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THE MEANING OF FAIRY TALES
“Little Red Riding Hood” original version is replete with murder, cannibalism, and sex Modern version is a sanitized and censored version of the original story
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CHARLES PERRAULT “Mother Goose” was pen name for Charles Perrault
Collected French peasant folk tales during the late 18th century and published them in a book attributed to “Mother Goose” Most peasant folk tales have been transmitted to us in this manner The problem is that most of them were so cleaned up by Perrault and others that they only bear a slight resemblance to the stories that peasants told
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HORRIFYING STORIES Many original peasant folk tales were downright horrifying In “Sleeping Beauty,” a married Prince Charming repeatedly rapes the princess while she is sleeping In “Cinderella,” she becomes a servant to escape her father who is always trying to molest and rape her In “Hansel and Gretel, the children trick the ogre into slitting the throats of his own children In “Beauty and the Beast,” the Beast cannibalizes a series of brides in their wedding bed Other examples include “The Three Dogs” and “My Mother Killed Me and My Father Ate Me” Not passed on through “Mother Goose”
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BRUTAL RURAL WORLD Stories reflect a world of raw and naked brutality
The world of an 18th century peasant Peasant inhabited a world of malnutrition/starvation, of step-mothers and orphans, of unending and backbreaking toil, of naked exploitation at the hands of their social superiors, of brutal emotions, of squalor, and of death This was the environment that produced some of the most beloved fairy tales of today
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MOTHER GOOSE VERSION OF PUSS ‘N BOOTS
Miller dies and leaves his mill to his eldest son, his mule to his second son, and a cat to his third But the cat is a genius at domestic intrigue and exploits the vanity, stupidity, and unsatisfied appetites of the brothers through a series of tricks Ultimately leads to a rich marriage for his master and a huge estate for himself
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PEASANT PUSS ‘N BOOTS Father dies and leaves farm to eldest son and only a handful of coins to the youngest son Since he already had a large family, he became destitute Youngest son begs brother for grain Brother tells him to strip off his clothes, stand in the rain, and then roll in the granary He can keep all the grain that sticks to his body But not enough grain sticks, so he takes to the road Meets a good fairy (disguised as a cat) who helps him solve a series of riddles which leads him to a pot of gold Buys a farm with the gold
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TOM THUMB AND THE STRUGGLE FOR SURVIVAL
Woodsman and wife had seven boys A famine hit and the parents decided to get rid of their sons Abandoned them in forest to cope with the problem of survival in a period of demographic disaster Typical theme in numerous folk tales Parents turning children out to live on the road as beggars or thieves Or parents running away and leaving children on their own Example: “Orange Apple” Dramatized struggle for scarce resources which pitted poor against rich
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WICKED STEP-MOTHERS To eat or not to eat was a common theme
Often in connection with the theme of the wicked stepmother Special meaning for peasants because demography made step mothers important figures in village society Example: Cinderella
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FOOD AND MEAT Importance of food is illustrated in “The Three Ridiculous Wishes” “wishing” usually took the form of food in peasant folk tales And meat took first place as the type of food most wished for The “luxury of luxuries” in a society of de facto vegetarians Example: “The Ghoul”
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ROOTED IN REALITY Even though peasants also imagined other dreams coming true (including castles, princes, and princesses), their wishes usually remained fixed on common items of the everyday world Especially food of some sort or another Wish fulfillment was therefore a strategy for survival, not a fantasy of escape Peasant folk tales were rooted in the real world Almost always took place in either the household/village or on the open road Opposition between the village and the road runs through many peasant folk tales Just as it ran through the lives of peasants everywhere in the 18th century
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WORK Peasant families could not survive in 18th century France unless everyone worked together as an economic unit Folk tales did not condemn child labor; they expressed indignation when it did not occur Example: “Rumplestilzchen” Expressed basic fact of peasant life: everyone faced endless, limitless labor, from childhood until the day they died
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LIFE ON THE ROAD Sons had most room to maneuver in folk tales
Often explored the dimension of life on the road Boys often took to the road because they had no land, no work, and no food at home Became farm hands, domestic servants, or, on occasion, apprentices Hero of “Jean de l’Ours” served as a blacksmith apprentice for five years before going off on his adventures
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DANGER ON THE ROAD Young men confronted danger everywhere when they took to the road Bandits and wolves were everywhere Young men stood a good chance of having their money stolen and throats cut The mysterious houses in the middle of dangerous forests in folktales like Tom Thumb and Hansel and Gretel was reality for many of the audience, not fantasy
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BEGGING Fortune-seeking was simply another way of saying begging
Beggars swarmed through peasant folk tales Folk tales like “The Bracelet,” “The Two Travelers,” and “Nourouas,” all illustrate the desperation of those tottering on the line between poverty in the village and destitution on the road
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SUMMARY Whenever one looks behind Mother Goose to the peasant versions of these stories, one finds elements of realism Not photographic accounts of peasant life, but a picture that corresponds to everything that social historians have been able to piece together regarding what peasant life was like during this period By showing how life was lived in the village and on the road, these tales helped orient the peasants They mapped the ways of the world and demonstrated the folly of expecting anything more than cruelty from a cruel social order and a cruel world They also told peasants how the world was put together and provided a strategy for coping with it
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CAUTIONARY TALES Peasant folk tales tended to be cautionary
They did have a positive message and showed that generosity, honesty, and courage won rewards But they did not express confidence in the effectiveness of loving enemies or turning the other cheek Demonstrated that you cannot trust everyone you meet along the road Also demonstrated that the world was arbitrary and amoral No rhyme or reason to the universe Disaster cannot be predicted and strikes by chance It simply must be endured Example: “Little Red Riding Hood”
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CUNNING Good behavior did not determine success in the village or on the road Cunning is emphasized in peasant folk tales above all else Hero gets the princess by using his wits And sometimes this means performing unethical acts Examples: “The Loyal Servant,” “The Man Who Didn’t Want to Die,” and “The Devil’s Chauffer” Tales do not necessarily advocate immorality, but they do undercut the notion that virtue will be rewarded
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TRICKSTERISM Roguery runs through most French folk tales
Often takes the form of “tricksterism” The French trickster is usually a younger son, step-daughter, an abandoned child, a poor shepherd, an underpaid farm hand, an oppressed servant, or an abused apprentice All of whom use their wits and cunning to overcome their social and economic disadvantages and get revenge on their oppressors French folk tales show no sympathy for village idiots or stupidity in any form Numbskulls represented the antithesis of tricksterism Epitomize the deadly sin of simplicity
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DAVID AND GOLIATH Tricksterism pits the little against the big, the poor against the rich, the underprivileged against the powerful Provided a strategy for peasants to cope with their enemies French underdogs turn the tables on the high and mighty in an earthy manner and down-to-earth setting Not in a fantasy context
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LIMITS French folk tales dwell on theme of humiliation
Clever weakling makes a fool of the strong oppressor by raising a chorus of laughter at his expense But this type of laughter had its limits Once it subsides, things return to normal; nothing fundamental changes Tricksterism permits the underdog to grasp some marginal advantage by playing on the vanity and stupidity of his superiors But the trickster still works within the system, turning its weak points to his advantage and therefore ultimately confirming it
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COPING STRATEGY Tricksterism expressed an orientation to the world rather than a latent strain of revolutionary radicalism It provided a way of coping with a harsh society instead of a formula for overthrowing it Example: “The Devil and the Blacksmith” Moral: cheating is a good strategy for living Only strategy available to “little people” who must take things as they are and make the most of them
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CONCLUSION The French folk tale was not an innocent story nor was it a form of escapist fantasy It was a means for peasants to understand the real world around them and gave them a strategy of coping with it as best they could It did not challenge this world in any kind of revolutionary sense nor did it put forward any viable alternatives to the status quo It simply taught peasants how to deal with this status quo and, by doing so, gives us insight into what this status quo was like for those who suffered most from it
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THE GREAT CAT MASSACRE MAIN CHARACTERS
Nicholas Contat (apprentice printer) Jacques Vincent (print shop master) “La Grise” (favorite cat of master’s wife)
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GETTING THE JOKE Most people today do not see why the cat massacre was so funny to Contat and his fellow workers Our inability to “get the joke” indicates the distance that separates our mental world from that of the people of preindustrial Europe Their culture is alien and foreign to us But, by attempting to “get the joke,” we will be able to penetrate the urban popular culture of preindustrial Europe and gain insight into the world of the people who lived there
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TENSIONS Most obvious explanation of the episode is that it was actually a veiled attack on the master and his wife A reflection of deep tensions in the workplace Workers obliquely striking back at the employers they detested
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CHANGES Printing industry did undergo fundamental changes in early 19th century Small shops were forced out of business by large printing houses Owners of large printing houses put the squeeze on journeymen by hiring underqualified printers who had not served apprenticeships Printing trade was undergoing a major structural change An ominous one which threatened to destroy traditional family-like relationship between masters and journeymen Also threatened journeymen’s status as valuable, highly skilled workers
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BREAK DOWN Contat saw mythical “fraternal union of friendship” between masters and journeymen breaking down Saw masters separate themselves from their journeymen and apprentices and act more and more like employers Saw masters enter a different subculture which excluded journeymen and apprentices But why did he select cats as a vehicle to protest this development?
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CHARIVARIS Cats played an important role in many popular festivals of the time Charivaris Burlesque, mocking processions, accompanied by a lot of noise, which were designed to humiliate individuals who had violated traditional community norms Cats played an important part in these events “Katzenmusik”
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KILLING CATS Cats had a tremendous amount of ritual value
Common literary theme and current in popular culture was the torture and killing of cats Nothing unusual about the ritual killing of cats Contat and his fellow workers were actually drawing on a common element in their popular culture
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EVIL POWERS Cats suggested witchcraft
Only one way to protect yourself from sorcery by cats Maim them in some way and you could break their evil power Cats also had occult powers of their own, independent of their association with witches Cats also had a great deal of power over households Only way to contain this power was to maim them in some way Cats also had power over sex Common sexual metaphor Howling of cats at night was believed to be the shouting of names of cuckholded husbands Reason why cats were provoked to howl during charivaris
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SYMBOLISM When people of preindustrial France heard a cat howl or saw one cross their path, they could draw on any number of images Witchcraft, the occult, danger, sex, charivari, etc. Cats had enormous symbolic weight in the folklore of preindustrial France And it is obvious that it had penentrated Contat’s print shop
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TRICKING THE MASTER Sorcery is a recurrent theme throughout Contat’s account The apprentices tricked their master and exploited his superstitions to such an extent that he ordered them to run riot And they ran riot at his expense by killing “La Grise”
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BEAUTY OF THE JOKE Because of the strong symbolic relationship between cats and female sexuality, they were able to obscenely insult their boss and his wife By assaulting her pet the way they did, they symbolically ravished her This was beauty of the joke They had provoked their boss to authorize the massacre of cats Then used the massacre to punish him by insulting his wife and symbolically raping her And he never even knew what was going on
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SKILL Joke worked well because the workers skillfully manipulated an entire repertoire of ceremonies and symbols that they had at their disposal They used symbols to hide the full meaning of what they were doing while simultaneously revealing enough to make the master look like a fool for not recognizing what was going on This required great skill and dexterity in manipulating symbols in an oral, pantomime context
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SUMMARY The skillful and imaginative manipulation of symbols by common printers reveals an entire world of expression and meaning manifested almost entirely by word of mouth and actions A world of expression that was as colorful, subtle, and expressive as anything our literate, electronic culture of today has produced Allows us to enter a symbolic world that died with the onset of the Industrial Revolution and which greatly affected the way preindustrial people viewed their world and attempted to express themselves within it
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