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SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c. 1200-1210. Stained and painted.

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Presentation on theme: "SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c. 1200-1210. Stained and painted."— Presentation transcript:

1 SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c Stained and painted glass. [Fig ] SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c Stained and painted glass. [Fig ]

2 EUROPE IN THE GOTHIC ERA [Map 17-01]

3 PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENIS France [Fig a] PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENIS France [Fig a]

4 PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENIS France [Fig b] PLAN OF THE CHOIR (A) AND VIEW OF AMBULATORY AND APSE CHAPELS (B) OF THE ABBEY CHURCH OF SAINT-DENIS France [Fig b]

5 ELEMENTS OF ARCHITECTURE: Rib Vaulting Rib vault with pointed arches

6 THE FLIGHT INTO EGYPT Detail of the Incarnation (Infancy of Christ) Window, axial choir chapel, abbey church of Saint-Denis. c The Glencairn Museum, Bryn Athyn, Pennsylvania. [Fig ] THE FLIGHT INTO EGYPT Detail of the Incarnation (Infancy of Christ) Window, axial choir chapel, abbey church of Saint-Denis. c The Glencairn Museum, Bryn Athyn, Pennsylvania. [Fig ]

7 WEST FAÇADE, CHARTRES CATHEDRAL (CATHEDRAL OF NOTRE-DAME) France
WEST FAÇADE, CHARTRES CATHEDRAL (CATHEDRAL OF NOTRE-DAME) France. West façade begun c. 1134; cathedral rebuilt after a fire in 1194; building continued to 1260; north spire [Fig ] WEST FAÇADE, CHARTRES CATHEDRAL (CATHEDRAL OF NOTRE-DAME) France. West façade begun c. 1134; cathedral rebuilt after a fire in 1194; building continued to 1260; north spire [Fig ]

8 ROYAL PORTAL, WEST FAÇADE, CHARTRES CATHEDRAL c. 1145-1155. [Fig

9 ROYAL PORTAL, WEST FAÇADE, CHARTRES CATHEDRAL Detail of prophets and ancestors of Christ (kings and queens of Judea), right side, central portal. c [Fig ] ROYAL PORTAL, WEST FAÇADE, CHARTRES CATHEDRAL Detail of prophets and ancestors of Christ (kings and queens of Judea), right side, central portal. c [Fig ]

10 SCHEMATIC DRAWING OF CHARTRES CATHEDRAL

11 MASONS AT WORK Detail of a miniature from a Picture Bible made in Paris. 1240s. The Morgan Library and Museum, New York. MS. M638, fol. 3r. [Fig ] MASONS AT WORK Detail of a miniature from a Picture Bible made in Paris. 1240s. The Morgan Library and Museum, New York. MS. M638, fol. 3r. [Fig ]

12 PLAN (A) AND INTERIOR LOOKING EAST (B), CHARTRES CATHEDRAL 1194-c. 1220. [Fig. 17-09a]

13 PLAN (A) AND INTERIOR LOOKING EAST (B), CHARTRES CATHEDRAL 1194-c. 1220. [Fig. 17-09b]

14 GOOD SAMARITAN WINDOW South aisle of nave, Chartres Cathedral. c
GOOD SAMARITAN WINDOW South aisle of nave, Chartres Cathedral. c Stained and painted glass. [Fig ] GOOD SAMARITAN WINDOW South aisle of nave, Chartres Cathedral. c Stained and painted glass. [Fig ]

15 ROSE WINDOW AND LANCETS, NORTH TRANSEPT, CHARTRES CATHEDRAL c
ROSE WINDOW AND LANCETS, NORTH TRANSEPT, CHARTRES CATHEDRAL c Stained and painted glass. [Fig ] ROSE WINDOW AND LANCETS, NORTH TRANSEPT, CHARTRES CATHEDRAL c Stained and painted glass. [Fig ]

16 PLAN OF CATHEDRAL OF NOTRE-DAME, REIMS France. Begun in 1211. [Fig

17 WEST FAÇADE, CATHEDRAL OF NOTRE-DAME, REIMS Rebuilding begun 1211; façade begun c. 1225; to the height of rose window by 1260; finished for the coronation of Philip the Fair in 1286; towers left unfinished 1311; additional work [Fig ] WEST FAÇADE, CATHEDRAL OF NOTRE-DAME, REIMS Rebuilding begun 1211; façade begun c. 1225; to the height of rose window by 1260; finished for the coronation of Philip the Fair in 1286; towers left unfinished 1311; additional work [Fig ]

18 CENTRAL PORTAL, RIGHT SIDE, WEST FAÇADE, REIMS CATHEDRAL Annunciation (left pair: Mary [right] c. 1240, angel [left] c. 1250) and Visitation (right pair: Mary [left] and Elizabeth [right] c. 1230). [Fig ] CENTRAL PORTAL, RIGHT SIDE, WEST FAÇADE, REIMS CATHEDRAL Annunciation (left pair: Mary [right] c. 1240, angel [left] c. 1250) and Visitation (right pair: Mary [left] and Elizabeth [right] c. 1230). [Fig ]

19 INTERIOR LOOKING WEST, REIMS CATHEDRAL Begun 1211; nave c. 1220. [Fig

20 Villard de Honnecourt SHEET OF DRAWINGS WITH GEOMETRIC FIGURES c. 1230
Villard de Honnecourt SHEET OF DRAWINGS WITH GEOMETRIC FIGURES c Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm). Bibliothèque Nationale, Paris. MS. fr [Fig ] Villard de Honnecourt SHEET OF DRAWINGS WITH GEOMETRIC FIGURES c Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm). Bibliothèque Nationale, Paris. MS. fr [Fig ]

21 Villard de Honnecourt DRAWINGS OF THE INTERIOR AND EXTERIOR ELEVATION OF THE NAVE OF REIMS CATHEDRAL c Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm). Bibliothèque Nationale, Paris. MS. fr [Fig ] Villard de Honnecourt DRAWINGS OF THE INTERIOR AND EXTERIOR ELEVATION OF THE NAVE OF REIMS CATHEDRAL c Ink on vellum, 9-1/4" × 6" (23.5 × 15.2 cm). Bibliothèque Nationale, Paris. MS. fr [Fig ]

22 SCHEMATIC DRAWING OF THE SAINTE-CHAPELLE Paris. 1239-1248. [Fig. 17-18]

23 UPPER CHAPEL INTERIOR, THE SAINTE-CHAPELLE Paris. 1239-1248. [Fig

24 HOLOFERNES' ARMY CROSSING THE EUPHRATES RIVER Detail of the Judith Window, the Sainte-Chapelle, Paris. c Stained, painted, and leaded glass, diameter 23-5/16" (59.2 cm). Philadelphia Museum of Art. [Fig ] HOLOFERNES' ARMY CROSSING THE EUPHRATES RIVER Detail of the Judith Window, the Sainte-Chapelle, Paris. c Stained, painted, and leaded glass, diameter 23-5/16" (59.2 cm). Philadelphia Museum of Art. [Fig ]

25 QUEEN BLANCHE OF CASTILE AND KING LOUIS IX From a Moralized Bible made in Paris Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm). The Morgan Library and Museum, New York. MS. M. 240, fol. 8r. [Fig ] QUEEN BLANCHE OF CASTILE AND KING LOUIS IX From a Moralized Bible made in Paris Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm). The Morgan Library and Museum, New York. MS. M. 240, fol. 8r. [Fig ]

26 MORALIZATIONS FROM THE APOCALYPSE From a Moralized Bible made in Paris
MORALIZATIONS FROM THE APOCALYPSE From a Moralized Bible made in Paris Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm). The Morgan Library and Museum, New York. MS. M. 240, fol. 6r. [Fig ] MORALIZATIONS FROM THE APOCALYPSE From a Moralized Bible made in Paris Ink, tempera, and gold leaf on vellum, each page 15" × 10-1/2" (38 × 26.6 cm). The Morgan Library and Museum, New York. MS. M. 240, fol. 6r. [Fig ]

27 A CLOSER LOOK: Psalm 1 in the Windmill Plaster The opening of the Windmill Psalter. Made in England, probably London. Late 13th century. Ink, pigments, and gold on vellum, each page 12-3/4" × 8-3/4" (32.3 × 22.2 cm). The Morgan Library and Museum, New York. MS. 102, fols. lv-2r. A CLOSER LOOK: Psalm 1 in the Windmill Plaster The opening of the Windmill Psalter. Made in England, probably London. Late 13th century. Ink, pigments, and gold on vellum, each page 12-3/4" × 8-3/4" (32.3 × 22.2 cm). The Morgan Library and Museum, New York. MS. 102, fols. lv-2r.

28 Matthew Paris SELF-PORTRAIT KNEELING BEFORE THE VIRGIN AND CHILD From the Historia Anglorum, made in St. Albans, England Ink and color on parchment, 14" × 9-3/4" (35.8 × 25 cm). The British Library, London. Royal MS. 14.c.vii, fol. 6r. [Fig ] Matthew Paris SELF-PORTRAIT KNEELING BEFORE THE VIRGIN AND CHILD From the Historia Anglorum, made in St. Albans, England Ink and color on parchment, 14" × 9-3/4" (35.8 × 25 cm). The British Library, London. Royal MS. 14.c.vii, fol. 6r. [Fig ]

29 SALISBURY CATHEDRAL England
SALISBURY CATHEDRAL England. Church building ; west façade finished 1265; spire c ; cloister and chapter house [Fig ] SALISBURY CATHEDRAL England. Church building ; west façade finished 1265; spire c ; cloister and chapter house [Fig ]

30 PLAN OF SALISBURY CATHEDRAL [Fig. 17-25]

31 INTERIOR LOOKING EAST, SALISBURY CATHEDRAL [Fig. 17-26]

32 EXTERIOR OF THE GREAT HALL, STOKESAY CASTLE England. Late 13th century
EXTERIOR OF THE GREAT HALL, STOKESAY CASTLE England. Late 13th century. [Fig ] EXTERIOR OF THE GREAT HALL, STOKESAY CASTLE England. Late 13th century. [Fig ]

33 EXTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY, MARBURG Germany
EXTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY, MARBURG Germany [Fig ] EXTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY, MARBURG Germany [Fig ]

34 INTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY Marburg, Germany
INTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY Marburg, Germany [Fig ] INTERIOR, CHURCH OF ST. ELIZABETH OF HUNGARY Marburg, Germany [Fig ]

35 INTERIOR, OLD-NEW SYNAGOGUE (ALTNEUSCHUL) Prague, Bohemia (Czech Republic). c. late 13th century; bimah after [Fig ] INTERIOR, OLD-NEW SYNAGOGUE (ALTNEUSCHUL) Prague, Bohemia (Czech Republic). c. late 13th century; bimah after [Fig ]

36 Nicholas of Verdun and workshop SHRINE OF THE THREE KINGS Cologne (Köln) Cathedral, Germany. c c. 1205/10. Silver and gilded bronze with enamel and gemstones, 5'8" × 6' × 3'8" (1.73 × 1.83 × 1.12 m). [Fig ] Nicholas of Verdun and workshop SHRINE OF THE THREE KINGS Cologne (Köln) Cathedral, Germany. c c. 1205/10. Silver and gilded bronze with enamel and gemstones, 5'8" × 6' × 3'8" (1.73 × 1.83 × 1.12 m). [Fig ]

37 ST. MAURICE Magdeburg Cathedral, Magdeburg, Germany. c. 1240-1250
ST. MAURICE Magdeburg Cathedral, Magdeburg, Germany. c Dark sandstone with traces of polychromy. [Fig ] ST. MAURICE Magdeburg Cathedral, Magdeburg, Germany. c Dark sandstone with traces of polychromy. [Fig ]

38 EKKEHARD AND UTA West chapel, Naumburg Cathedral, Germany. c Stone with polychromy, height approx. 6'2" (1.88 m). [Fig ] EKKEHARD AND UTA West chapel, Naumburg Cathedral, Germany. c Stone with polychromy, height approx. 6'2" (1.88 m). [Fig ]

39 Nicola Pisano PULPIT Baptistery, Pisa, Italy. 1260
Nicola Pisano PULPIT Baptistery, Pisa, Italy Marble, height approx. 15' (4.6 m). [Fig ] Nicola Pisano PULPIT Baptistery, Pisa, Italy Marble, height approx. 15' (4.6 m). [Fig ]

40 Nicola Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDS Detail of pulpit, Baptistery, Pisa, Italy Marble, 33-1/2" × 44-1/2" (85 × 113 cm). [Fig ] Nicola Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDS Detail of pulpit, Baptistery, Pisa, Italy Marble, 33-1/2" × 44-1/2" (85 × 113 cm). [Fig ]

41 Giovanni Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDS Detail of pulpit, Sant'Andrea, Pistoia, Italy Marble, 33" × 40-1/8" (83 × 102 cm). [Fig ] Giovanni Pisano ANNUNCIATION, NATIVITY, AND ADORATION OF THE SHEPHERDS Detail of pulpit, Sant'Andrea, Pistoia, Italy Marble, 33" × 40-1/8" (83 × 102 cm). [Fig ]

42 Coppo di Marcovaldo CRUCIFIX From the Franciscan convent of Santa Chiara, San Gimignano, Italy. c Tempera and gold on wood panel, 9'7-3/8" × 8'1-1/4" (2.93 × 2.47 m). Pinacoteca, San Gimignano, Italy. [Fig ] Coppo di Marcovaldo CRUCIFIX From the Franciscan convent of Santa Chiara, San Gimignano, Italy. c Tempera and gold on wood panel, 9'7-3/8" × 8'1-1/4" (2.93 × 2.47 m). Pinacoteca, San Gimignano, Italy. [Fig ]

43 SCHEMATIC DRAWING OF THE CHURCH OF ST. FRANCIS, ASSISI Umbria, Italy
SCHEMATIC DRAWING OF THE CHURCH OF ST. FRANCIS, ASSISI Umbria, Italy [Fig ] SCHEMATIC DRAWING OF THE CHURCH OF ST. FRANCIS, ASSISI Umbria, Italy [Fig ]

44 THE MIRACLE OF THE CRIB AT GRECCIO From a cycle of the Life of St
THE MIRACLE OF THE CRIB AT GRECCIO From a cycle of the Life of St. Francis, church of St. Francis, Assisi. Late 13th or early 14th century. Fresco. [Fig ] THE MIRACLE OF THE CRIB AT GRECCIO From a cycle of the Life of St. Francis, church of St. Francis, Assisi. Late 13th or early 14th century. Fresco. [Fig ]


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