15 TH CENTURY EUROPEAN ART CHAPTER 18. FULLY IDENTIFY.

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Presentation transcript:

15 TH CENTURY EUROPEAN ART CHAPTER 18

FULLY IDENTIFY

A. B.

FULLY IDENTIFY

EARLY RENAISSANCE John the Good, Philip the Bold, John the Fearless, Philip the Good, Charles the Bold Duke of Burgundy – Mixing alliances with England and France Roger van der Weyden, Jan van Eyck, and Robert Campin

MERODE ALTARPIECE (OPEN) Robert Campin (Master of Flemalle)Center panel 2’1”x 3’ Metropolitan Museum of Art Oil on Wood

MERODE ALTARPIECE (ANNUNCIATION) Robert Campin (Master of Flemalle)

LEFT AND RIGHT PANELS, MERODE ALTARPIECE MARGERETE SCRYNMAKERS AND PETER INGELBRECHT

DETAIL OF MERODE ALTARPIECE

ST. VERONICA DISPLAYING THE SUDARIUM Robert Campin 1430 Oil on wood

GHENT ALTARPIECE (OPEN) Jan van Eyck 11’5” x 15’ Oil on Panel Ghent Court Painter of Philip the Good

GHENT ALTARPIECE (CLOSED) Jan van Eyck 11’5” x 7.5’

ARNOLFINI PORTRAIT Oil on wood 2’9”x 1’10” Oil on Wood National Gallery, London

CLOSE-UP OF THE ARNOLFINI PORTRAIT

GIOVANNI ARNOLFINI

MAN IN A RED TURBAN Jan van Eyck 1433 Oil on Wood 1’1” x 10”

Jan van Eyck, The Annunciation, 1434.

“Hail, full of grace…” “Behold the handmaiden of the Lord.”

DEPOSITION (NOTRE-DAME HORS-LES-MURS) Roger van der Weyden Center Panel

DEPOSITION DETAIL Roger van der Weyden

ANNUNCIATION Roger van der Weyden

ST. COLUMBA ALTARPIECE Roger van der Weyden 3’ x 9’ 1455 Oil on Panel

DETAIL OF ST. COLUMBA ALTARPIECE

PORTRAIT OF A LADY Roger van der Weyden