1. Jazz, musical theatre, and tap Chapter 9 from Learning About Dance textbook by Nora Ambrosio

2. History of Jazz Origins of jazz can be traced back to Africa
In the 1600’s slaves were brought from Africa to America
The slaves continued to dance and drum on the plantations, but…
Slave owners banned drumming
Slaves kept their rhythms alive by clapping, stomping their feet, and singing the songs from Africa
Slaves danced for their own enjoyment, for the entertainment of the slave owners, and for competitions between each other and other slaves on different plantations

3. Minstrel Shows Minstrel shows began in the 1830’s
They showcased black songs and dances
They were performed in theatres
Blacks were not allowed to perform in public
Whites performed in “black face” to appear as a different race and performed parodies of songs and dances from black culture

4. Black Minstrel Shows
1860s - Blacks began to perform in their own minstrel shows
They performed for other blacks and Irish immigrants
Black minstrel shows soon became as popular as white minstrels because of the “cakewalk” dance
Cakewalk came directly from the plantations
Danced in couples, it was meant to make fun of the white people’s mannerisms
Dancers showcased their best struts, high kicks, and show- stopping footwork
1. Richard Kislan, Hoofing on Broadway (NY; Prentice Hall Press, 1987), p. 19.
Cakewalk Video Clip

5. Vaudeville Vaudeville included a wide variety of song and dance
Uniqueness and diversity were encouraged
Vaudeville was a training ground for performers destined for Broadway, nightclubs, and film
Black performers continued to create new movements in line with African technique and rhythms (staying connected to the earth) – eventually you see the repeated use of plié in jazz technique
Jazz music emerged during this time period – Ragtime music and Blues music
Dancers began to connect movements to the syncopated rhythms of jazz music
Vaudeville Historic Footage

6. The Harlem Renaissance
The Harlem Renaissance lasted from (The Roaring Twenties)
Exclusive clubs in Harlem, New York, such as the Cotton Club, were the social places to be for the white people of New York
The clubs had elaborate shows that featured black dancers and singers
White people came to the clubs to learn the latest dance crazes from the black dancers
This was the only public place that Blacks and Whites were allowed to intermingle
Dance crazes during this time period were the Charleston and the Black Bottom.
The Charleston became famous through out the United States and Europe
Flappers – women with short bob hair cuts and short fringe dresses are often associated with the Charleston
The Charleston
The Charleston 2
Black Bottom
Black Bottom 2

7. Television and Movies
Jazz was mainly seen in movies, night clubs, television, and on the stage
In the 1950’s and 1960’s variety shows such as “The Lawrence Welk Show” and “The Ed Sullivan Show” featured jazz dance.
Many great jazz dancers, such as Fred Astaire, Gene Kelly, Ann Miller, and Ray Bolger often danced on television.

8. Definition of Jazz Dance Today
Jazz can be defined in several ways - Sensual, visceral, improvisational, syncopated, hot, cool
Essential characteristics of jazz are:
Use of syncopated rhythm
Varying rhythms and dynamics
Ranges of energy
Changing levels, directions, shapes and floor patterns
Use of diagonal, curved or asymmetrical lines
Summary of Jazz History
Skip to Musical Theatre Choreographers slide !!!!
Jazz should not be just high kicks, multiple turns, “dance tricks,” dancers staying in one place and dancing to one set rhythm, always having symmetrical lines, and “squareness” where all movements happen on the count of 1.
Jazz is very theatrical – dancers should perform with full commitment to the energy, focus, facial expression and intent of the character or situation that the choreographer created.

9. Musical Theatre History
Early musical theatre examples can be traced back to Ancient Greece and Rome. 18th century Europe also had productions that combined music, dance, and theatre.
American musical theatre has its roots in jazz dance.
The Black Crook (1866) is one of the first notable musical theatre productions . It used dance to move the story along. It started a trend that is now musical theatre.
1921 the musical, “Shuffle Along,” was the first major musical by African Americans to gain national fame. It featured music by jazz great Eubie Blake. Chorus girl, Josephine Baker, later became an international star and helped to make the Charleston and Black Bottom dances popular.
1926, dance director Seymour Felix introduced the idea of seamlessly integrating script, music, lyrics and dance as an important aspect of musical theatre. He was determined to make the dances unified with the story and music of the show rather than just an entertainment filler.
I’m In Love with You Pre-show Dance Number (1929)
Great Gabbo – I’m In Love with You Production Number (1929)

10. Oklahoma! and Agnes De Mille
Oklahoma Dream Sequence (part 1)
Oklahoma Dream Sequence (part 2)
1943 – Agnes De Mille choreographed the dance sequences for Oklahoma!
She created an artistic dance sequence called the “dream sequence”
The sequence added to the story line while also being its own dramatic piece.
This piece raised choreographers to the same status as the director, composer, and playwright in the musical theatre production.

11. Musical Theatre Choreographers
Many ballet and modern choreographers choreographed for musical theatre.
George Balanchine
Jerome Robbins
Katherine Dunham
Twyla Tharp
Today’s style of jazz is often credited to Jack Cole who used his Denishawn training (greatly influenced by Eastern dance styles) to create a jazz- ethnic-ballet style that we still use in musicals, films, commercials, and television today.
Cole is considered the “father of jazz”
Bob Fosse and Jerome Robbins were greatly influenced by Jack Cole’s jazz style.
Balanchine – The Goldwyn Follies
Jerome Robbins – Broadway works
Katherine Dunham
Twyla Tharp - Movin’ Out
Twyla Tharp -Come Fly Away
Jack Cole – Kismet
Jack Cole – Beale Street Blues
Bob Fosse – Clips of Bob Fosse Dancing

12. Popular Musicals
Most musicals are made for live theatre and then recreated for the movie screen.
It is extremely expensive to produce a musical for Broadway. This is why there are fewer and fewer musicals being made every year.
Some of the most popular musicals are:
Rent
Chicago
West Side Story
Cats
Beauty and the Beast - Continued
Wicked
Lion King
Phantom of the Opera
Les Miserables

13. Tap Dance
Tap is a blend of the Irish Jig, English Clog, and The Shuffle (c
Rhythmic sounds are produced by the feet
Metal taps are worn on the bottom of the shoes
Tap gained popularity in minstrel and vaudeville shows in the late 1800’s
Tap has a vocabulary of steps, but it is also highly improvisational
Hoofers – call attention to their intricate footwork (Savion Glover and Gregory Hines)
Class Acts – have elegant body movements and execute steps in a refined manner (Fred Astaire and Ginger Rogers)
Flash Acts – Combine tap dance with acrobatics (Nicholas Brothers)
Soft Shoe – Skim the floor and produce soft muted sounds (George Primrose)

14. Famous Tappers
Bill “Bojangles” Robinson – Vaudeville tapper who joined the Vaudeville circuit at the age of 12. He is one of the first African American performers to have regular employment in the white theatre and movies. He is famous for tap dancing with Shirley Temple.
No, Bojangles the fast food restaurant was NOT named after him. 

15. Famous Tappers
Sammy Davis Jr. – started on the Vaudeville stage. He was known for being a triple threat – singing, dancing, and acting. He became one of America’s most popular entertainers. His movie, Tap, inspired the general public to gain a new interest in tap dancing.
Sammy Davis Jr. and Gregory Hines tapping together

16. Famous Tappers
Fred Astaire and Ginger Rogers – made tap popular in musical theatre productions. They also included ballroom dancing in their dance sequences.
Top Hat – The Piccolino
Dancing Dancing Cheek to Cheek
Swing Time
Gene Kelly - popularized tap dance. He was known for his athletic ability. His style of tap was very athletic – not graceful like Astaire and Rogers. His most famous tap dance is in Singin’ in the Rain.
I’ve Got Rhythm
It’s Always Fair Weather

17. Famous Tappers
Gregory Hines - starred in several movies that highlighted tap sequences. He danced and trained with some of the best known tappers, Sammy Davis Jr., The Nicholas Brothers, and Sandman Sims.
Paula Abdul – used tap in her music videos. By placing tap in music videos, it introduced tap to a younger audience and increased the popularity of the dance form.
Tap with Steve Martin
White Nights
Dancing with the Masters
Tapping at a concert
Opposites Attract

18. Famous Tappers
Savion Glover – was a child tap prodigy. He trained with Gregory Hines. Glover developed the choreography for the Broadway show Bring in ‘da Noise, Bring in ‘da Funk which mixed tap, hip hop, and break dancing. He won a Tony award for this. He has tapped on several TV shows and movies. His focus now is to bring tap back to its African roots and back to the forefront of black culture. He is known as the greatest tap dancer in the world.
Bring in ‘da Noise, Bring in ‘da Funk
Sesame Street
Dancing with the Stars
Happy Feet

19. Characteristics of Jazz Dance, Musical Theatre Dance, and Tap Dance
Strong use of syncopated rhythms.
Dance in musical theatre productions can be used to enhance the storyline and to move the storyline along.
Shoes are worn with metal taps on the bottom.
The repeated use of the plié.
Dance sequences can also stand alone as artistic works.
Rhythmic sounds are produced by moving the feet.
The dancing has an improvisational feel.
The script, music, lyrics, and dance have a strong relationship.
Tap dance has a strong use of syncopated rhythms.
Individual style is developed and demonstrated.
Musical theatre dance can be seen on the theatrical stage and in movie musicals.
Tap dance has a vocabulary with prescribed steps, but mostly, tap dance is improvisational.
The dancing is presentational, visceral and sensual.
There are different styles of tap and tap dancers: hoofers, class acts, flash acts, soft shoe, etc.
There is a strong use of varying dynamics.
Tap dance can be seen on the theatrical stage, concert stage, and in movies, movie musicals and popular dance videos.
Jazz dance can be seen on the theatrical stage, concert stage, and in movie musicals and popular music videos.