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Literary Movements SHORT FICTION
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Gothic (1764-1829): A style of literature that focuses on tone, mood, and mysterious brooding settings. Characters succumb to base desires, temptation, and corruption.
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Romanticism (1798- 1832/1850): Reaction against reason and the Neoclassical/Enlightenment periods, it celebrated nature, spontaneity, imagination, and subjectivity. The ode comes back into favor. As well as women writers. Jane Austen, Mary Shelley, various poets: Byron, Coleridge, Wordsworth, Shelley, Keats, etc.
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Realism (1830-1900): The period of literature that attempts to portray life honestly, without sensationalism, exaggeration, or melodrama. Characters and plots are taken largely from middle class for middle class readers. Ordinary contemporary life. Dickens.
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Transcendentalism (1835-1860): An American philosophical and spiritual movement that focuses on a communion with nature. Similar in feel and style to the Romantics.
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Symbolists (1870's-1890's): A group of French poets (and others) who react against Realism. They experimented with new poetic forms (more free verse and the prose poem). They influence Modern poetry.
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Naturalism (1865-1900): When realism isn't real enough, this period describes social conditions, heredity, and environment as an inescapable force in shaping human character. Twain. Sinclair.
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Aestheticism (1835-1910): Late 19th century movement that believed in art as an end to itself. Rejecting the idea that art had to be political or as high moral example. Oscar Wilde.
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Modernism: (1890-1945): A literary and artistic movement that radically breaks with traditional modes of Western art, thought, and morality. Major themes include isolation, alienation, subjectivity (often to illuminate the connection between reader and literature or viewer and art). Lots of stream of consciousness. Kafka. Hemmingway. Frost.
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