1. Visitors from Overseas to London’s Theatre September 2010

2. Coming up… London’s Importance to Inbound Tourism London’s Top Inbound Markets Importance of Heritage and Culture Theatre Visitors from Overseas Value Messaging Importance of Word of Mouth

3. London’s Importance to Inbound Tourism 14.2 million visitors in 2009 –11 times Edinburgh –18 times Manchester –20 times Birmingham –50% of all staying visits in the UK Spent £8.2 billion (£580 average per visitor) International Hub –Mix of short and long-haul visitors –Higher proportion of Holiday visitors than UK average Olympic & Paralympic Games Source: International Passenger Survey (ONS)

4. London – Top Inbound Markets 2009 - Visits (000) London relies on mature markets and always will However, emerging markets such as Brazil, India, China, and Russia are forecast to grow rapidly over the next decade Source: International Passenger Survey (ONS)

5. The importance of Culture & Heritage 57% of online population agree that Culture & Heritage is a strong influence on their choice of holiday destination (NBI) –15% disagreed Britain can capitalise –UK is rated as 4 th out of 50 nations for Culture –4 th for Contemporary Culture –4 th for Vibrant and Exciting Cities Culture & Heritage motivates £4.5 billion inbound spend in the UK –100,000+ jobs Source: Nation Brands Index 2009, VisitBritain/International Passenger Survey

6. Theatre is a fairly common activity for visitors to London from overseas One in six visits involves theatre (all journey purposes) –One in four visits (holiday) Fairly even seasonal spread Over 2/3 of theatre visitors from overseas are on holiday –1/5 VFR –1/20 Business 64% Musicals, 25% Play, 3% Dance, 1% Opera (Ipsos MORI) Source: International Passenger Survey (ONS) Figures are for visitors who only visited London

7. Musicals more appealing to females and seniors Similar story for theatre/ballet/opera Source: VisitBritain/Nation Brands Index

8. Appeal of Britain’s Theatre, Opera, Ballet Similar story to musicals in terms of age/gender

9. 55% of theatre-goers from overseas are female –likely to bring their partner Theatre attracts visitors of all ages… Females likely to drive decision to go Source: International Passenger Survey (ONS) Figures are for visitors who only visited London

10. Amongst Holiday visitors, 29% of over 45s went to the theatre in 2009 (vs 23% of under 45s) Due to aging populations, the proportion of visitors to Britain aged 55+ has been growing for years, and should continue In 1993, 12% of visitors were 55+ (18% in 2009) In 1993, 25% of visitors were under 25 (18% in 2009) The West End is well positioned to capitalise on demographic trends, but must keep connection with younger audiences too –44% of visitors to the UK were 25-44 in 2009 …But Older Age Groups Have a Higher Propensity to Visit

11. Musicals have highest resonance amongst English-speakers Musicals have highest appeal in Norway, Denmark, Sweden, Ireland Theatre, Opera, Ballet most highly regarded by Nordics, Asian nations, and parts of Latin America (NBI)

12. League of London Theatre Visits 1 in 6 theatre-visitors from overseas is from the USA Visitors from countries with a high level of English, visitors from Asia, and from Brazil have a high propensity to go to theatre Proportion of theatre visitsProportion of visits involving theatre Source: International Passenger Survey (ONS) Figures are for visitors who only visited London

13. Price of Tickets and General Expense are main reasons for not going more often, but… …cost of Sterling has fallen Source: Ipsos MORI, VisitBritain

14. Cost of Sterling presents an opportunity From Aug 2007 to Aug 2010 Sterling has fallen… 20% against US Dollar 22% against the Euro 28% against the Australian Dollar 17% against the Swedish Krona 18% against the Norwegian Krone 18% against the Danish Krone Source: VisitBritain

15. Theatre is a ‘Hidden Opportunity’ For the majority of visitors to Britain, theatre is not the main reason for the trip –Theatre was main reason for visiting London for 13% of theatre- goers from overseas –49% of theatre-visitors from overseas book on the day or one day before the performance However, visitors from overseas who went to the theatre in Britain are even more likely to recommend Britain than non- theatre-visitors –Encouraging more visitors to go to the theatre once they have decided to visit will result in more recommendations Word of mouth is the most common way overseas visitors find out about theatre productions Growing i mportance of social media Source: Ipsos MORI, TNS/VisitBritain

16. Key Points High appeal to visitors with a high level of English More appealing for females and more senior age groups, although many theatre visitors are younger The cost of sterling is a major opportunity relative to a few years ago For the majority, theatre is not the reason to visit Britain, but word of mouth drives recommendations

17. Theatre is frequently mentioned as one of the most enjoyable aspects of the trip, especially the Globe and musicals Attending a performance at the Globe Theatre and standing in the 'yard'. Fantastic! - USA Being with my grown kids and 'Spamalot' at one of the original theatres! I just want to go back to see theatre!!! - USA We enjoyed the theatre, specifically Les Miserables and the Lion King. - USA It was a Theatre experience. I saw 9 shows in the 8 days - USA Monty Python's Spamalot!!!!!!- Denmark The best was Billy Elliot the Musical – South Africa Source: Lynn Jones London Visitor Survey

18. Sources International Passenger Survey (Office for National Statistics) Nation Brands Index (2007, GMI) Nation Brands Index (2009, GfK) The West End Theatre Audience (Society of London Theatre, Ipsos MORI) Lynn Jones London Visitor Survey (2008-9) Visitor Experience Research (TNS/VisitBritain, 2007)