Presentation is loading. Please wait.

Presentation is loading. Please wait.

Othello Marxist Critique.

Similar presentations

Presentation on theme: "Othello Marxist Critique."— Presentation transcript:

1 Othello Marxist Critique

2 Marxism Review Whom does it benefit if the work or effort is accepted/successful/believed, etc.? What is the social class (background )of the author? Which class does the work claim to represent? What values does it reinforce? What values does it subvert? What conflict can be seen between the values the work champions and those it portrays? What social classes do the characters represent? How do characters from different classes interact or conflict?

3 The Clown The Clown: Othello’s servant. Although the clown appears only in two short scenes, his appearances reflect and distort the action and words of the main plots. Often lower class people do not appear often (as they go unseen by most of society) but when they do are quite important in the play, even as minor characters. A3S4 L1 – 5 Desdemona: Do you know, sirrah, where Lieutenant Cassio lies? Clown: I dare not say he lies anywhere. Desdemona: Why, man? Clown: He’s a soldier, and for me to say a soldier lies, ‘tis stabbing. L11 – 14 Clown: I know not where he lodges; and for me to Devise a lodging and say he lies here, or he lies There, where to lie in mine own throat. Here the Clown gives necessary comic relief during a very intense portion of the play. He also highlights his servitude by being told what to do by Desdemona. He also demonstrates the whit of the lower classes through his comments.

4 Bianca A courtesan, or prostitute, in Cyprus. Bianca’s favorite customer is Cassio, who teases her with promises of marriage. Bianca is the only person woman in the play (including Othello) strong enough to stand up for herself when she feels as if she is being cheated. This is significant for two reasons: Lower class people would be more apt to speak out and it would demonstrate her lower class. This is contrast to Desdemona who in A4S3 says that: So would not I. My love doth so approve him That even his stubbornness, his checks, his frowns – Prithee, unpin me – have grace and favor {in them.} Bianca in contrast says to Cassio in A4S1: If you’’ll come to supper tonight you may. If You will not, come when you are next prepared For. Bianca here stands up for herself, while Desdemona says that she will stand by Othello no matter what (remember he has hit her by this point). That shows a ‘class difference’ according to the time that this was written.

5 Noticeable By Her Absence
A4S3: During the conversation regarding women’s role in society, Bianca (and if you interpret her as a representative of the lower class of women) all lower class women are not present. One then makes the judgment that the lower class is left out of the discussion of women’s rights. Read A5S1 L88 – 150 and analyze the manner in which Bianca is treated by not only Iago, but Emilia. Do you think this is reflective of her class and stature? How do you feel she acts when she sees Cassio? Overall, what is your feeling about Bianca in the play?

6 The Women In The Play Individual Writing Task:
Compare and contrast the 3 women in the play from a Marxist perspective. Write a Thesis and then use a T-Chart to answer 3 questions of each woman in the play from the list on slide 2.

Download ppt "Othello Marxist Critique."

Similar presentations

Ads by Google