Speech Acoustics1 Clinical Application of Frequency and Intensity Variables Frequency Variables Amplitude and Intensity Variables Voice Disorders Neurological.

Slides:



Advertisements
Similar presentations
Sounds that “move” Diphthongs, glides and liquids.
Advertisements

Hearing relative phases for two harmonic components D. Timothy Ives 1, H. Martin Reimann 2, Ralph van Dinther 1 and Roy D. Patterson 1 1. Introduction.
Auditory Neuroscience - Lecture 1 The Nature of Sound auditoryneuroscience.com/lectures.
Indiana CTSI ACCELERATING CLINICAL AND TRANSLATIONAL RESEARCH Indiana C linical and T ranslational S ciences I nstitute Jessica E.
CSD 2230 HUMAN COMMUNICATION DISORDERS Topic 7 Speech Disorders Voice Disorders.
Voice and Voice Disorders
PHYSICS OF SOUND PHYSICS OF SOUND HEARING CONSERVATION PROGRAM 1 28 Jan 2013.
Intensity representation 1 Representation of the intensity of sound (or is it something else about efficiency?)
Chapter 2 Resonance Perry C. Hanavan, Au.D.. Question What is meant by phonation? A.Whispered speech sound B.Voiced speech sound C.Produce a nasal sound.
Speech perception 2 Perceptual organization of speech.
Lee Silverman Voice Treatment (LSVT)
Hearing Standard Threshold Shift
Jessica E. Huber Ph.D. in Speech Science from University at Buffalo MA in Speech-Language Pathology, Certified Speech- Language Pathologist Assistant Professor,
Fundamental Frequency & Jitter Lab 2. Fundamental Frequency Pitch is the perceptual correlate of F 0 Perception is not equivalent to measurement: –Pitch=
Sept. 6/11. - Sound Sounds may be perceived as pleasant or unpleasant. What are these sounds that we hear? What is "sound"? What causes it, and how do.
Basic Spectrogram Lab 8. Spectrograms §Spectrograph: Produces visible patterns of acoustic energy called spectrograms §Spectrographic Analysis: l Acoustic.
Anatomy of the vocal mechanism
Eva Björkner Helsinki University of Technology Laboratory of Acoustics and Audio Signal Processing HUT, Helsinki, Finland KTH – Royal Institute of Technology.
Analysis and Synthesis of Shouted Speech Tuomo Raitio Jouni Pohjalainen Manu Airaksinen Paavo Alku Antti Suni Martti Vainio.
By: Peter Hirschmann. Diagnosing Methods  Monitor symptoms such as: Resting Tremor Bradykinesia Rigidity Postural Instability  Sub-symptom Voice Problems.
Voice source characterisation Gerrit Bloothooft UiL-OTS Utrecht University.
SPPA 4030 Speech Science1 Phonation SPPA 4030 Speech Science2 Topic Sequence Anatomy review Achieving phonation Capturing glottal and vocal fold behavior.
Relations between vocal registers in voice breaks Gerrit Bloothooft Mieke van Wijck Peter Pabon UiL-OTS Utrecht University.
Two- tone unmasking and suppression in a forward-masking situation Robert V. Shannon 1976 Spring 2009 HST.723 Theme 1: Psychophysics.
1 Lab Preparation Initial focus on Speaker Verification –Tools –Expertise –Good example “Biometric technologies are automated methods of verifying or recognising.
Learning Objectives Describe how speakers control frequency and amplitude of vocal fold vibration Describe psychophysical attributes of pitch, loudness.
Voice Assessment: Instrumental
Today Speaker Variable: Gender
Hoarse meeting in Liverpool April 22, 2005 Subglottal pressure and NAQ variation in Classically Trained Baritone Singers Eva Björkner*†, Johan Sundberg†,
Acoustics Reverberation.
Instrumental Assessment SPPA 6400 Voice Disorders: Tasko.
MUSIC 318 MINI-COURSE ON SPEECH AND SINGING
Speech Science Fall 2009 Oct 28, Outline Acoustical characteristics of Nasal Speech Sounds Stop Consonants Fricatives Affricates.
Eva Björkner Helsinki University of Technology Laboratory of Acoustics and Audio Signal Processing HUT, Helsinki, Finland KTH – Royal Institute of Technology.
Male Cheerleaders and their Voices. Background Information: What Vocal Folds Look Like.
Motor neuron disease Dr.Shamekh M. El-Shamy.
Speech Perception 4/4/00.
Chapter 5: Normal Hearing. Objectives (1) Define threshold and minimum auditory sensitivity The normal hearing range for humans Define minimum audible.
1 Loudness and Pitch Be sure to complete the loudness and pitch interactive tutorial at … chophysics/pitch/loudnesspitch.html.
SIL Speech Analyzer: Tutorial Part 2 Dr. Barbara Brindle CD 508 – Voice Disorders Dr. Dudley Bryant PHYS Acoustics.
Stops Stops include / p, b, t, d, k, g/ (and glottal stop)
Auditory Brainstem Response
CSD 2230 INTRODUCTION TO HUMAN COMMUNICATION DISORDERS Normal Sound Perception, Speech Perception, and Auditory Characteristics at the Boundaries of the.
PHONETOTOPIC ORGANIZATION OF PHONATION EVIDENCE FROM ELECTROPHYSIOLOGY, AERODYNAMICS, ACOUSTICS AND KINESTETICS Krzysztof Izdebski Pacific Voice and Speech.
SOUND PRESSURE, POWER AND LOUDNESS MUSICAL ACOUSTICS Science of Sound Chapter 6.
Gender differences in symptom reporting: the influence of psychological traits. Laura Goodwin Dr Stephen Fairclough Liverpool John Moores University BACKGROUND.
Assessment of voice and Resonance. Classification Organic disorders –known physical cause –Includes neurological disorders Functional disorders – no known.
SPPA 6010 Advanced Speech Science
HEARING LOSS Hearing Loss Children and Adults who are deaf are those who cannot hear or understand conversational speech under normal circumstances.
Figures for Chapter 8 Candidacy Dillon (2001) Hearing Aids.
SOUND PRESSURE, POWER AND LOUDNESS
HEARING- 3. LEARNING OBJECTIVES LEARNING OBJECTIVES Discuss the principles used in performing tests of hearing Discuss the principles used in performing.
Physics Acoustics for Musicians selected slides, March 5, 2002 Loudness at different frequencies Critical band Masking The ear Neurological response.
HOW WE TRANSMIT SOUNDS? Media and communication 김경은 김다솜 고우.
김 진 욱 Chap 14. O VERVIEW OF A UDITORY E VOKED P OTENTIALS (3/3)
Hz A A A A A A LDL for speech Aided Speech output Functional Gain: The way.
HEARING LOSS.
4aPPa32. How Susceptibility To Noise Varies Across Speech Frequencies
Loudness level (phon) An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a.
Instrumental Assessment
Copyright © American Speech-Language-Hearing Association
Copyright © American Speech-Language-Hearing Association
S. Graetzer, E. J. Hunter and P. Bottalico
PROJECT PROPOSAL Shamalee Deshpande.
Speech Perception CS4706.
Voice source characterisation
†Department of Speech Music Hearing, KTH, Stockholm, Sweden
How (Not) to Add Laughter to Synthetic Speech
Speech Communications
What is Sound?
Presentation transcript:

Speech Acoustics1 Clinical Application of Frequency and Intensity Variables Frequency Variables Amplitude and Intensity Variables Voice Disorders Neurological Disorders

Speech Acoustics2 Frequency Variables Average Fo. Fo frequency Variability Maximum Phonational Frequency Range

Speech Acoustics3 Frequency Variables continued Average Fundamental Frequency –Variables Age and Gender –Infants (350 to 500 Hz) –Ages 3 through 10 (270 to 300 Hz) –Adults »Males (120 Hz) »Females (220 Hz) Individual differences

Speech Acoustics4 Frequency Variables continued Frequency Variability –Normal SD is plus/minus 20 to 35 dB –Variables that affect variablity Emotions Fatigue Different grammatical constructions Individual differences Age (decreases through lifetime) Neuromuscular or other disorders –Frequency variability can be used as a baseline when examining different voice disorders

Speech Acoustics5 Frequency Variables continued Maximum Phonational Frequency Range (MPFR) Differs from Fo which refers to connected speech. MPFR is the range of frequency that you can produce (provide example).

Speech Acoustics6 Frequency Variables continued Mean MPFR is around 2.5 octaves or 30 semitones. Not a great deal of variability for age and gender. Trained singers have higher MPFR. Poor physical condition regardless of age may signal a problem with the speaker.

Speech Acoustics7 Amplitude and Intensity Variables Average Amplitude Level Amplitude Variability Dynamic Range Voice Range Profile

Speech Acoustics8 AmplitudeVariables continued Average Amplitude Level –Refers to normal conversational levels –Usually around 65 to 80 dB SPL (or 45 to 60 dB HL) –No major age or gender effects. –May increase in background noise (Lombard effect) –Lower amplitude may be a result of a pathology.

Speech Acoustics9 AmplitudeVariables continued Amplitude Variability –Changes in amplitude due to … Speaker’s mood and feeling Message such as stress, duration, syllabic structure, etc. –SD is around 10 dB, but varies depending upon level of excitement. –Lack of amplitude variation = monotone, and may be difficult to understand.

Speech Acoustics10 AmplitudeVariables continued Dynamic Range –Intensity difference between soft speech and the loudest shout. –Normally between (30 and 115 dB SPL) –Tends to be greatest for people with a near normal Fo. –Trained signers may have greater dynamic range.

Speech Acoustics11 AmplitudeVariables continued Voice Range Profile –AKA VRP, phonetogram or FoSPL profile. –Subject sustains a vowel at different Fos, and increases/decreases voice amplitude. –Insert page 59.

Speech Acoustics12 AmplitudeVariables continued Voice Range Profile continued –VRP can be used to get an overall picture of amplitude and frequency. –Can be used to… Determine normal vocal function Monitor treatment for vocal disorder

Speech Acoustics13 Voice Disorders Subjective measures –Perceptual Scales Objective measures –Amplitude –Frequency Use in monitoring progress of treatment Objective measures are more sensitive to changes.

Speech Acoustics14 Neurological Disorders Examples include Parkinson’s Disease, amyotrophic lateral sclerosis (ALS), MS, strokes, brain tumors, TBI, etc. Objective measures can be used to track course of disease or treatment.

Speech Acoustics15 Summary