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Published byHoward James Modified over 9 years ago
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A Brief and Broad Overview
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Assyrian & Babylonian kingdoms Later, Persian Kingdom Arabian civilization cradle of intellectual achievement (i.e. music/theory, instruments, math & medicine) Pre-Islamic music – oral tradition
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Lyre Frame drum Reed & Double reeds
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Fore-parent to the modern oboe Ultra-Orthodox muslims call this instrument the Devil’s Penis
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*Huda – simple folk songs, camel songs (aka: caravan songs) *Nawh – lamentation or elegy *Ghina – generic term for art music Iranian (Persian) Dynasty (Sassanians) 224 AD khosovania – systems or modes (Barbad) Poetry driven (Persian roots)
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Nasheed = voice & percussion only; religious content, poetry, or concepts of the prophet Sufi (sect of Islam) - mystics Qawaali (qawwali) = “utterance” voice, percussion, harmonium Whirling dervishes = voice, percussion, woodwinds, strings Gnawa = voice, strings, percussion, woodwinds
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Qu’ranic recitations (chant), Call to prayer Huda – simple folk songs, camel songs (aka: caravan songs) *Nawh – lamentation or elegy *Ghina – generic term for art music Nasheed = 10% religious content, praise of the Prophet, poetry
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Considered the Star of the East or Diva of the Arabic Song Began her career reciting Qu’ranic verse Most popular during the 1950’s – 60’s Peasant - cultivated perfect Arabic Still highly revered in Egypt
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Predominately male oriented Reminiscent of western male a capella quartets Contemporary groups have the “boy band” sound More political rhetoric appearing Western in flavor Pushing envelope
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Raihan – Indonesian quintet Rakan Selawat (Seal of the Prophet) 786 Straight Path Shaam Mercy Like the Rain Mustaqiim Sahir This is Islam
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Sufism Whirling dervish = can convert; traditionally men, long study, dhikr (remembrance of Allah) Qawalli & Gnawa = hereditary; cannot convert Sufi’s are in love with God and seek to establish an ecstatic relationship with Him. Imagery & language used is one of lovers Music is the means by which to ascend unto God If it’s in praise to Allah it cannot be bad
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Followers of Mevlana Jalal ad-Din Muhammad Rumi (13 th cent. Persian poet, Islamic jurist, & theologian) Mevlevi Order originally founded in Turkey after Rumi’s death Dervish lodges were banned in 1925; contem- porary communities were persecuted under penalty of death 1950 laws relaxed; Mevlevi viewed as an association – performances only permitted annually (Dec. 17) Many tourist performances
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Symbolizes Divine Love & mystical ecstasy of union with the Divine Being Actualized dhikr Opens with the recitation of the Na’t-I Serif Then instrumental (ney) introduction Salutations & circumambulations Concludes with recitation from the Qu’ran
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The Ney; end blown reed Only reed allowed in the Sema - often a chorus of neys used Human voice, percussion (frame drum, doumbek), and strings (dependent on the region – zither or type of fiddle) are also used
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East Indian / Pakistani Hereditary; families old as 600 yrs Ensemble called a Party Hierarchy within family and performance order Voice, tabla (drums), harmonium cymbals Urdu, punjabi, arabic Seek ecstasy (wajad) through song
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Gnawa (Gnaoua) Extreme sect of Islam (pluralists) Descended from African slaves & mercenaries Hereditary Practice spirit (demon) possession via lila or derdba Commonalities with Voodoo Becoming major contributor to “world beat” or gnawa fusion (diffusion) Some looked upon with same distain as gypsies
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Guimbri Taureg tribe with guimbri
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Whirling Dervish Mevlevi Order (Ottoman Empire/Turkey) Qawaali Nusrat Fateh Ali Khan Gnawa Mustapha Baqbou
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Term gained use 1980’s Marketing/classificatory device for music industry Music that uses distinctive ethnic scales, modes and musical inflections (ethnic instrumentation) for western audiences Jazz infusion/diffusion
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