Presentation is loading. Please wait.

Presentation is loading. Please wait.

Photographic Image Formation I

Similar presentations


Presentation on theme: "Photographic Image Formation I"— Presentation transcript:

1 Photographic Image Formation I
Szymon Rusinkiewicz, Tim Weyrich: Technology in Art and Cultural Heritage. Princeton Freshman Seminar 2006 Acknowledgment: some figures by B. Curless, E. Hecht, W.J. Smith, B.K.P. Horn, and A. Theuwissen

2 Photographic Image Formation
Real world Optics Sensor Dark Room

3 Pinhole Camera Acquiring images using a pinhole camera?
Use light-sensitive film at image plane Image plane Object Image Pinhole Pinhole camera

4 Pinhole Camera

5 Pinhole Camera

6 Pinhole Camera

7 Pinhole Camera Limitations depending on size of aperture:
Aperture much too small: diffraction through pinhole  blurry image Image plane Object Image Pinhole Pinhole camera

8 Pinhole Camera Limitations
Can we have sharp images, no diffraction, and enough light at the same time?

9 Pinhole Camera Limitations
Can we have sharp images, no diffraction, and enough light at the same time? Optical lenses do the trick!

10 Lenses Focus a bundle of rays from a scene point onto a single point on the imager Increases aperture without loss of sharpness

11 Ideal “Thin” Lens Law Relationship between focal distance and focal length of lens: 1/do + 1/di = 1/f

12 Camera Adjustments Focus? Iris? Zoom / wide-angle? Changes di
Changes aperture Zoom / wide-angle? Changes f and sometimes di Changes field of view

13 Focus and Depth of Field
For a given di, “perfect” focus at only one do In practice, OK for some range of depths Circle of confusion smaller than a pixel Better depth of field with smaller apertures Better approximation to pinhole camera

14 Field of View Depends on Focal length of lens Size of imager
Object distance?

15

16

17 Sensors Photographic film CCD sensors CMOS chips

18 Photographic Film Until recently the most common imager
Silver salts or dyes darken under light exposure After fix step, image prints from negative Multiple film layers with filters: color images

19 MOS Capacitors MOS = Metal Oxide Semiconductor Gate (wire)
SiO2 (insulator) p-type silicon

20 MOS Capacitors Voltage applied to gate repels positive “holes” in the semiconductor +10V Depletion region (electron “bucket”)

21 MOS Capacitors Photon striking the material creates electron-hole pair
+10V +

22 Charge Transfer Charge has to be transported off the chip to digitizing circuits Charge-coupled devices (CCD) build bucket-chains:

23 CMOS Imagers Recently, can manufacture chips that combine photosensitive elements and processing elements Benefits: Partial readout Signal processing Eliminate some supporting chips  low cost

24 Where do all the colors come from?
Electrons don’t have a color…

25 Where do all the colors come from?
Electrons don’t have a color… We can separate images into red, green, and blue:

26 3-Chip Cameras Prisms separate incoming light into red, green, and blue wavelengths One detector chip for each color

27 Single-Chip Cameras A single detector chip
Small color filters in front of each pixel Images have to be processed for per- pixel RGB Bayer mosaic

28 Foveon Technology Layered sensor
Similar structure to photographic film

29 Development Process Classical film requires development in dark room
What about digital images?

30 Development Process Classical film requires development in dark room
Digital images require Digital Darkroom Mapping of sensor data to pixel values Mapping defined by Contrast & intensity (dynamic range) Gamma Simulated film (grain, solarizatoin, …)


Download ppt "Photographic Image Formation I"

Similar presentations


Ads by Google