Love and Passion in Contemporary British Literature.

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Love and Passion in Contemporary British Literature

Thou still unravished bride of quietness, Thou foster child of silence and slow time Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loath? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit dities of no tone. Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal --- yet, do not grieve; She cannot fade, though thou hast not thy bliss Forever wilt thou love, and she be fair!

O Attic shape! Fair attitude! With brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity. Cold Pastoral! When old age shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st „Beauty is truth, truth beauty” --- that is all Ye know on earth, and all you need to know

„And they gave unto Jacob all the strange gods which were in their hands and all their earrings which were in their ears and Jacob hid them under the oak…” Genesis 35.4.

1. What kind of narrator is the bowl? Why is „his” perspective innovative? Does the bowl have a gender? 2. Compare Nikki and Rosa! How would you describe Rosa’s „relationship” with the bowl? 3. Who is Marius? Why is he called a lugal? Why is he interested in art? 4. How is Odile? Why is she the bowl’s favourite collector?