1. Writing a Poetry Analysis Essay
A poetry analysis essay is a way of showing that you have an informed opinion of a poem you have read, that is valid and solidly rooted in the text itself.
Nothing more!!!!!!!

2. WRITING AN POETRY ANALYSIS ESSAY
It’s important to remember from the outset: An essay question has no ‘right’ answer.
An English essay is not an ‘answer’ in that way at all, rather, it’s an informed opinion; but, like all opinions, it’ll require explanation, argument and support. It requires you to argue your case.
You can breathe easy on that one. It’s just not like that. This is English and we leave those kinds of ‘right answers’ to the mathematicians and scientists

3. PREPARING TO WRITE YOUR ESSAY
THE RAVEN
Once upon a midnight dreary, while I pondered weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. `'Tis some visitor,' I muttered, `tapping at my chamber door - Only this, and nothing more.'
ANNOTATIOS
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Read the poem two or three times. Read it aloud at least once.
Each time you read a poem, you notice different things and your understanding becomes clearer
Completely annotate the poem before you begin, this should provide you with some direction for your argument.

4. ANNOTATIONS
While you are annotating ,paraphrase the poem line by line and/or stanza by stanza.
Determine the meaning of the title, identify and define specific or unusual words.
Answer the five W’s (who?, what?, when?, where?, why?)
Identify the theme, message or topic (what is this author trying to say?, What is the point?)
Identify and highlight examples of literary techniques (simile, metaphors, imagery, alliteration, tone, point of view, personification, paradox, irony, etc, etc)

5. WHEN ALL IS SAID AND DONE, YOUR POEM SHOULD BE EFFECTIVEL STRIPPED AND TORN APART

6. NOW, Think About How the Poem Works
Analyze the poem: Since your analysis should make up the bulk of your essay, approach it with care. Knowing that you will not be able to address every aspect of the poem, select the elements which work together to create special effects.
Look beyond the surface meaning of the words and start to think about how the techniques used in the poem add depth to its meaning. How do the elements work together?
Do they complement each other, do they create tension, or both?
Think in terms of cause and effect and look for relationships within the poem itself. For example, if you see a pattern of imagery which suggests something about the speaker, look at other areas of the poem for more evidence along the same lines. In poetry, form and content are inseparable, so you must not overlook the relationship between what the speaker says and how he or she says it.

7. INTERPRET THE POEM
Using your analysis of how the poem works as your evidence, interpret the poem--answer the question, "So what is this poem all about?"
In the interpretation, you bring together your analysis of the elements in the poem and show what they mean to the poem as a whole. You may suggest an interpretation of the speaker's state of mind, the poem's subject, or the nature of the experience which the poem creates.

8. INTERPRET THE POEM THE RAVEN
For example, does Poe's "The Raven" describe a dream? A drug-induced hallucination? A recollection? Why do you think so? What evidence, from your analysis, supports your idea?
The main argument of your paper should begin to take form as you struggle with this process. You have great freedom in interpreting a poem, provided that your assertions are solidly linked to your evidence. Interpretation that does not align with your analysis will be invalid.
In the words of M. H. Abrams, editor of the Norton Anthology of Poetry,
"There is no one, right interpretation of a poem--but there is one which is more right than any of the others."
THE RAVEN

9. DIRECTION
The multi-faceted nature of poetry demands that you know where you are going before you begin to construct your written argument, which is why the description and paraphrase stages are so important. Your selective analysis emerges from them in the form of an argument that is limited to a manageable set of ideas. After you have thought through these stages and made informed annotations, you should be ready to begin writing your essay.

10. THE POETRY ESSAY FOLLOWS THE BASIC 5 PARAGRAPH STRUCTURE

11. THE FIVE PARAGRAPH ESSAY
The five paragraph essay is a formal essay comprised of five paragraphs: an introduction, three paragraphs of body (or explanation), and a conclusion. The advantages of the five paragraph essay are that it provides structure for students and that it aids students in developing topics in sufficient depth. The major disadvantages come when the essays rely so heavily on the formula that they become bland or when the topic divisions feel forced or artificial.

12. CONSTRUCTING YOUR THESIS
Thesis: Review your notes. Look for patterns and themes.
Formulate a thesis statement that will allow you to explain the relationships and the effects of elements in the poem.
If you can, indicate in the thesis the areas or features of the poem important to your argument (a pattern of imagery, for instance, or a series of crucial lines).
Remember, your thesis statement must argue a point; instead of simply saying that a poet uses certain poetic devices, you must give some indication in your thesis as to how those devices work and what they do to the poem's meaning.
You do not need to go into elaborate detail in your thesis, but do show the relationship between the poem and your argument

13. INTRODUCTION
Your first paragraph should make your reader comfortable with the poem by identifying the poem and the poet, offering a brief, general description of the poem and, most importantly, leading into the thesis and development of the argument by narrowing and limiting the subject. It may be helpful to imagine the introduction as a funnel, initially appealing to your reader from a wide perspective and then swiftly directing him or her into the body of your essay. Avoid sweeping, abstract statements or statements which you cannot concretely link to your thesis. The more quickly you get away from the general and focus on the specific, the sooner you will engage your reader.

14. The Development of Your Argument
The approach you undertake in your thesis determines the organization of the rest of the essay. Some arguments lend themselves to a linear presentation.
For example, if you choose to trace the development of the speaker according to the recurrence of an image throughout the poem, you might want to go through the poem chronologically to show how that image changes in significance from line to line or stanza to stanza.
Some poems are difficult to explain chronologically; some poems are better suited to a non-linear argument which reflects cycles or other patterns in the poem.
If you organize your argument according to the patterns you choose to address, your argument might move through the poem several times, according to the instances of the images and their contextual significance.
For example, one word may have a formal relationship to numerous other words in the poem. The word "snow" has a relationship to the word "flow" in that they rhyme, and to the word "ice" in that they are both associated with winter. To discuss the significance of these relationships, you may find yourself jumping around the poem. That's fine, as long as you make your argument clear and keep your thesis in sight.

15. PARAGRAPHS
Each paragraph should consist of a point which is credible, relevant to your thesis, and analytical.
Remember that you are arguing for a certain position and need to convince your reader of that position.
At the beginning of each paragraph, tell your reader the focus of your argument in that paragraph by starting with a topic sentence.
The rest of the paragraph should address the assertion with convincing evidence. The effectiveness of your argument depends heavily on how well you incorporate evidence into your paragraphs

16. Transitions
Transitions are the mortar that holds the foundation of the essay together. Without logical progression of thought, the reader is unable to follow the essay’s argument, and the structure will collapse. Well developed body paragraphs that include evidential support is the food for the reader. 
Each paragraph should be limited to the exposition of one general idea. This will allow for clarity and direction throughout the essay. What is more, such conciseness creates an ease of readability for one’s audience.
It is important to note that each paragraph in the body of the essay must have some logical connection to the thesis statement in the opening paragraph. Textual support is the substance of an effectively composed body paragraph.

17. USING EVIDENCE
You cannot create a compelling argument without evidence to back it up, but you must present that evidence in the context of your own argument.
Merely including a line or a passage in your paper without linking it to your argument will not be convincing. Try incorporating your evidence into a "sandwich" of information which will allow your reader to receive the full impact of the lines.
Before the quotation, describe the evidence in terms of the poem. Where is it located in the poem? Is it part of a pattern? Let your reader know what he or she should be looking for.
After the quotation, if the passage is particularly difficult to understand, you should explain problematic syntax or vocabulary.
Then, you must analyze the quote and show how that quote supports the claims you are making in your thesis. This is the most important part of your paper; it is where you make your interpretation clear to the reader and where you prove your thesis. Don't assume that the quotation will speak for itself—it is your job to explain it.

18. CITATIONS
Be sure to cite your evidence properly. Citing from a poem is different from citing from a prose text. Because the line form of poetry is so important, you must indicate where lines end by separating them with a slash mark "/". If you are quoting more than three lines, single space the passage, indent, and present the passage as it appears in the poem. Follow the quotation with the appropriate line numbers enclosed in parentheses

19. How to Quote Poetry: The Basics
1. When quoting more than a single line of poetry within a sentence:
Show where each line ends and another begins by separating them with a slash (/), with a space on either side of the slash.
Example: Wordsworth expresses his grief over his beloved’s death when he states "that neither present time, nor years unborn / Could to my sight that heavenly face restore"(ll.13-14).
Note that the line reference is given parenthetically after the quotation marks, and that the final punctuation occurs after the line reference.
3. When omitting a line or more of poetry in a blocked quotation, type a line of spaced dots to indicate the omission.
Example: Hamlet finally expresses his disgust at the possibility of human action:
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought,
And enterprises of great pitch and moment
. . . lose the name of action. (ll.83-87)

20. When Quoting More Than Three Lines of Poetry:
Indent the lines 10 spaces (1 inch) from the left margin and double-space the lines.
Example: Hamlet expresses his doubts over the very worth of his existence in his famous soliloquy in Act III:
To be, or not to be, that is the question:
Whether ‘tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing, end them. (ll.55-59)
Note that no quotation marks are needed when the quote is indented (the indentation tells the reader that it is a quote), and that the final punctuation comes at the final quoted word, and the line reference follows in parentheses after two spaces.

21. And thus the native hue of resolution
When omitting a line or more of poetry in a blocked quotation, include a line of spaced dots to indicate the omission.
Example: Hamlet finally expresses his disgust at the possibility of human action:
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought,
And enterprises of great pitch and moment
. . . lose the name of action. (ll.83-87)

22. THE CONCLUSION
Conclusions take many forms. In your conclusion you can emphasize crucial ideas, raise questions about the poem, or connect the poem to other literary works or experiences. This is where you can offer your interpretation of the poem, which by now should be convincing to your reader since you have presented your evidence in the body of the paper. You may raise new ideas in a conclusion, provided that they are solidly linked to the development of your argument. Remember, you have flexibility, but your conclusion should flow naturally from the body of your paper.

23. Final Thoughts
1) If you have the choice of which poem to write about, pick one you like.
2) Read the poem aloud. Your ear will notice things your eyes miss.
3) Notice the way the poem looks on the page. The form of the poem may reveal something about the way it works.
4) Be careful to make a clear distinction between the poet and the speaker. Even in poems that are written in the first person, you should be careful not to assume anything about the speaker that the poem itself does not suggest.
5) Let your interpretation follow your analysis--avoid making unsupported assertions.
6) Be selective with your evidence. Limit the length of your quotations to a workable size. Passages longer than a few lines will be impossible to explain in a single paragraph.