Italy MASACCIO, Holy Trinity, ca. 1424– 1427. Fig. 8-23.

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Presentation transcript:

Italy MASACCIO, Holy Trinity, ca. 1424– Fig

Italy Example: Fresco in church, donor portraits Applies linear perspective based on location of viewer’s eye Illusionistic extension of viewer’s space Classical architectural vocabulary MASACCIO, Holy Trinity, ca. 1424–1427. Fig

Italy SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Fig

Italy Example: Master of line Based on poem by humanist Created for Medici Mythology Venus inspired by classical sculpture Revival of female nude SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Fig

Italy MICHELOZZO DI BARTOLOMMEO, Palazzo Medici-Riccardi, Fig

Italy Example: Powerful patron Rustication on lower level Dressed masonry above Heavy cornice at top Plan organized around interior court with round- arched colonnade Clarity and rationality of Renaissance forms MICHELOZZO DI BARTOLOMMEO, Palazzo Medici- Riccardi, Fig

Italy LEON BATTISTA ALBERTI, Santa Maria Novella, Florence, 1456–1470. Fig

Italy Example: Architectural theorist Treatise presents rules of Renaissance architecture Application of classical elements Temple frontal, scrolls Proportional relationships LEON BATTISTA ALBERTI, Santa Maria Novella, Florence, 1456– Fig

Italy LEON BATTISTA ALBERTI, Sant’Andrea, Fig

Italy Example: For princely court Temple frontal and triumphal arch Proportional relationships mean façade too short Interior coffered barrel vault Colossal order pilasters LEON BATTISTA ALBERTI, Sant’Andrea, Mantua, Fig

Italy ANDREA MANTEGNA, Camera Picta, 1465–1474. Fig

Italy Example: For princely patron Propaganda Images of court life Pictorial illusionism Trompe l’oeil oculus painted di sotto in su Unified perspectival space ANDREA MANTEGNA, Camera Picta, 1465–1474. Fig