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The Context of Frankenstein

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Presentation on theme: "The Context of Frankenstein"— Presentation transcript:

1 The Context of Frankenstein
Alison Aitken, 2012

2 Mary Shelley Born 1797 Died 1851 Wrote Frankenstein 1816
Published 1818 Image source:

3 Mary Shelley’s Parents
Mary Shelley described (accurately) that she was the “daughter of two persons of distinguished literary celebrity” Two of the most radical writers/thinkers of the previous generation Mother: Mary Wollestonecraft Father: William Godwin

4 Shelley’s mother Mary Wollstonecraft
Wrote The Vindication of the Rights of Women Early feminist piece “I do not wish [women] to have power over men; but over themselves.” “Make women rational creatures, and free citizens, and they will quickly become good wives; — that is, if men do not neglect the duties of husbands and fathers.” Died 11 days after Mary Shelley’s birth. Had an illegitimate child Believed in sexual freedom of women Image source:

5 Mary Shelley’s Father William Godwin
Wrote An Enquiry Concerning Political Justice (1793) A leader in radical intellectual circles Believed in human perfectibility and enlightenment Believed that governments, marriage, property monopoly and monarchy restrained the progress of humankind Image source:

6 William Godwin – cont’d
After Mary Wollstonecraft’s death, Godwin raised Mary Shelley and her half-sister. Despite his alleged coldness, he surrounded his children with: Extensive library Intellectual conversations Creative intellectuals

7 The Enlightenment – The Age of Reason
Human perfectibility “The proper employment of reason will result in the full achievement of human potential." Progress Scientific and mathematical discoveries The innate goodness of man – “benevolent heart” Logic Reason Research and science over God and church

8 The Enlightenment – The Age of Reason
Scientific method Rationality Discovery Astronomy Darwin’s Theory of Evolution Order Concern for peace Beginnings of Industrialisation Measurement Interest in the past, antiquity World was expanding – geographical discoveries (EG. Australia!) Growth of international trade Imperialism Colonisation Published media = Masses interested in science, alchemy, philosophy, natural history…

9 Romanticism Began in 18th century
Response to the “reason” of The Enlightenment. A movement in literature and other arts Art (not science or reason) as way to inner truths of life, one’s soul Nature as “sublime” Hatred of industrialisation Response to rationalism of the Enlightenment Strong emotion as authentic source of aesthetic experience Intuition, imagination, feeling Listen: Tintern Abbey -

10 Galvanism Luigi Galvani Italian physicist/physician Late 18th century
Discovered that an electrical current applied to a dead frog’s leg caused it to twitch Caused others to theorise that enough current (either by electrical current or chemical reaction) to the brain might “re-animate” a human corpse Image sourced 19/01/12 at

11 Shelley Surrounded by Creative Intellectuals of the Time
William Wordsworth & Samuel Taylor Coleridge (Poets who began the Romantic movement) William Hazlitt (Major Essayist in English Literature) Mary Shelley heard their conversations! Images sourced from: 1) 2) 3)

12 The French Revolution Radical social and political upheaval
Aim: end to aristocracy and monarchy Liberty, Fraternity, Equality! At first - English and others looked to the French model for inspiration, but later, as the horror took shape, became fearful of similar chaos

13 Gothic Fiction Popular art form – Late 18th century
Settings: castles, dungeons, secret passages Omens, phenomena, portents, dreams, visions Supernatural elements – ghosts, hauntings High emotions – often overwrought Mystery, doom, gloomy, foreboding Metonymy (something standing for something else) of horror – wind, rain Panic, threatening atmosphere, terror, Sentimental narration Breathless, heart pounding Female heroine, without male protector – oppressed or lonely Heroine often threatened by powerful, impulsive, tyrannical male to do something they don’t want to (reflects patriarchal context, women without power) Footsteps approaching, groaning, maniacal laughter, thunder, lightning, ruins, howling winds etc.. Info sourced on 19/01/12 from To read The Castle of Otronto, the “first” Gothic novel, click here.


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