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SHAPE, FORM AND SPACE CHAPTER 5 VOCABULARY.

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Presentation on theme: "SHAPE, FORM AND SPACE CHAPTER 5 VOCABULARY."— Presentation transcript:

1 SHAPE, FORM AND SPACE CHAPTER 5 VOCABULARY

2 SHAPE A TWO-DIMENSIONAL AREA THAT IS DEFINED IN SOME WAY

3 GEOMETRIC SHAPES PRECISE SHAPES THAT CAN BE DESCRIBED USING MATHEMATICAL FORMULAS

4 FREE-FORM SHAPES IRREGULAR AND UNEVEN SHAPES

5 ORGANIC SHAPES SHAPES THAT ARE SILHOUETTES OF LIVING THINGS: ANIMALS, PEOPLE, TREES, ETC.

6 FORMS OBJECTS HAVING THREE DIMENSIONS

7 FORMS

8 SPACE THE ELEMENT OF ART THAT REFERS TO THE EMPTINESS OR AREA BETWEEN, AROUND, ABOVE, BELOW, OR WITHIN OBJECTS

9 POSITIVE SPACE SHAPES OR FORMS ARE POSITIVE SPACE OR FIGURES

10 NEGATIVE SPACE THE EMPTY SPACE AROUND OR BETWEEN SHAPES AND FORMS

11 HOLOGRAMS IMAGES IN THREE-DIMENSIONS CREATED WITH A LASER BEAM

12 CHIAROSCURO The arrangement of light and shadow.
Also called modeling or shading Introduced during the Italian Renaissance

13 HIGHLIGHTS SMALL AREAS OF WHITE USED TO SHOW THE VERY BRIGHEST SPOTS
HIGHLIGHTS SHOW THE SURFACES OF THE SUBJECT THAT REFLECTS THE MOST LIGHT USED TO CREATE THE ILLUSION OF FORM THE OPPOSITE OF SHADOW

14 HIGHLIGHTS

15 HIGHLIGHTS

16 PERSPECTIVE A GRAPHIC SYSTEM THAT CREATES THE ILLUSION OF DEPTH AND VOLUME ON A TWO-DIMENSIONAL SURFACE

17 OVERLAPPING WHEN OBJECTS COVER PART OF A SECOND OBJECT, THE FIRST SEEMS TO BE CLOSER TO THE VIEWER

18 SIZE LARGE OBJECTS APPEAR TO BE CLOSER TO THE VIEWER THAN SMALL OBJECTS

19 PLACEMENT OBJECTS PLACED LOW ON THE PICTURE PLANE APPEAR TO BE CLOSER TO THE VIEWER THAN OBJECTS PLACED AT EYE LEVEL

20 DETAIL AERIAL PERSPECTIVE
OBJECTS WITH CLEAR SHARP EDGES APPEAR TO BE CLOSER. OBJECTS THAT LACK DETAIL AND HAVE HAZY OUTLINES APPEAR TO BE FARTHER AWAY

21 DETAIL

22 COLOR ATMOSPHERE PERSPECTIVE
BRIGHTLY COLORED OBJECTS APPEAR CLOSER DULL LIGHT COLORS SEEM FURTHER AWAY WARM COLORS SEEM CLOSER COOL COLORS SEEM FARTHER AWAY

23 COLOR

24 CONVERGING LINES LINEAR PERSPECTIVE IS A WAY OF USING LINES TO SHOW DISTANCE AND DEPTH WE WILL GO OVER ONE AND TWO POINT PERSPECTIVE

25


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