1. Art since the 1950’s Social and Political Comment Art
Modernist Architecture
Postmodernist Architecture
Deconstructivist Architecture
Environmental Art
Performance Art
Conceptual Art
New Media Art:
Video, Computer, Mixed

2. CHRIS OFILI, Holy Virgin Mary, 1996
CHRIS OFILI, Holy Virgin Mary, Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen, 7’ 11” x 5’ 11 5/16”. The Saatchi Collection, London. 2 2

3. JAUNE QUICK-TO-SEE SMITH, Trade (Gifts for Trading Land with White People), Oil and mixed media on canvas, 5’ x 14’ 2”. Chrysler Museum of Art, Norfolk. 3 3

4. LEON GOLUB, Mercenaries IV, 1980. Acrylic on linen, 10’ x 19’ 2”
LEON GOLUB, Mercenaries IV, Acrylic on linen, 10’ x 19’ 2”. Courtesy Ronald Feldman Fine Arts 4 4

5. MAGDALENA ABAKANOWICZ, 80 Backs, 1976–1980
MAGDALENA ABAKANOWICZ, 80 Backs, 1976–1980. Burlap and resin, each 2’3”high. Museum of Modern Art, Dallas. 5 5

6. JEFF KOONS, Pink Panther, 1988. Porcelain, 3’ 5” x 1’ 8 1/2” x 1’ 7”
JEFF KOONS, Pink Panther, Porcelain, 3’ 5” x 1’ 8 1/2” x 1’ 7”. Museum of Contemporary Art, Chicago 6 6

7. ROBERT ARNESON, California Artist, 1982
ROBERT ARNESON, California Artist, Glazed stoneware, 5’ 8 ” x 2’ 4” x 1’ 8”. San Francisco Museum of Modern Art 7 7

8. MARK TANSEY, A Short History of Modernist Painting, 1982
MARK TANSEY, A Short History of Modernist Painting, Oil on canvas, three panels, each 4’ 10” x 3’ 4”. Courtesy Curt Marcus Gallery, New York. 8 8

9. HANS HAACKE, MetroMobiltan, 1985
HANS HAACKE, MetroMobiltan, Fiberglass construction, three banners, and photomural, 11’ 8” x 20’ x 5’. Musée Nationald’Art Moderne, Centre Georges Pompidou, Paris. 9 9

10. FRANK LLOYD WRIGHT, Solomon R. Guggenheim Museum, New York, 1943-1959.10 10

11. Guggenheim interior

12. Guggenheim, glazed vault overhead

13. Guggenheim, 90’ central space

14. LE CORBUSIER, Notre Dame du Haut, Ronchamp, France, 1950–1955.14 14

15. LE CORBUSIER, interior of Notre-Dame-du-Haut, Ronchamp, France, 1950-1955.15 15

16. Ronchamp, interior

17. EERO SAARINEN, Trans World Airlines terminal (terminal 5), John F
EERO SAARINEN, Trans World Airlines terminal (terminal 5), John F. Kennedy International Airport, New York, 17 17

18. Artist: Eero Saarinen
Title: Trans World Airlines Terminal, John F. Kennedy Airport
Medium: n/a
Size: n/a
Date: 1956–62
Source/Museum: New York

20. Eero Saarinen,
Gateway Arch,
1965, 630’ tall,
St. Louis, MO

21. Gateway Arch

22. JOERN UTZON, Sydney Opera House, Sydney, Australia, 1959–1972.22 22

23. LUDWIG MIES VAN DER ROHE and PHILIP JOHNSON, Seagram Building, New York, 1956-1958.23 23

24. SKIDMORE, OWINGS AND MERRILL, Sears Tower, Chicago, 1974.24 24

25. MAYA YING LIN, Vietnam Veterans Memorial, Washington D.C., 1981-198325 25

26. CHARLES MOORE, Piazza d’Italia, New Orleans, Louisiana, 1976-1980.26 26

27. PHILIP JOHNSON and JOHN BURGEE (with Simmons Architects), AT&T (now Sony) Building, New York, 1978–1984. 27 27

28. AT&T (Sony) Building, NY Artist: Philip Johnson and John Burgee
Title: Model, AT&T Corporate Headquarters
Medium: n/a
Size: n/a
Date: 1978–83
Source/Museum: New York
AT&T (Sony)
Building, NY

29. ROBERT VENTURI, JOHN RAUCH and DENISE SCOTT BROWN, house in eastern Delaware, 1978–1983.29 29

30. RICHARD ROGERS and RENZO PIANO, Georges Pompidou National Center of Art and Culture (the “Beaubourg”), Paris, France, 1977. 30 30

31. FRANK GEHRY, Guggenheim Bilbao Museo, Bilbao, Spain, 1997.31 31

32. DANIEL LIBESKIND, Denver Art Museum, Denver, Colorado, 200632 32

33. ROBERT SMITHSON, Spiral Jetty, Great Salt Lake, Utah, 1970. Art33 33

34. Artist: Christo and Jeanne-Claude
Title: Running Fence
Medium: Nylon fence
Size: height 18' (5.50 m), length 24 ½ miles (40 km)
Date: 1972–76
Source/Museum: Sonoma and Marin Counties, California
Christo & Jeanne-Claude, Running Fence, , Sonoma & Marin Counties, CA, 18’ x 24 1/2 miles

35. 11 small islands, 6.5 million square feet of pink fabric
Christo & Jeanne-Claude, Surrounded Islands, , Biscayne Bay, Miami, Florida
11 small islands, 6.5 million square feet of pink fabric

36. Artist: Jean Tinguely
Title: Homage to New York
Medium: Self-destroying sculpture
Size: n/a
Date: 1960
Source/Museum: Garden of the Museum of Modern Art, New York
JEAN TINGUELY, Homage to New York, 1960, just prior to its self-destruction in the garden of the Museum of Modern Art, New York.

37. Artist: Yves Klein
Title: Anthropométries of the Blue Period
Medium: Performance
Size: m
Date: 1960
Source/Museum: Galerie Internationale d’Art Contemporain, Paris
Yves Klein, Anthropometries of the Blue Period, 1960 Performance, Int’l. Gall. of Contemp. Art, Paris

38. CAROLEE SCHNEEMAN, Meat Joy, 1964
CAROLEE SCHNEEMAN, Meat Joy, Photograph of performance at Judson Church, New York. 38 38

39. JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965
JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, Performance at the Schmela Gallery, Düsseldorf. 39 39

40. Artist: Bruce Nauman
Title: Self-Portrait as a Fountain
Medium: Color photograph
Size: 19 ¾ X 23¾" (50.1 X 60.3 cm)
Date: 1966–67
Source/Museum: Courtesy Leo Castelli Gallery, New York
Bruce Nauman, Self-portrait as a Fountain, color photo, , Castelli Gall., NY, 20”x24”

41. BRUCE NAUMAN, The True Artist Helps the World by Revealing Mystic Truths, Neon with glass tubing suspension frame, 4’ 11” x 4’ 7” x 2”. Private collection. 41 41

42. BILL VIOLA, The Crossing, 1996
BILL VIOLA, The Crossing, Video/sound installation with two channels of color video projection onto screens 16’high. Private collection. 42 42

43. DAVID EM, Nora, 1979. Computer-generated color photograph, 1’ 5” x 1’ 11”. Private collection.43 43

44. JENNY HOLZER, Untitled (selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text), Extended helical tricolor LED electronic display signboard, 16” x 162’ x 6”. Solomon R. Guggenheim Museum, New York, December 1989–February 1990 44 44

45. TONY OURSLER, Mansheshe, 1997
TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound, 11” x 7” x 8” each. Private collection. 45 45

46. MATTHEW BARNEY, Cremaster cycle, installation at the Guggenheim Museum, NY, 200346 46

47. a truly global community
Ours is becoming a world of expanding digital technology and total Internet connectivity making all art and information available to everyone--
a truly global community
where art and life can
fully interpenetrate.
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