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PLEASE NOTE Due to copyright reasons, the images in this power point have been removed, leaving only the text left over from the slide show. Also please.

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Presentation on theme: "PLEASE NOTE Due to copyright reasons, the images in this power point have been removed, leaving only the text left over from the slide show. Also please."— Presentation transcript:

1 PLEASE NOTE Due to copyright reasons, the images in this power point have been removed, leaving only the text left over from the slide show. Also please note, other terms and names may have been given verbally by the instructor and were never a part of this slide show. Students are ultimately responsible for taking notes seen in slides, mentioned verbally, images seen in slide shows and in videos. The current 8th edition of Sayre’s A World of Art is the book used in this class for lecture, tests and quizzes. Students may definitely find an older edition of the text is sufficient for them, but please note that images may be numbered differently and appear in different chapters between editions and that older editions may not have 100% all the images the newest 8th edition has. Thank you.

2 Painting

3 Encaustic Fresco Tempera Oil Painting Watercolor Gouache Synthetic Media

4 Pigments Medium Binder Support Ground Solvent Vehicle

5 Vehicle and Solvent represent two sides of the same coin
Vehicle and Solvent represent two sides of the same coin. It depends on what you are describing: Solvent: you’re referring to breaking down the media, for example you want to clean your brushes Vehicle: you’re referring to making paint thinner so it will flow more freely during application Both are an a substance that makes the paint flow more freely and that also cleans the brushes you are working with.

6 Encaustic - pigment + molten bees wax

7 Fresco - pigment & limewater applied to lime plaster wall

8 Buon Fresco - wet application Fresco Secco – dry application

9 Surrealism Is an early 20th century art movement in which the style of the dream, or the subconscious mind, is seen as more “real” than the surface quality of everyday life. It is a higher reality.

10 Tempera – water, pigment & egg yolk typically applied to wooden panel Gesso – glue and (plaster of Paris -or- chalk)

11 Tempera – water, pigment & egg yolk typically applied to wooden panel Gesso – glue and (plaster of Paris -or- chalk)

12 Tempera paint - Is not as easy to work with as oil paint - requires a ground of gesso… - It does not easily blend and transition from tint to shade - If you want good color saturation, you need to apply numerous layers of paint - Applied with a fine red sable brush - Effects of modeling and chiaroscuro must be achieved through intense hatching and cross hatching - But, you get incredible detail

13 Tempera is great at rendering fine detail.

14 Oil Painting Binder is linseed oil

15 Impasto – applying thick layers of oil paint resulting in pronounced surface texture. Glazing – thinning out oil paint to the point that it is nearly clear. This gives painting a seemingly reflective quality.

16 Trompe l’oiel - eye deceiving A form of representation that attempts to depict the object as if were actually present before the eye in three-dimensional space; literally the term means “deceit of the eye.

17 Texture – the surface quality of a work

18 Impasto – applying thick layers of oil paint resulting in pronounced surface texture. Glazing – thinning out oil paint to the point that it is nearly clear. This gives painting a seemingly reflective quality.

19 Oil paint can be extremely expressive.

20 Oil paint - binder of linseed oil - can be very expressive - great at color saturation, transitioning between tints and shades, and modeling effects - can be applied thick (impasto) or thin, or even as a translucent glaze - because of its binder, oil paint can be continuously reworked, because it takes a long time to dry - and, incredible detail is achievable

21 Watercolor - pigment suspended in water and gum arabic

22 Gouache - water color and Chinese white chalk

23 Gouache paint - water color mixed with Chinese white chalk - great color intensity, saturation - poor at transitioning between tints and shades, poor at modeling

24 Impressionism A late 19th century art movement, centered in France, that has a style characterized by the use of discontinuous strokes of color meant to reproduce the effects light.

25 Monet’s Water Lilie series @ Musee de l’Orangerie, Paris

26 Monet’s Water Lilie series @ Musee de l’Orangerie, Paris

27 Monet’s Water Lilies series @ Musee de l’Orangerie, Paris

28 Impressionism …concerned with our impressions of human experience …how things look from in the quick glance …ephemeral quality life & experience …nature of memory

29 Origins of Collage

30 Dada A 20th century artistic and literary movement: a European artistic and literary movement of the early 20th century whose work was characterized by anarchy, irrationality, and irreverence


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