1. George Melly/JR Glaves-Smith. 1973 The New Yorker Collection.

2. Two dimensional design (composition) is basically the arrangement
of shapes.
The color, texture
and value
of these shapes
plays a key role.
Sydney Licht.
Still Life with Two Bunches.
Oil on linen, 12” x 12”

3. Sydney Licht

4. Sydney Licht
Still Life with Dessert

5. Claude Monet. Rouen Cathedral: Portal, grey weather. 1892
Claude Monet. Rouen Cathedral: Portal, grey weather Oil on canvas
Roy Lichtenstein. Cathedral #2 from the cathedral series Colour lithograph.

6. Claude Monet. Rouen Cathedral, morning affect

7. Roy Lichtenstein Cathedral #2 from the Cathedral series, 1969 Color lithograph and screen print.

8. Roy Lichtenstein. Cathedral #5 from the cathedral series. 1969
Roy Lichtenstein. Cathedral #5 from the cathedral series Colour lithograph.

9. Angle of perception
David Smith. Blackburn: Song of an Irish Blacksmith, front and side views.
Steel and bronze 46 ½” x 41” x 24”

10. Jennifer Bartlett. Boats 1987.
Sculpture: painted wood, steel support, pine mast, 66 ½” x 47 ½” x 46” each;
Painting: oil on canvas, 9’10” x 14’.

11. Jennifer Bartlett. Boats 1987.
Sculpture: painted wood, steel support, pine mast, 66 ½” x 47 ½” x 46” each;
Painting: oil on canvas, 9’10” x 14’.

12. Jennifer Bartlett

13. Amorphous

15. Mark Rothko
Orange and yellow, 1956
Oil on canvas. 91 x 71 inches

16. Giorgio Morandi.
Natura Morta.
1956 Oil on canvas

18. Russell Connor.
The New Yorker cover drawing November 1992

19. Russell Connor. Beyond the Brillo Box 1992

20. Rembrandt c. 1632 The Anatomy Lesson, oil on canvas.

21. Rottgen Pieta.
c Wood 10 1/2”

22. Ad for Nike Sportswear 1995 NYC

23. Catherine Murphy, Self-Portrait. 1970. Oil on canvas, 49 ½” x 37 ¼”

24. Catherine Murphy,
Self-Portrait at easel
1973.

29. Paul Resika. July 2001. Oil on canvas 52” x 60”

30. Rebecca Harvey. Systema Naturae. Ceramic 1998

32. Arshile Gorky. Garden in Sochi. c. 1943. Oil on canvas, 31” x 29”

34. Whiting Tennis,
Little Agricultural,
Cardboard collage

35. Helen Frankenthaler
Over the Circle
1961. Oil on canvas
84 ½” x 87 ½”

38. Daniel Wiener. Chorus, 1993. Hydrocal, acrylic, wire dyed muslin, 15’5 ½” x 13’ x 7’7”

39. Armchair in a continual curved form.

40. Rocio Romero. Prefabricated Home, 2003

41. Yeardley Leonard. Sita. 2001. Acrylic on linen on panel, 16 ½” x 33”

42. Will H. Bradley.
Poster for Thanksgiving Number of
The Chap-Book. 1895

43. Nationale-Nederlanden Building, Prague 1996. Architects:
Vladimir Milunic/Frank Gehry

44. The location of shapes in space organizes the space into positive and negative areas.

45. Utamaro.
Ten looks of women’s physiognomy/enjoyable looks.

46. Aaron Siskind. Chicago 30. 1949 Gelatin silver, 14” x 18”
NOTAN
Aaron Siskind. Chicago Gelatin silver, 14” x 18”

47. Michael Graves. Addition to the Benacerraf House. Princeton, NJ 1969

48. Michael Graves. Addition to the Benacerraf House, side view
Michael Graves. Addition to the Benacerraf House, side view. Princeton, NJ 1969

50. left: Georges Seurat. The Black Bow. c. 1882
Conté crayon, 12” x 9”
above: Georges Seurat. Silhouette of a Woman Conté crayon, 12” x 8 7/8”

51. Georges Seurat. The Artist’s Mother (Woman Sewing)
Georges Seurat. The Artist’s Mother (Woman Sewing) Conté crayon

53. Georges Seurat. Seated Nude: Study for 'Une Baignade' c
Georges Seurat. Seated Nude: Study for 'Une Baignade' c Conté crayon

54. Franz Kline. White Forms. 1955.
Oil on canvas, 6’ 2 3/8” x 4’2 ¼”

55. Franz Kline was influenced by his upbringing in a coal mining community where black locomotives were a major part of the landscape.

56. Kline's brushstrokes became completely non-representative, fluid, and dynamic as he began only painting in black and white. He explains how his monochrome palette is meant to depict negative and positive space by saying, “I paint the white as well as the black, and the white is just as important.”

57. Hans Hillmann. Poster for the film,
The Bartered Bride, 1972

58. Multicanal (logo design for cable television company, Buenos Aires, Argentina.)
Chermayeff & Geismar, Inc. New York.