8. Introduction to Arthur Miller’s
Death of a Salesman

9. Interesting fact:
When Arthur Miller died in 2005, in Newsweek magazine Richard Schickel wrote, “Not a week has passed since the play premiered on Broadway 56 years ago this month when it was not playing somewhere in the world, playing too on our instinctive response to an instinctive work.

10. Joyce Carol Oates
Arthur Miller has written the tragedy that Illuminates the dark side of American success—which is to say, the dark side of us.
1998

11. Who has played the famous character of Willy Loman?

12. Lee J. Cobb – the original Willie Loman on stage in 1949
Lee J. Cobb – the original Willie Loman on stage in Reprised in 1966 (TV).

13. George C. Scott 1975 (stage)

14. Dustin Hoffman – 1985- made for TV

15. Brian Dennehy – on stage 1999

16. Christopher Lloyd – 2010 on stage

17. Philip Seymour Hoffman – fall 2011

18. Inspiration for the Willy Loman character
Arthur Miller once said that everything he had written was based on somebody he had seen or known…Death of a Salesman began as a short story that Miller wrote at the age of seventeen while he was working for his father’s company. The story told of an aging salesman who cannot sell anything, who is tormented by the company’s buyers, and who borrows change for the subway from the story’s young narrator. After finishing the story, Miller wrote a postscript on the manuscript saying that the real salesman on whom the story is based had thrown himself under a subway train. Many years later, on the eve of the play’s Broadway opening, Miller’s mother found the story abandoned in a drawer.

19. Inspiration for the Willy Loman character cont.
In his autobiography Timebends, Miller related that he found inspiration for that short story and the play in his own life. Miller based Willy Loman largely on his own uncle, Manny Newman.
In fact, Miller stated that the writing of the play began in the winter of after a chance meeting he had with his uncle outside the Colonial Theatre in Boston, where his All My Sons was having its pre‐Broadway preview. Miller described that meeting in this way:
“I could see his grim hotel room behind him, the long trip up from New York in his little car, the hopeless hope of the day’s business. Without so much as acknowledging my greeting he said, ‘Buddy is doing very well.’”

20. Inspiration for the Willy Loman character cont.
Miller described Newman as a man who “was a competitor at all times, in all things, and at every, moment.” Miller said that his uncle saw “my brother and I running neck and neck with his two sons [Buddy and Abby] in some horse race [for success] that never stopped in his mind.”
He also said that the Newman household was one in which you “dared not lose hope, and I would later think of it as a perfection of America for that reason...It was a house trembling with resolution and shouts of victories that had not yet taken place but surely would tomorrow.”

21. “The Testament of Dr. Mabuse” (1933)
The name “Willy Loman”
Fritz Lang’s
“The Testament of Dr. Mabuse” (1933)

22. “What the name really meant to me was a terrified man calling into the void for help that will never come.”
PLOT: A disgraced detective is duped and humiliated, resulting in a psychotic breakdown that leaves him in an asylum in the final shot of the film shouting into an invisible, imaginary phone, “Help me, for God’s sake! Lohmann? Lohmann? Lohmann help me!” thinking that he is talking to his boss.

23. Inspiration for the Biff Loman character
Manny’s son Buddy, like Biff in Miller’s play, was a sports hero, and like Happy Loman, popular with the girls. And like Biff, Buddy never made it to college because he failed to study in high school. As Miller stated: “As fanatic as I was about sports, my ability was not to be compared to [Manny’s] sons. Since I was gangling and unhandsome, I lacked their promise. When I stopped by I always had to expect some kind of insinuation of my entire life’s probable failure, even before I was sixteen.”

24. Artistic Inspiration- Expressionism

25. What is it?
International movement in art and architecture, which flourished between c and c. 1920, especially in Germany. It also extended to literature, music, dance and theatre. The term was originally applied more widely to various avant- garde movements. It was also used contemporaneously in Scandinavia and Germany, being gradually confined to the specific groups of artists and architects to which it is now applied.

26. Visit MOMA online to learn more about German Expressionism

27. The Miraculous Draught of Fishes by Karl Schmidt-Rottluff (1918 woodcut)

28. The next few slide feature stills from Robert Weine’s 1920 film The Cabinet of Doctor Caligari

33. How does this movement influence Miller in Death of a Salesman?
Musical motifs – evoke time frames, emotions, values Whistling – satisfaction, tension, the outdoors Lighting and Set design – contrasting light and shadow, overhead, rear lighting angles, color Costumes – allows characters to split into younger versions of themselves

34. Planned Obsolescence

35. Willy: It’s all right. I came back.
First line of the play…
Willy: It’s all right. I came back.