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Simone Tosoni – Emanuela Zuccalà «Creature Simili. Il dark a Milano negli anni ‘80» - AgenziaX, 2013 - 3 years long research - 24 Life Histories - Milanese scenes from 1982 to 1992
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- Post-punk in Italy: «local enactments» of a transnational subculture - New distinctive features deriving from local contexts - What counts as a «local context»? - Relevance of the urban dimention Italian Goth?
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Enacting Goth in Milan I: Creature Simili - Anarchic Punx Squat «Virus» - Political Activism: “Mental Attacks” - «Amen» darkzine (1982) - «Helter Skelter» at Centro Sociale Leoncavallo (1984-1987) Downloaded from Wikipedia - Italy
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Enacting Goth in Milan I: Creature Simili - Anarchic Punx Squat «Virus» - Political Activism: “Mental Attacks” - «Amen» darkzine (1982) - «Helter Skelter» at Centro Sociale Leoncavallo (1984-1987)
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Enacting Goth in Milan I: Creature Simili - Anarchic Punx Squat «Virus» - Political Activism: “Mental Attacks” - «Amen» darkzine (1982) - «Helter Skelter» at Centro Sociale Leoncavallo (1984-1987)
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Enacting Goth in Milan II: The Music Clubs Scene - «Hysterika» Disco Club - Political “disengagement”/Politics of Identity -Relevance of urban space -Radicalization of style
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Enacting Goth in Milan II: The Music Clubs Scene “If there’s no choice, I will do what I have to do, but don’t ask me to believe in all of this, and to be what you want” (Sergio)
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Enacting Goth in Milan II: The Music Clubs Scene - «Hysterika» Disco Club - Political “disengagement”/Politics of Identity - Relevance of urban space - Radicalization of style
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Enacting Goth in Milan III: Out of the scenes - Lone or small groups enactments - Symbolic belonging - Intense mediated communication - Relevance of urban space
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Conclusions - Heterogeneous enactments of the same canon - Relevance of the mediation of different (but interconnected) scenes - Differences in: socialization patterns forms political engagement identity construction processes style
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