1. The Master of Suspense
Alfred Hitchcock

2. What makes a film scary, suspenseful?
What’s the difference between horror and suspense films?
Do you enjoy one of these types more than the other? Explain why.
What are some suspenseful films and scenes that come to mind?
What made them suspenseful?
What do you consider truly frightening? What are you afraid of in your real life?

3. Biographical Information
Born in 1899 in London, England
Lived much of his life in the U.S., became a U.S. citizen later in life. Died in 1980.
Amazingly productive director – 65 different films plus two T.V. shows that ran for eight years.
Career as a director ran for 50 years (1926 – 1976). Peak period was in the 1950s.
Made extensive use of storyboards, so much so that he said he didn’t need to look through the camera lens when directing a film because he already knew what it looked like!

4. Education
Hitchcock was educated in Art and Engineering - ** How does this combination of subject areas
help with his career as a film maker?
Hitchcock started making movies in the silent era. His work was characterized by
visual schemes
thematic concerns
His future work relied on these aspects despite soon transferring into films with dialouge.

5. Technical Achievements
Hitchcock loved to experiment. In Lifeboat, for example, he filmed the entire movie in one location within the confines of a small boat
Hitchcock employed a similar concept in Rear Window, which takes place in an apartment

6. The Hitchcock Style
A Hitchcock film is distinct – it has a unique look and feel as compared to others. As the background film progresses, compile a list of different descriptions of what makes a Hitchcock film uniquely his own.
This is discussed a bit at beginning but obviously runs throughout the whole documentary. Have students jot a few quick notes down at the beginning and then continue to add on as the documentary progresses.

7. Point of View Editing and “Subjective Camera”
How does Hitchcock use point of view editing and “subjective camera”?
What effect is he trying to achieve by using these?
5:25 – 7:45

8. “Master of Suspense”
Hitchcock is considered the “Master of Suspense”. How does he do this? How does he build suspense, tension, fear, etc… in the audience?
7:45 – 10:30. Editing, pacing, giving audience information, creating a sense of something is about to happen, etc…

9. “Bomb Theory”
What’s the difference between suspense and shock/surprise?
Explain Hitchcock’s use of suspense as explained in his bomb theory.
10:30 – 14:45

10. Hitchcock’s Villains
How are Hitchcock’s villains unique both in themselves and in terms of the perception of them by the audience?
How does he use these villains?

11. Settings & Situations
What are typical Hitchcock settings and situations in his movies? Why might Hitchcock do this (i.e. what affect is he hoping to have on the audience by using the settings and situations that he does)?

12. Comedy and Sex
To what extent and for what affect does Hitchcock use comedy and sex in his movies?

13. MacGuffin
What is a MacGuffin and in what ways does Hitchcock make use of it in his films?
**We’ve seen a MacGuffin used
in Casablanca & to a certain
extent in Citizen Kane– what
was it?

14. Females
In terms of their physical appearance, what type of females does Hitchcock frequently use as leads in his movies? Why does he do this?

15. Glamour & Fashion
How does Hitchcock use glamour and fashion in his movies? What does he feel it adds to his movies?

16. Use of Sound Beyond basic dialogue, how does
Hitchcock use sound (and silence)
in his movies?

17. Counterpoints
What does this concept means and how and why does Hitchcock use it within his movies (think in terms of both images and sounds).

18. Music
How does Hitchcock use music in his movies?

19. Personal Life Connected to Films
Hitchcock uses his own fears, his childhood, and his religious beliefs in his films. Explain the connection between his life and his these aspects in his films.

20. Identity
How does Hitchcock use identity /mistaken identity in his movies? How does this manifest itself as a theme in many of his movies?

21. Symbolic Imagery
Explain and give examples of Hitchcock’s use of symbolic imagery in regards to his religious references.

22. Hitchcock’s Films from Video
Some of the films referenced in this background feature are…
North By Northwest (1959)
The Wrong Man (‘56)
Dial M for Murder (‘54)
I Confess (‘53)
Strangers on a Train (‘51)
Suspicion (‘41)
Mr. and Mrs. Smith (‘41)
Stage Fright (‘50)

23. Hitchcock’s Top Films
The following are considered Hitchcock’s most popular and/or most critically acclaimed films:
Rebecca (1940)
Notorious (‘46)
Rear Window (‘54)
Vertigo (‘58)
North By Northwest (‘59)
Psycho (‘60)
The Birds (‘63)