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Radio Formats / Operations
RTV 215
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How to program locally Local, live DJ Live Assist
Some local, some syndicated Automation / voice tracking 24/7 network (ABC Radio / Citadel) PD, MD, GM, GSM, NSM, LSM
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Format Clocks Frequency: identify station regularly.
It’s key to keep your brand top of mind. Also in PPM markets, because you want to be your target audience’s base station for heavy listeners Balance: ensure sound variety Your station imaging clock should not look like: jingle, song, jingle, song… but rather balance between sung and spoken vocals, between male and female voices, and between station voiceovers and listener testimonials
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Format Clocks Structure: make formats recognizable
Station imaging is a great way to give your audience a sense of where they are. Not only in terms of station identification, but also on a program level. When consistently used, production elements can help you teach your audience how to use your radio station and what to expect when Sweeper, stager, jingles (liners) Promo spots: spoken by your male station voice, and including listener testimonials Power intros: partly sung, partly spoken by both your station voices, and including artist drops
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Format Clocks Flow: keep moving consistently
The goal of imaging inside a music sweep is to identify the station while staying in the flow. Different by daypart Different by music vs. talk
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Radio Music Formats music radio format basics--legal ID, elements (liner / sweeper / stager / jingle), music sweep, front selling and backselling, segué rotation (horizontal and vertical) DJ breaks, stop sets, order of spots in stop set, number of spots per set inventory by hour ('units'),
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Personality Radio Kidd Kraddick early days Doug Banks Delilah
Chris Sifuentes voice tracking
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Selling radio radio script formats and approaches
TA: radio formats, radio dayparts, radio 'prime time' (7a-7p vs. daypart ranks) Stop sets / spots sets (TV: pods) spec spots, Arbitron ratings and markets, :30s vs. :60s selling packages vs. flights, ROS/BTA/specified rates calculating gross revenue per hour, daypart, day and week, sellout rate, selling CPM/CPP vs. 'good will', make goods
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Sales / Programming Terms
ADI (Arbitron) DMA (Nielsen) Metro TSL CUME AQH ‘the book’ ‘sweeps’ (TV), ratings periods
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DST (Differential Survey Treatment) B- Black ethnic controls H - Hispanic ethnic controls BH- Black and Hispanic ethnic controls
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Local vs. national Local direct Local agencies Rep Firm (Katz)
Local station sales vs. syndicated shows (how does a national product get onto your local station?)
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Air shifts… Target audience Live / personality radio Show prep
CONTENT TYPES Bits, phoners, contests, call-ins sources
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