1. Quiz #1 Results
A+’s = Fully Prepared!
A’s = Prepared
B’s = Nearly prepared
C’s = Somewhat prepared
D’s = Inadequately prepared
F’s = Not prepared
Class Average: C+

3. Sixteenth Century Renaissance Art in Italy ~ III Later Renaissance
Venetian Painting
Mannerism

4. ANTONIO DA SANGALLO THE YOUNGER, Palazzo Farnese (looking southeast), Rome, Italy, ; completed by MICHELANGELO BUONARROTI, 4

5. ANTONIO DA SANGALLO THE YOUNGER, courtyard of the Palazzo Farnese, Rome, Italy, ca. 1517–1546. Third story and attic by MICHELANGELO BUONARROTI, 5

6. ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566–1570.

7. ANDREA PALLADIO, plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1550–1570. 7

8. Venice montage

9. GIOVANNI BELLINI, San Zaccaria Altarpiece, 1505
GIOVANNI BELLINI, San Zaccaria Altarpiece, Oil on wood transferred to canvas, 16’ 5” x 7’ 9”. San Zaccaria, Venice. 9

10. GIOVANNI BELLINI and TITIAN, Feast of the Gods, from the Camerino d’Alabastro, Palazzo Ducale, Ferrara, Italy, Oil on canvas, 5’ 7” x 6’ 2”. National Gallery of Art, Washington, D.C. (Widener Collection). 10

11. GIORGIONE DA CASTELFRANCO (and/or TITIAN. ), Pastoral Symphony, ca
GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508–1510. Oil on canvas, 3’ 7 1/4” x 4’ 6 1/4”. Louvre, Paris. 11

12. GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510
GIORGIONE DA CASTELFRANCO, The Tempest, ca Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria dell’Accademia, Venice. 12

13. TITIAN, Assumption of the Virgin, 1516–1518
TITIAN, Assumption of the Virgin, 1516–1518. Oil on wood, 22’ 7 1/2” x 11’ 10”. Santa Maria Gloriosa dei Frari, Venice. 13

14. TITIAN, Madonna of the Pesaro Family, 1519–1526
TITIAN, Madonna of the Pesaro Family, 1519–1526. Oil on canvas, 15’ 11” x 8’ 10”. Pesaro Chapel, Santa Maria dei Frari,Venice. 14

15. TITIAN, Meeting of Bacchus and Ariadne, from the Camerino d’Alabastro, Palazzo Ducale, Ferrara, Italy, 1522–1523. Oil on canvas, 5’ 9” x 6’ 3”. National Gallery, London. 15

16. TITIAN, Venus of Urbino, 1538. Oil on canvas, 3’ 11” x 5’ 5”
TITIAN, Venus of Urbino, Oil on canvas, 3’ 11” x 5’ 5”. Galleria degli Uffizi, Florence. 16

17. TITIAN, Isabella d’Este, 1534–1536
TITIAN, Isabella d’Este, 1534–1536. Oil on canvas, 3’ 4 1/8” x 2’ 1 3/16”. Kunsthistorisches Museum, Vienna. 17

18. An anti-classical style that explores such things as the:
Mannerism
(maniera)
An anti-classical style that explores such things as the:
Unnatural unusual unstable unclear unbalanced
Distorted disharmonious disproportional
Affected ambiguous obscure stylized Complex Perverse
Disegno becomes subjective and personal, reaching beyond the rules of the High Renaissance to attain the spiritually ideal.

19. JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel, Santa Felicità, Florence, Italy, 1525–1528. Oil on wood, 10’ 3” x 6’ 4”. 19

20. CORREGGIO, Assumption of the Virgin, 1526–1530
CORREGGIO, Assumption of the Virgin, 1526–1530. Fresco, 35’ 10” x 37’ 11”. Parma Cathedral, Parma. 20

21. PARMIGIANINO, Madonna with the Long Neck, from the Baiardi Chapel, Santa Maria dei Servi, Parma,Italy, 1534–1540. Oil on wood, 7’ 1” x 4’ 4”. Galleria degli Uffizi, Florence. 21 21

22. BRONZINO, Venus, Cupid, Folly, and Time, ca. 1546
BRONZINO, Venus, Cupid, Folly, and Time, ca Oil on wood, 5’ 1” x 4’ 8 1/4”. National Gallery, London. 22 22

23. BRONZINO, Portrait of a Young Man, ca. 1530–1545
BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2” x 2’ 5 1/2”. Metropolitan Museum of Art, New York 23 23

24. SOFONISBA ANGUISSOLA, Portrait of the Artist’s Sisters and Brother, ca
SOFONISBA ANGUISSOLA, Portrait of the Artist’s Sisters and Brother, ca Oil on panel, 2’ 5 1/4” x 3’ 1 1/2”. Methuen Collection, Corsham Court, Wiltshire. 24 24

25. PAOLO VERONESE, Christ in the House of Levi, from the refectory of Santi Giovanni e Paolo, Venice, Italy, Oil on canvas, 18’ 3” x 42’. Galleria dell’Accademia, Venice. 25 25

26. PAOLO VERONESE, Triumph of Venice, ca. 1585
PAOLO VERONESE, Triumph of Venice, ca Oil on canvas, 29’ 8” x 19’. Ceiling of the Hall of the Grand Council, Doge’s Palace, Venice. 26 26

27. TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”
TINTORETTO, Last Supper, Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice. 27 27

28. BENVENUTO CELLINI, Saltcellar of Francis I, 1540-1543
BENVENUTO CELLINI, Saltcellar of Francis I, Gold, enamel, and ebony, 10 ¼” X 1’ 1’ 1/8”. Kunsthisotrisches Museum, Vienna. 28 28

29. GIOVANNI DA BOLOGNA, Abduction of the Sabine Women, Loggia dei Lanzi, Piazza della Signoria, Florence, Italy, 1579–1583. Marble, 13’ 5 1/2” high. 29 29

30. GIULIO ROMANO, interior courtyard facade of the Palazzo del Tè, Mantua, Italy, 1525–1535.30 30

31. MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, ; staircase, 31 31