The Reformation had begun in 1517.

14. El Escorial, designed by Juan Bautista de Toledo, Spanish architect and sculptor who had studied under Michelangelo in Rome.

16. Diego Velázquez (Spanish 1599-1660), Las Meninas, 1656. Velázquez was the leading painter of the Spanish Golden Age. The influence of his painting is unsurpassed in the history of art.

17. Olmec: the first, parent, Mesoamerican high civilization, 1500–400 BCE. Map showing sites and sites of influence and (right) Colossal Head, one of 10 Olmec heads, four San Lorenzo in Veracruz, Mexico, over 9ft high, Early Pre- classic. C. 1500-1200 BCE.

18. Olmec head: (left) excavation, Veracruz, ca 1942; (below) at Anthropological Museum, Xalapa. The largest of the colossal heads is over 9’ high and weighs more than 25 tons, made of basalt, a stone that was brought from the Tuxtla mountains. (upper right) National Geographic artist rendering of transportation of colossal head.

20. (left) Olmec ”Wrestler,” basalt figure of a bearded man, Early or Middle Preclassic, Veracruz, 26” H National Museum of Anthropology, Mexico City (right) Olmec, Las Limas Monument, greenstone, “priest” holding Rain God deity from Las Limas, Veracruz, Middle Preclassic period, 21.5” high. Knees and shoulders incised - profile heads of four Olmec gods with cleft heads: considered Olmec Rosetta Stone, but all assertions of meaning are scholarly speculation

21. Olmec culture, San Lorenzo, first site, Early Preclassic, (c.1000 BCE) drainage system has been compared with Nile civilizations of Egypt

22. Olmec, north end of Altar 5 at La Venta. Two adult figures carry were-jaguar babies

23. La Venta, Stele with Three Kings, Olmec

24. Olmec, La Venta, mosaic “floor” that had been carefully buried (See textbook)

30. Olmec carved jade and serpentine figures and celts (ceremonial hand axes) and figures, La Venta, Middle Formative Period. Figurines are c. 8”H; celts are 9” to 10” H. Cranial deformation, loincloths, half-open mouths with deformed teeth

31. Olmec “frontier”: hollow figures, white slipped ceramic, all 11-16” H, Early Formative (100-800 BC) Later Mesoamerican cultures induced crossed eyes in infants – sign of beauty and elegance

32. La Mojarra Stela 1, carved ca. 150 CE, Post-Olmec (pre-Maya) script, Late Pre-Classic period; 71/2 x 41/2 ft, basalt slab discovered in southeastern Veracruz, Mexico in 1986, one of the earliest readable scripts in Mesoamerica. The text (deciphered in 1992) describes ritual bloodletting, warfare, and political intrigue during the reign of Harvester Mountain Lord, the figure depicted on the stela. This interpretation is contested.

33. Zapotecs Oaxaca Valley, Mexico

34. Zapotec (c. 500BC-950AD) capital Monte Albán (White Mountain) stands on a flattened hilltop 1640 ft above the valley floor

35. Zapotec “Danzante” (dancer) bas reliefs at Monte Alban I, Oaxaca Possibly represent the corpses of kings slain by earliest rulers of Monte Alban

36. Zapotec, Monte Alban, Building J, Late Preclassic (c.150BC – 150AD) Hieroglyph representing a conquered town, Building J

37. Zapotec, funerary urn in the shape of a "bat god" or a jaguar, from Oaxaca, dated to AD 300 - 650. Height: 9.5 in (23 cm).

38. Zapotec city Mitla (place of rest / death), Late Post-Classic, after the fall of Monte Alban The Catholic church is at the west end. Hall Of Six Columns is in center.

39. Zapotec façade, Mitla, Oaxaca, Late Post Classic period

40. Teotihuacán ["the place where one becomes a god“] looking down the Avenue of the Dead from the Pyramid of the Moon; map of Teotihuacán heartland and area of influence

41. Teotihuacán with archaeological map

42. (left) The only finished free-standing monument found at Teotihuacán in front of the Pyramid of the Sun, reportedly of a water goddess, Early Classic period, Ht 10 ft; (right) Stone mask, Early Classic, shell inlay, turquoise mosaic

43. Teotihuacán ceramics: (left) tripod vase with sgraffito (“cloisonné) design of Quetzalcoatl (feathered serpent) 600-750 CE; (right) sgraffito vessel with Tlaloc (rain/storm god) usual goggle-shaped eyes and fanged mouth. Cloisonné pottery involves coating the vessel's surface with a lime stucco-like substance then applying colors between incised lines.

44. Teotihuacán, Quetzalcoatl (Feathered Serpent), exterior sculptural decoration, Temple of Quetzalcoatl, the major temple structure within the administrative center believed to have been built ca. 200/250 C.E. by a powerful ruler of Teotihuacán

45. Burial of warriors sacrificed at the dedication of the Temple of Quetzalcoatl, Teotihuacán, Classic period. Note human mandibles and maxilla necklaces and spear heads

46. Teotihuacán, Patio of Quetzalpapalotl (Quetzal-Butterfly”) Palace, with year symbol roof carvings; (below right) mural in true fresco technique showing Tlaloc (rain god) and (left) a artist's reconstruction of the "Tlalocan" (paradise of the rain god) fresco

47. Teotihuacan palace courtyard, reconstructed

52. “Toltec” in Nahuatl means master builders. The Toltec formed a warrior aristocracy that gained ascendancy in the Valley of Mexico CE c.900 after the fall of Teotihuacan. A period of southward expansion began c.1000 and resulted in Toltec domination of the Maya of Yucatan from the 11th to the 13th centuries.

53. Chichen Itza, Yucatan, Mexico, Temple of the Warriors, Early Post-classic. Toltec-Maya. Note Chacmool figure at top and colonnades that once supported a roof. Compare Toltec Pyramid B at Tula.

54. Pyramid B of Tula Grande, civic/religious center of Tula, Hidalgo, the Toltec capital Post-Classic site view and map. At its apogee Tula covered 5.4 sq. miles and contained a population of 30,000 – 40,000

55. Toltec, Tula Atlantes, Pyramid B. Temple roof supports carved as Toltec warriors (front & back views),15ft high; (below) Tula stone bas-reliefs from Coatepantli (Serpent Wall) relief carvings of human skull in the jaws of a snake

56. Toltec, 10th -12 th Century, CE) stone “chacmool” (red jaguar) from Tula, only complete one of seven at site, Post-Classical period

57. Toltec, Tula, plumbate-ware jar covered with mother-of-pearl and other shell mosaic. Supposed depiction of Quetzalcoatl emerging from the jaws of a feathered coyote, Early Post-Classic period

58. Toltec ceramic bowls, (left) Mazapan (Teotihuacan) red-on-buff bowl; (right) imported Papagayo Polychrome painted pottery.

59. The ruin of Tula, 1156 or 1168 AD and the great Toltec diaspora Nahuatl poem: Everywhere there meet the eye, Everywhere can be seen the remains of clay vessels, Of their cups, their figures, Of their dolls, of their figurines, Of their bracelets, Everywhere are their ruins, Truly the Toltecs once lived here

60. Aztec Empire in 1519; (right) Aztec Eagle Warrior, hollow, life-sized ceramic recovered from the Great Temple excavations. According to legend, Azteca (Mexica) tribe entered central Mexico from “Aztlan” in AD 1111.

61. Aztec, Tenochtitlán: (left) artist’s historical rendering, (right) map made by Cortez from memory, published in 1524. There were three major causeways that ran from the mainland into the city which was divided into four districts and populated by more than two hundred thousand people. In 1521, Cortez demolished the ceremonial center during the course of the longest continuous battle ever recorded in military history. “The city is spread out in circles of jade, Radiating flashes of light like quetzal plumes, Beside it the lords are borne in boats: Over them extends a flowery mist.” Nahuatl poem

62. Aztec, Codex Mendoza, mid-16 th century, early colonial period, made for the Viceroy of New Spain. This image from the Codex Mendoza, which tells the history and customs of the Aztecs, illustrates the founding of Tenochtitlán in 1325. Flag of Mexico

63. Aztec, Templo Mayor (Great Temple); (right) excavation site in 1978 the heart of the sacred precinct in their capital city, Tenochtitlán (now in Mexico City). Only the base remains of what was once a massive double pyramid, which represented the hill where Huitzilopochtli (wee-tsee-loh-poch'-tlee), the god of god of war and of the sun, of the Aztec origin myth, was born

64. Aztec, Tenochtitlan, Templo Mayor ruins: Painted reclining sacrificial Chacmool figure; Tzompantli (skull rack)

65. Aztec, colossal stone relief of Coyolxauhqui (coh-yohl-shau'-kee, Moon Goddess) from Great Temple of Tenochtitlan, Late Post-Classic, c 11ft w; Coatlicue (Serpent Skirt), an earth goddess who gave birth to the Aztec tribal deity, Huitzilopochtli, stone, 8 ft. h

66. Aztec Calendar Stone from the Great Temple, Late Post- Classical period. The monolithic sculpture was excavated in the Zócalo, Mexico City's main square, on December 17, 1790. Measuring about 12 ft in diameter, 4 ft in thickness, and weighing 24 tons, the original basalt version is on display at the National Museum of Anthropology in Mexico City. It contains a hieroglyphic and pictographic layout of how the Aztecs measured time, and was primarily a religious and cosmological artifact.

68. Aztec feathered shields with war symbols