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1)What does the video suggest about the American Dream? 2)How does the video use color, symbols, and metaphors? What might these things mean? 3)How does.

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Presentation on theme: "1)What does the video suggest about the American Dream? 2)How does the video use color, symbols, and metaphors? What might these things mean? 3)How does."— Presentation transcript:

1 1)What does the video suggest about the American Dream? 2)How does the video use color, symbols, and metaphors? What might these things mean? 3)How does the video add to the conversation of Fitzgerald's Valley of Ashes? https://www.youtube.com/watch?v=EIwFuYh9ruk

2 How do the differing settings of The Valley of Ashes and The Rolling Green Hills contrast as symbols of the American Dream? Hint: This will be a quiz questions on tomorrow’s quiz.

3 About half way between West Egg and New York the motor road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight. But above the gray land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic — their irises are one yard high. They look out of no face, but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness, or forgot them and moved away. But his eyes, dimmed a little by many paintless days, under sun and rain, brood on over the solemn dumping ground.

4 On the last night, with my trunk packed and my car sold to the grocer, I went over and looked at that huge incoherent failure of a house once more. On the white steps an obscene word, scrawled by some boy with a piece of brick, stood out clearly in the moonlight, and I erased it, drawing my shoe raspingly along the stone. Then I wandered down to the beach and sprawled out on the sand. Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the

5 last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther.... And one fine morning —— So we beat on, boats against the current, borne back ceaselessly into the past.

6 Compare the DICTION!

7 How do the differing settings of The Valley of Ashes and The Rolling Green Hills contrast as symbols of the American Dream?

8 To do this, complete the following steps… 1.Find a quote in Chapter 2, 9, or another section of the novel that concerns your symbol. 2.Decide the symbolic meaning of both your OBJECT and its PRIMARY COLOR. 3.Write a SPES analysis proving that your symbol represents these symbolic meanings. 4.The information for questions 2 & 3 should be recorded on a visual representation of the symbol that can fit on the board image.

9 How do the differing settings of The Valley of Ashes and The Rolling Green Hills contrast as symbols of the American Dream?


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