1. 1. Apollo 11 stones. Namibia. C. 25,500-25,300 B.C.E. Charcoal on stone.

2. What is it????

3. Therianthropy is the mythological ability of human beings to metamorphose into animals by means of shapeshifting. It is possible that cave drawings found at Les Trois Frères, in France, depict ancient beliefs in the concept. The most well known form of therianthropy is found in stories concerning werewolves.

4. Namibia

5. Blombos Cave, South Africa OLDEST KNOWN ART 100,000 B.C.E.

6. 2. Great Hall of the Bulls. Lascaux, France. Paleolithic Europe. 15,000- 13,000 B.C.E. Rock painting.

7. Parietal art is the archaeological term for artwork done on cave walls or large blocks of stone. Also called "cave art", it refers to cave paintings, drawings, etchings, carvings, and pecked artwork on the interior of rock shelters and caves.

13. The Upper Paleolithic (or Upper Palaeolithic, Late Stone Age) is the third and last subdivision of the Paleolithic or Old Stone Age as it is understood in Europe, Africa and Asia. Very broadly, it dates to between 50,000 and 10,000 years ago, roughly coinciding with the appearance of behavioral modernity and before the advent of agriculture.

14. 3. Camelid sacrum in the shape of a canine. Tequixquiac, central Mexico. 14,000-7000 B.C.E. Bone.

16. 4. Running horned woman. Tassili n’Ajjer, Algeria. 6,000 – 4,000 BCE. Pigment on rock.

20. Raffia noun a palm tree native to tropical Africa and Madagascar, with a short trunk and leaves that may grow up to 60 feet long. the fiber from the raffia leaves, used for making items such as hats, baskets, and mats.

21. http://archaeology.org/issues/107- features/tattoos/1351-oetzi-copper-age-alps- iceman-tattoos Video: https://www.youtube.com/watch?v=dEtnJHeo cKg

22. 5. Bushel with ibex motifs. Susa, Iran. 4200-3500 B.C.E. painted terra cotta.

24. frieze noun a broad horizontal band of sculpted or painted decoration, especially on a wall near the ceiling.

25. Beaker Video https://www.khanacademy.org/test- prep/ap-art-history/global-prehistory- ap/paleolithic-mesolithic- neolithic/v/susa-ibexhttps://www.khanacademy.org/test- prep/ap-art-history/global-prehistory- ap/paleolithic-mesolithic- neolithic/v/susa-ibex

27. 6. Anthropomorphic stele. Arabian Peninsula. Fourth Millennium B.C.E. Sandstone.

29. Stele A stele is a stone or wooden slab, generally taller than it is wide, erected as a monument, very often for funerary or commemorative purposes.

30. 7. Jade cong. Liangzhu, China. 3300-2200 B.C.E. Carved Jade.

31. Khan Video https://www.khanacademy.org/test-prep/ap- art-history/global-prehistory-ap/paleolithic- mesolithic-neolithic/v/jade-cong

32. 8. Stonehenge. Wiltshire, UK. Neolithic Europe. C. 2500-1600 B.C.E. Sandstone.

33. UCL Video https://www.youtube.com/watch?v=R vScpdMhQNk Henges: Stonehenge, Woodhenge, Avebury & Stanton Drew https://www.youtube.com/watch?v=ul pQqzO2EFA https://www.youtube.com/watch?v=R vScpdMhQNk https://www.youtube.com/watch?v=ul pQqzO2EFA

34. Henge Lintels mortise-and-tenon

36. 9. The Ambum Stone. Ambum Valley, Enga Province, Papua New Guinea. C. 1500 B.C.E. Greywacke.

37. Papua New Guinea mortar & pestle

38. 10. Tlatilco female figure. Central Mexico, site of Tlatilco 1200-900 B.C.E. Ceramic. https://www.khanacademy.org/test-prep/ap- art-history/global-prehistory-ap/paleolithic- mesolithic-neolithic/v/tlatilco-figurines

39. bi·fur·cate verb past tense: bifurcated; past participle: bifurcated ˈbīfərˌkāt/ divide into two branches or forks. du·al·i·ty Noun an instance of opposition or contrast between two concepts or two aspects of something; a dualism. "the photographs capitalize on the dualities of light and dark, stillness and movement"

40. Olmec influence 1500 to 400 BCE

43. 11. Terra cotta fragment. Lapita. Solomon Islands, Reef Islands. 1000 B.C.E. terra cotta (incised).

44. Captain Cook was the first to use the verb “tattoo” in English in 1769, when he described the Tahitian art of tatau in his diary. Now people all around the world bear Polynesian- inspired tattoos, but the first to wear those famous designs were likely the Lapita, who lived from around 1500 to 500 B.C. and are the ancestors of many of today’s Pacific peoples. No direct evidence of Lapita tattooing exists, but University of California, Berkeley, archaeologist Patrick Kirch says that the intricate designs they incised on their pottery resemble tattoo motifs that are still used today and were made by the same toothlike implements that can still be used to create tattoos. “These vessels were being decorated the same way as the body and might represent ancestors,” says Kirch, who thinks these “tattooed pots,” which were thick and crudely made, were probably intended for display during ceremonial occasions. The Lapita used slender, undecorated pottery for utilitarian purposes, such as storing water. Kirch notes that in ethnographic accounts of Oceanic societies, women were responsible for making pottery and men were responsible for tattoos. “It’s possible the Lapita women were creating the skillfully made pottery that actually had to be used, and men were making terrible pottery and decorating it with tattoos.” http://archaeology.org/issues/107-features/tattoos/1354-lapita-tahiti-tatau-oceania-captain-cook