IntroductionIntroduction For periodic waveforms, the duration of the waveform before it repeats is called the period of the waveformFor periodic waveforms,

Slides:



Advertisements
Similar presentations
Analog Representations of Sound Magnified phonograph grooves, viewed from above: When viewed from the side, channel 1 goes up and down, and channel 2 goes.
Advertisements

Pitch.
IntroductionIntroduction Most musical sounds are periodic, and are composed of a collection of harmonic sine waves.Most musical sounds are periodic, and.
ECE 4371, Fall, 2014 Introduction to Telecommunication Engineering/Telecommunication Laboratory Zhu Han Department of Electrical and Computer Engineering.
Analogue to Digital Conversion (PCM and DM)
Group Members Muhammad Naveed07-CP-06 Hamza Khalid07-CP-08 Umer Aziz Malik07-CP-56.
Copyright ©2011 by Pearson Education, Inc. Upper Saddle River, New Jersey All rights reserved. Introduction to Engineering Experimentation, Third.
Sampling theory Fourier theory made easy
Starter.
Chi-Cheng Lin, Winona State University CS412 Introduction to Computer Networking & Telecommunication Theoretical Basis of Data Communication.
The Illinois Society of Electroneurodiagnostic Technologists (ISET) Fall Meeting: Electronics Crash Course for Technologists Saturday, November 9, 2013.
Analog/Digital Coding Bobby Geevarughese ECE-E4434/12/05.
Digital to Analog Many carrier facilities are analog Many transmission media are also analog (microwave, radio) We can carry digital values over analog.
1 Rev 01/01/2015.  The main difference between analog and digital /discrete is that analog data is continuous and digital data is discrete.  We need.
IT-101 Section 001 Lecture #8 Introduction to Information Technology.
IntroductionIntroduction For periodic waveforms, the duration of the waveform before it repeats is called the period of the waveformFor periodic waveforms,
Intro to Fourier Analysis Definition Analysis of periodic waves Analysis of aperiodic waves Digitization Time-frequency uncertainty.
SWE 423: Multimedia Systems Chapter 3: Audio Technology (3)
Fourier theory made easy (?). 5*sin (2  4t) Amplitude = 5 Frequency = 4 Hz seconds A sine wave.
Fundamentals of Digital Audio. The Central Problem n Waves in nature, including sound waves, are continuous: Between any two points on the curve, no matter.
Sampling Theory. Time domain Present a recurring phenomena as amplitude vs. time  Sine Wave.
 Principles of Digital Audio. Analog Audio  3 Characteristics of analog audio signals: 1. Continuous signal – single repetitive waveform 2. Infinite.
Fundamentals of...Fundamentals of... Fundamentals of Digital Audio.
Digital audio. In digital audio, the purpose of binary numbers is to express the values of samples that represent analog sound. (contrasted to MIDI binary.
Computer Based Data Acquisition Basics. Outline Basics of data acquisition Analog to Digital Conversion –Quantization –Aliasing.
LE 460 L Acoustics and Experimental Phonetics L-13
Vibrationdata 1 Unit 5 The Fourier Transform. Vibrationdata 2 Courtesy of Professor Alan M. Nathan, University of Illinois at Urbana-Champaign.
Fall 2004EE 3563 Digital Systems Design Audio Basics  Analog to Digital Conversion  Sampling Rate  Quantization  Aliasing  Digital to Analog Conversion.
DTC 354 Digital Storytelling Rebecca Goodrich. Wave made up of changes in air pressure by an object vibrating in a medium—water or air.
Digital Recording Theory Using Peak. Listening James Tenney, Collage #1 (“Blue Suede”),  Available in Bracken Library, on James Tenney Selected.
Basics of Digital Audio Outline  Introduction  Digitization of Sound  MIDI: Musical Instrument Digital Interface.
Filtering. What Is Filtering? n Filtering is spectral shaping. n A filter changes the spectrum of a signal by emphasizing or de-emphasizing certain frequency.
Introduction to SOUND.
Answer the following questions based on the following figure.
Vibrationdata 1 Unit 5 The Fourier Transform. Vibrationdata 2 Courtesy of Professor Alan M. Nathan, University of Illinois at Urbana-Champaign.
Georgia Institute of Technology Introduction to Processing Digital Sounds part 1 Barb Ericson Georgia Institute of Technology Sept 2005.
1 Introduction to Information Technology LECTURE 6 AUDIO AS INFORMATION IT 101 – Section 3 Spring, 2005.
CS Spring 2009 CS 414 – Multimedia Systems Design Lecture 3 – Digital Audio Representation Klara Nahrstedt Spring 2009.
1 Rev 07/28/2015.  Describe: examples, definition,? 2.
EQUALIZATION E.Q.. What is equalization? The manipulation of tone by increasing or decreasing frequency ranges with tone controls, filters or equalizers.
Vibrationdata 1 Unit 6a The Fourier Transform. Vibrationdata 2 Courtesy of Professor Alan M. Nathan, University of Illinois at Urbana-Champaign.
1 Manipulating Audio. 2 Why Digital Audio  Analogue electronics are always prone to noise time amplitude.
Chapter 2 Basic Science: Analog and Digital Audio.
Binary! Objectives How sound is stored in digital format What is meant by “sample interval” and how it affects quality The trade off between file size.
1 What is Multimedia? Multimedia can have a many definitions Multimedia means that computer information can be represented through media types: – Text.
How do we recognize and graph periodic and trigonometric functions?
Session 18 The physics of sound and the manipulation of digital sounds.
Digital Audio I. Acknowledgement Some part of this lecture note has been taken from multimedia course made by Asst.Prof.Dr. William Bares and from Paul.
12.7 Graphing Trigonometric Functions Day 1: Sine and Cosine.
Lifecycle from Sound to Digital to Sound. Characteristics of Sound Amplitude Wavelength (w) Frequency ( ) Timbre Hearing: [20Hz – 20KHz] Speech: [200Hz.
Fourier Analysis Patrice Koehl Department of Biological Sciences National University of Singapore
CS 591 S1 – Computational Audio – Spring 2017
Unit 5 The Fourier Transform.
MECH 373 Instrumentation and Measurements
Multimedia Systems and Applications
Pitch.
Transverse/Longitudinal waves
Aliasing and Anti-aliasing Filters TIPL 4304 TI Precision Labs – ADCs
Fundamentals of Multimedia
Multimedia Fundamentals(continued)
Figure Hz sine wave to be sampled.
MECH 373 Instrumentation and Measurements
Digital Control Systems Waseem Gulsher
Fourier Analyses Time series Sampling interval Total period
Wavetable Synthesis.
Fourier series Periodic functions and signals may be expanded into a series of sine and cosine functions
COMS 161 Introduction to Computing
Analog to Digital Encoding
Properties of Waves.
Presentation transcript:

IntroductionIntroduction For periodic waveforms, the duration of the waveform before it repeats is called the period of the waveformFor periodic waveforms, the duration of the waveform before it repeats is called the period of the waveform

FrequencyFrequency the rate at which a regular vibration pattern repeats itself (frequency = 1/period)the rate at which a regular vibration pattern repeats itself (frequency = 1/period)

Frequency of a Waveform The unit for frequency is cycles/second, also called Hertz (Hz).The unit for frequency is cycles/second, also called Hertz (Hz). The frequency of a waveform is equal to the reciprocal of the period.The frequency of a waveform is equal to the reciprocal of the period. frequency = 1/period

Frequency of a Waveform Examples:Examples: frequency = 10 Hz period =.1 (1/10) seconds frequency = 100 Hz period =.01 (1/100) seconds frequency = Hz (middle C) period = (1/ 261.6) seconds

Waveform Sampling To represent waveforms on digital computers, we need to digitize or sample the waveform.To represent waveforms on digital computers, we need to digitize or sample the waveform. side effects of digitization:side effects of digitization: introduces some noiseintroduces some noise limits the maximum upper frequency rangelimits the maximum upper frequency range

Sampling Rate The sampling rate (SR) is the rate at which amplitude values are digitized from the original waveform.The sampling rate (SR) is the rate at which amplitude values are digitized from the original waveform. CD sampling rate (high-quality): SR = 44,100 samples/secondCD sampling rate (high-quality): SR = 44,100 samples/second medium-quality sampling rate: SR = 22,050 samples/secondmedium-quality sampling rate: SR = 22,050 samples/second phone sampling rate (low-quality): SR = 8,192 samples/secondphone sampling rate (low-quality): SR = 8,192 samples/second

Sampling Rate Higher sampling rates allow the waveform to be more accurately representedHigher sampling rates allow the waveform to be more accurately represented

Nyquist Theorem and Aliasing Nyquist Theorem:Nyquist Theorem: We can digitally represent only frequencies up to half the sampling rate. Example:Example: CD: SR=44,100 Hz Nyquist Frequency = SR/2 = 22,050 Hz Example:Example: SR=22,050 Hz Nyquist Frequency = SR/2 = 11,025 Hz

Nyquist Theorem and Aliasing Frequencies above Nyquist frequency "fold over" to sound like lower frequencies.Frequencies above Nyquist frequency "fold over" to sound like lower frequencies. This foldover is called aliasing.This foldover is called aliasing. Aliased frequency f in range [SR/2, SR] becomes f':Aliased frequency f in range [SR/2, SR] becomes f': f' = |f - SR|

Nyquist Theorem and Aliasing f' = |f - SR| Example:Example: SR = 20,000 HzSR = 20,000 Hz Nyquist Frequency = 10,000 HzNyquist Frequency = 10,000 Hz f = 12,000 Hz --> f' = 8,000 Hzf = 12,000 Hz --> f' = 8,000 Hz f = 18,000 Hz --> f' = 2,000 Hzf = 18,000 Hz --> f' = 2,000 Hz f = 20,000 Hz --> f' = 0 Hzf = 20,000 Hz --> f' = 0 Hz

Nyquist Theorem and Aliasing Graphical Example 1a:Graphical Example 1a: SR = 20,000 HzSR = 20,000 Hz Nyquist Frequency = 10,000 HzNyquist Frequency = 10,000 Hz f = 2,500 Hz (no aliasing)f = 2,500 Hz (no aliasing)

Nyquist Theorem and Aliasing Graphical Example 1b:Graphical Example 1b: SR = 20,000 HzSR = 20,000 Hz Nyquist Frequency = 10,000 HzNyquist Frequency = 10,000 Hz f = 5,000 Hz (no aliasing)f = 5,000 Hz (no aliasing) (left and right figures have same frequency, but have different sampling points)

Nyquist Theorem and Aliasing Graphical Example 2:Graphical Example 2: SR = 20,000 HzSR = 20,000 Hz Nyquist Frequency = 10,000 HzNyquist Frequency = 10,000 Hz f = 10,000 Hz (no aliasing)f = 10,000 Hz (no aliasing)

Nyquist Theorem and Aliasing Graphical Example 2:Graphical Example 2: BUT, if sample points fall on zero-crossings the sound is completely cancelled outBUT, if sample points fall on zero-crossings the sound is completely cancelled out

Nyquist Theorem and Aliasing Graphical Example 3:Graphical Example 3: SR = 20,000 HzSR = 20,000 Hz Nyquist Frequency = 10,000 HzNyquist Frequency = 10,000 Hz f = 12,500 Hz, f' = 7,500f = 12,500 Hz, f' = 7,500

Nyquist Theorem and Aliasing Graphical Example 3:Graphical Example 3: Fitting the simplest sine wave to the sampled points gives an aliased waveform (dotted line below):Fitting the simplest sine wave to the sampled points gives an aliased waveform (dotted line below):