1. The Theatre of Absurd and
Samuel Beckett ( )
Samuel Beckett

2. HISTORICAL BACKGROUND NEW MEANING OF EXISTENCE FRENCH EXISTENTIALISM
The Theatre of the Absurd and Samuel Beckett
1. The Theatre of the Absurd and Samuel Beckett
HISTORICAL BACKGROUND
NEW MEANING OF EXISTENCE
FRENCH EXISTENTIALISM
SAMUEL BECKETT
Only Connect ... New Directions

3. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
2. Historical background
The aftermath of World War II increased by the Cold War.
The atrocities of the Nazi concentration camps.
The Allies’ atomic bomb.
Disillusionment coming from the realization that Britain had been reduced to a second-class power.
The nuclear bombing of Hiroshima, 1945
The infamous entrance to Auschwitz.
Only Connect ... New Directions

4. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
3. New meaning of existence
Awareness of man’s propensity to evil and conscience of the destructive power of scientific knowledge.
The lack of moral assurance and the decline of religious faith.
The disillusionment with both the liberal and social theories about economic and social progress.
Mistrust in the power of reason.
A sense of anguish, helplessness and rootlessness developed especially among the young
Only Connect ... New Directions

5. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
4. French existentialism
Existentialism saw man trapped in a hostile world.
Human life was meaningless and this created a sense of confusion, despair and emptiness.
The universe was not rational and defied any explanation.
Jean Paul Sartre ( )
Only Connect ... New Directions

6. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
4. French existentialism
The main exponent of this philosophical current was the French Jean Paul Sartre.
Existentialists presented the absurdity of human condition by means of a lucid language and logical reasoning.
Jean Paul Sartre ( )
Only Connect ... New Directions

7. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
5. The Theatre of the Absurd: main features
Absence of a real story or plot.
No action since all actions are insignificant.
Vagueness about time, place and the characters.
The value of language is reduced; in fact, what happens on the stage transcends, and often contradicts, the words spoken by the characters.
Extensive use of pauses, silences, miming and farcical situations which reflect a sense of anguish.
Incoherent babbling makes up the dialogue.
Only Connect ... New Directions

8. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
6. The Theatre of the Absurd: main themes
The sense of man’s alienation.
The cruelty of human life.
The absence or the futility of objectives.
The meaninglessness of man’s struggle.
Only Connect ... New Directions

9. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
7. Samuel Beckett ( )
Main works
Waiting for Godot (written in French in 1952 and translated into English in 1954)
Endgame (1958)
Krapp’s Last Tape (1959)
Happy Days (1961)
Breath (1970)
Samuel Beckett
Only Connect ... New Directions

10. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
8. Waiting for Godot
No Setting: a desolate country road and a bare tree.
Time: evening.
Characters: two tramps, Vladimir and Estragon, bored by a day of nothingness; Pozzo and Lucky.
Poster for a staging of Waiting for Godot.
Only Connect ... New Directions

11. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
8. Waiting for Godot
Theme: the static situation of waiting.
Plot: the two tramps are waiting for a mysterious Godot who never turns up.
Poster for a staging of Waiting for Godot.
Only Connect ... New Directions

12. 9. Waiting for Godot: characters
The Theatre of the Absurd and Samuel Beckett
9. Waiting for Godot: characters
Vladimir and Estragon are complementary.
Lucky and Pozzo are linked by a relationship of master and servant.
Vladimir and Lucky represent the intellect.
Waiting for Godot, London, Peter Hall Co.
Only Connect ... New Directions

13. 9. Waiting for Godot: characters
The Theatre of the Absurd and Samuel Beckett
9. Waiting for Godot: characters
Estragon and Pozzo stand for the body.
The two couples are mutually dependent.
The character the two tramps are waiting for is Godot  Biblical allusions in this name.
Waiting for Godot, London, Peter Hall Co.
Only Connect ... New Directions

14. 10. Waiting for Godot: structure
The Theatre of the Absurd and Samuel Beckett
10. Waiting for Godot: structure
The play has a circular structure  it ends almost exactly as it begins.
The two acts are symmetrically built  the stage is divided into two halves by a tree, the human races into two, Vladimir and Estragon.
It is pervaded by a grotesque humour.
Its tone is tragic and desperate.
Waiting for Godot, London, Peter Hall Co.
Only Connect ... New Directions

15. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
11. Waiting for Godot: themes
Human impotence in the face of life’s meaninglessness.
A static world where nothing happens.
Absence of a traditional time  there is no past, present and future, just a repetitive present.
Disintegration of language  absurd exchanges, broken and fragmented dialogues.
The lack of communication  use of para-verbal language: mime, silences, pauses and gags.
Only Connect ... New Directions

16. Only Connect ... New Directions
The Theatre of the Absurd and Samuel Beckett
12. Beckett vs. Osborne
Beckett
Osborne
Plot
Obscure, non consequential
True-to-life, consequential
Setting
Symbolic, bare
Realistic, related to working class
Theme
Meaninglessness of human experience
Social critic against middle-class values
Stage Directions
Repetitive, frequent
Detailed, informative, clear
Language
Everyday, meaningless
Everyday, simple, clear
Only Connect ... New Directions