1 Part II: New copyright for libraries and archives AL©C This publication is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.5.

Slides:



Advertisements
Similar presentations
Oxford Media Convention 2006 Rights and revenue models: what IP model for public service communications?
Advertisements

CRICOS No J a university for the world real R The Permission Barrier Copyright Law and Digital Preservation in Australia Jessica Coates Creative.
University of West Alabama. Copyright is a form of protection provided by the laws of the United States (title 17, U. S. Code) to the authors of “original.
Information Systems Unit 3 – Outcome 3 Legal Obligations of Programmers Student Lecture.
Copyright Defined Copyright is a legal term describing rights given to creators for their literary and artistic works. Kinds of works covered by copyright.
COPYRIGHT GUIDELINES. WHAT IS PROTECTED BY COPYRIGHT? Original works of authorship Original works of authorship Books Books Magazine & newspaper articles.
Access, Ownership and Copyright Issues in Preserving and Managing Cultural Heritage Resources International Conference on Challenges in Preserving and.
HSC: All My Own Work Copyright.
Software Protection & Scope of the Right holder Options for Developing Countries Presentation by: Dr. Ahmed El Saghir Judge at the Council of State Courts.
Copyright, Fair Use, and Derivative Works
Changes to copyright exceptions for libraries and archives Robin Stout Copyright Policy Intellectual Property Office.
1 Part I: Copyright Essentials for Libraries and archives This publication is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike.
A centre of expertise in data curation and preservation Digital Curation Centre/ Edinburgh eScience Collaborative Workshop – 12th June 2008 Funded by:
Copyright Licenses at VUW Copyright ©2004 Stephen Marshall distributed under the terms of the GNU Free Documentation License (
WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.
New copyright challenges for the users digital works Dragutin Nemec Library of the Faculty of law in Zagreb LIBRARIES IN THE DIGITAL AGE (LIDA) 2007.
Office of the General Counsel1 COPYRIGHT and the TEACH Act The Technology, Education, and Copyright Harmonization Act Copyright © 2007 Villanova University.
HOSPITAL COPYRIGHT TOOLKIT A Guide to the Canadian Copyright Act A Presentation prepared by Jan Figurski, MLS Mary McDiarmid, MISt, AHIP c2007.
Examples of problems with teacher/school site violations: A company’s logo and link on footer of homepage when company is not their business partner—only.
Canadian Copyright Act Became law in January 1924 and was amended in 1988 (Phase I) The second phase amendments were completed in 1997 when Bill C-32.
Copyright and the Classroom What do I do? Johnny Tilton Fall 2013.
Decompilation 1 Software Copyright Oren Bracha, Summer 2015.
Copyright & Licensing Ernie Howe & Karen Adams NEOS May, 2002.
1 opyright Law in Hong Kong Tina Tao Yang 杨涛 The University of Hong Kong Libraries ©
CREATING DIGITAL LIBRARIES: A COLLISION COURSE WITH COPYRIGHT LAW Lolly Gasaway November 2011.
Copyright and Digital Preservation. Overview 1.What is copyright and copyright infringement? 2.Relationship between preservation and copyright 3.Difference.
Copyright for Managers
Copyright, Licensing, & the Provision of Electronic Resources Vicki L. Gregory Associate Professor University of South Florida
Copyright for interlibrary loans and document delivery This publication is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.5.
Using Copyrighted Works Do I need permission to use this? Slides produced by the Copyright Education & Consultation Program.
1 Copyright Issues Considerations for Educational Designers: The Big Picture Created by DETA and adapted by SBIT Library 2009.
 Copyright, Fair Use & Permissions October 25, 2012.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
COPYRIGHT LAW Zahra Hadi Educational Technology EDUC 5302.
© Copyright Licensing Agency Limited 2007 CLA Licence for NHS England.
(c) Paul Pedley1 Copyright – staying legal IFEG/MI/AEBIG meeting.
 Copyright Collective - Not for profit company  Established 1988 by PANZ in response to copyright abuse  Jointly owned PANZ/NZSA  Member of IFRRO.
Copyright: What Every Teacher and Student Should Know Katie Amend Casey Moffett.
Copyright Compliance. Overview Who is the Copyright Agency? The Statutory Education Licence Why do I have it? How I can use it Digital vs Hardcopy – the.
By Sonya Gipson Spring Copyright is a law created to protect works of authors and artists. Exclusive rights are given to the creators (author or.
HSC: All My Own Work What is copyright and what does it protect? How does it relate to me?
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
Copyright Law Presented by Laura Heins. What is Copyright Law? A law that protects your original work and gives you the exclusive rights to it. Ensures.
Reform(aliz)ing Copyright BCLT, April 18-19, 2013 Three Steps Towards Formalities Prof. Martin Senftleben VU University Amsterdam Bird & Bird, The Hague.
Michelle Olivacce’
What is the penalty for copyright infringement? What does the term “fair use” mean and who included in the fair use clause? In copyright law, there is.
Copyright for teaching. 2 katelyncollins/category/week-5 CC BY.
1 Copyright Issues Considerations for Educational Designers Created by DETA and adapted by SBIT Library 2009.
A Comment on the Exceptions and Limitations in Copyright Law for Educational Purposes Prashant Reddy T.
Copyright Laws are Serious! As Teachers We Must Be Aware By: Amy Wethington.
Copyright Presentation Education Applications of Technology Dr.Justin Burris By: Adrion East.
Copyright Everything you wanted to know that you did not want to ask.
Tom Adam Copyright Advisor to the Provost all images:
Copyright 101 – what you need to know when writing your thesis Dr Alice Crawford Copyright Coordinator May 2016.
Intellectual Property and Public Policy: Application of Flexibilities in the International IP and Trade system --Limitation and Exceptions for Education.
International Intellectual Property Prof. Manheim Spring, 2007 Exclusive Rights & Exceptions Copyright © 2007.
Course Pack Production at HKIEd HKIEd Library 20 Jun 2013.
Plagiarism, Fair Use and Copyright Laws
Copyright Issues associated with the Regents’ On-Line Degree Program
Fair Use in the Classroom
Legal aspects of copying audiovisual work onto portable media devices
Everything you ever needed to know about copyright
Copyright, Fair Dealing, and the Classroom
Copyright law 101 Nicole Finkbeiner
ACCESS TO PROTECTED WORKS: LIMITS OF PERMITTED USE
Do you know what you are doing?
Copyright Introduce Group 1 Kathy Sorrell Angie Dennis Jane Roberts
Copyright and Fair Use in Education
Copyright Exceptions for Archives: A Typology Analysis
Presentation transcript:

1 Part II: New copyright for libraries and archives AL©C This publication is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia License. To view a copy of this license, visit or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA

2 Australian Libraries Copyright Committee Laura Simes Copyright Adviser AL©C

3 Part II: Amendments to the Copyright Act 1968 Additional provisions relating to Technological Protection Measures (TPMs) New Criminal Enforcement Regime New Consumer Exceptions New ‘Fair Dealing’ Exception Exceptions for libraries AL©C

4 New Consumer Exceptions (1) Time-shifting: s111 Allows individuals to record a television program or radio broadcast to watch/listen to later. Only available to individuals for ‘private and domestic use’ Not available to organisations and institutions AL©C

5 New Consumer Exceptions (2) Format shifting: ss 43C, 47J, &110AA Allows individuals to shift certain works that they own from one format to another. Once again, only available to individuals for ‘private and domestic use’ Only for certain groups of works and formats… AL©C

6 Format shifting: ss 43C, 47J & 110AA Books, newspapers and periodicals  different format Photograph hardcopy format  electronic format Analogue  electronic AL©C

7 (3) Space shifting s 109A The “ipod” provision

8 New ‘Fair Dealing’ Exception ‘Fair dealing’ exceptions that were available before the 2006 amendments are still in place. No infringement where the use amounts to fair dealing for the purpose of : Research or study (s 40); Criticism and review (s 41); Reporting the news (s 42) ; or Professional advice & judicial proceedings (s43). AL©C

9 New ‘Fair Dealing’ Exception Copyright Amendment Act 2006 introduced one more exception: Fair dealing for the purpose of parody and satire (ss 41 and 103AA) AL©C

10

11 Changes to existing exceptions User requests & documents delivery Libraries & archives can reproduce & communicate articles and works to users for ‘research & study’ (s49) Libraries & archives can reproduce & communicate articles and works to another library for inclusion in their collection; or to supply a user under s 49. (s50) AL©C

12 User requests &document delivery Definition of ‘library’ Before: library does not include a library that is conducted for the profit, direct or indirect, of an individual or individuals Now: library means a library all or part of whose collection is accessible to members of the public directly or through interlibrary loans. archives means an archives all or part of whose collection is accessible to members of the public AL©C

13 User requests &document delivery (2) “same subject matter” Before: A library can only supply more than one article from the same periodical if they relate to the same subject matter. Now: A library can only supply more than one article from the same periodical if it is for the same research or course of study. AL©C

14 User requests &document delivery (3) The commercial availability test Before: If supplying a copy of more than a ‘reasonable portion’ of a work - an authorised officer must first declare the whole or portion of the work cannot be obtained within a reasonable time at an ordinary commercial price. AL©C

15 User requests &document delivery (3) The commercial availability test Now: when the person requesting the copy needs it whether the work can be obtained in electronic form within a reasonable time, at an ordinary commercial price the time it would take to deliver the copy to the requesting person. AL©C

16 User requests &document delivery SUMMARY OF CHANGES New library definition Same subject matter  same research or course of study Further guidance on test of “commercial availability” AL©C

17 Changes to existing exceptions Reproducing works for preservation purposes (s51A) Before: To preserve manuscripts or original artistic works against loss, damage, or deterioration or to provide a copy for research at another library or archives* To replace a published work that has been damaged or deteriorated, lost or stolen* For ‘administrative purposes’ *Subject to the ‘commercial availability’ test AL©C

18 Reproducing works for preservation purposes (s51A) (1) Now: Clarification of ‘administrative purposes’: means purposes directly related to the care or control of the collection AL©C

19 Would include educating and training staff and volunteers in relation to activities directly related to the management of the collection of the library or archives Would not cover reproduction to merely add to the collection of the library or archives so more copies are available for users.

20 Reproducing works for preservation purposes (s51A) (2) Now: An institution may now make a reproduction of a published work even if a later edition of the work is commercially available (new s 51A(4)) Authorised officer must make a declaration stating: No new copy of the work can be obtained within a reasonable time at an ordinary commercial price Providing the reason for reproduction of that particular edition AL©C

22 Reproducing works for preservation purposes (s51A) SUMMARY OF CHANGES ‘administrative purposes’ Preservation copy of earlier edition when late is available AL©C

23 New exceptions New preservation provisions for ‘key cultural institutions’ (ss51B, 110BA & 112AA) Allows institutions to make up to 3 copies from the work for the purpose of preserving against loss or deterioration. AL©C

24 New preservation provisions for ‘key cultural institutions’ Who can use this new exception? 1.Libraries and archives that have a legislative function of developing or maintaining a collection 2.Bodies prescribed by regulations AL©C

25 New preservation provisions for ‘key cultural institutions’ Manuscripts First sound recording or unpublished recording First copy or unpublished copy of film The institution may make 3 copies from the work for preservation purposes An authorised officer needs to be satisfied the work is of historical or cultural significance to Australia. AL©C

26 New preservation provisions for ‘key cultural institutions’ Original Artistic work Published work Published sound recording Published film Published edition 3 copies if authorized officer satisfied work is of historical or cultural significance to Australia. ALSO – subject to commercial availability test (inc electronic availability) AL©C

27 New preservation provisions for ‘key cultural institutions’ SUMMARY OF CHANGES & EFFECT Currently only applies to institutions who develop/maintain a collection Allows institution to make 3 preservation copies For some works institution needs to check if a copy is commercially available (electronic included) AL©C

28 New Exception Flexible dealing provision: s 200AB Purpose of 200AB is to “provide a flexible exception to enable copyright material to be used for certain socially useful purposes” Intended to operate ‘like’ fair use AL©C

29 New flexible dealing provision s 200AB Who can use this exception? Libraries & archives Educational institutions A person with a disability or a person or body on behalf of a person with a disability AL©C

30 New flexible dealing provision s 200AB When can libraries/archives use this exception? 1. Threshold requirements; and 2. The 3-step test AL©C

31 Threshold requirements: No other exceptions in the Copyright Act apply Use by or on behalf of a body administering a library or archives The intended use is for the purpose of maintaining or operating the library or archives (libraries) or educational instruction (educational institutions) The intended use is not “partly for the purpose of the body obtaining a commercial advantage or profit”

32 3 step test The use: 1) amounts to a special case 2) does not conflict with a normal exploitation of the material 3) does not unreasonably prejudice the legitimate interests of the copyright holder.

33 No other exceptions apply EXAMPLES: Fair dealing exceptions Libraries and archives – eg a preservation provision Educational institution – eg Part VA or VB license AL©C

34 Use by or on behalf of a body administering a library or archives The institution can allow another person or body to act as agent for them AL©C

35 Use for the purpose of maintaining or operating the library or archives Includes providing a service of a kind usually provided by a library or archives. Encompasses the internal administration of the library or archives AND providing services to users A broad purpose test that includes the full ambit of usual library or archives activity. AL©C

36 For the purpose of giving educational instruction Includes…. Preparing to teach Compiling resources for students Something else for the purpose of teaching

37 Use not partly for the purpose of obtaining commercial advantage or profit The institution can still charge a cost recovery fee: s200AB(6A) BUT An eligible body should not be able to use this exception partly for the purpose of gaining an advantage, benefit or gain from being engaged in commerce AL©C

38 The 3-step test The use: 1. amounts to a special case 2. does not conflict with a normal exploitation of the material 3. does not unreasonably prejudice the legitimate interests of the copyright holder.

39 1. Use amounts to a “special case” Questions to ask: Is the use clearly defined and narrow in scope? Can the circumstances of the use be confined to a special category? AL©C

40 2. Use does not conflict with a normal exploitation the material Questions to ask: How does copyright holder normally extract economic value? Does proposed use enter into competition with this use? Does the proposed use deprive the copyright holder of significant or tangible commercial gains? Consider whether the proposed use could with a certain degree of likelihood, acquire considerable economic or practical importance (in the future) AL©C

41 3. Use does not unreasonably prejudice legitimate interests of copyright holder Questions to ask: Is the use appropriate? (eg not making more copies than necessary) Has the creator been properly attributed (if possible)? If necessary, has access been restricted? (eg if used for administrative purposes, library or archives users would not need access) SUMMARY: consider the purpose, and limit the use to a reasonable amount. AL©C

NO Conflict with normal exploitation? For maintenance or operation of the institution? Unreasonably prejudice the copyright owner? Special case? Partly for commercial advantage or profit? s200AB applies YES NO Summary Table For educational instruction? YES NO

43 Possible s200AB Examples Format shifting in institutions? Thumbnail images? Compilations? Use of an orphan work? AL©C

44 Technological Protection Measures (TPMs) What is a TPM? A Technological ‘lock’ that prevents copying a work, or accessing a work. EXAMPLES: software access codes, DVD region coding, copy-protection on DVDs Before: Cannot commercially supply devices that circumvent TPMs Can circumvent TPMs preventing access (Sony v Stevens) AL©C

45 Technological Protection Measures (TPMs) Now: New category of access control TPM Extends to locks that prevent access, and not just prevent copying (eg software encryption or passwords) Cannot use or supply devices or services that circumvent access TPMs Cannot circumvent access TPMs AL©C

46 Technological Protection Measures (TPMs) EXCEPTIONS: Where owner gives permission Region coding (DVDs, games) Interoperability with computer programs Circumvention by libraries & archives for certain purposes: AL©C

47 Criminal Offences and Infringement Notices 3 tiers of offences 1. Indictable Up to 5 years imprisonment &/or $60,500-$93,500 fine 2. Summary Up to 2 years imprisonment and/or $13,200 fine 3. Strict Liability Maximum $6,600 fine, Infringement Notice scheme AL©C

48 Criminal Offences and Infringement Notices Some points to note with new offences… Penalties are per infringement (a single case may involve a number of individual infringements) Effect on libraries and archives? Note offences under ss 49, 50 AGD recently released draft infringement notice guidelines for comment AL©C

49 Summary of changes: Format-shifting / time-shifting for individual consumers ‘Fair dealing’ exception for the purpose of parody & satire Strengthening of TPM provisions 3 tier system of criminal offences, infringement notice scheme AL©C

50 Changes especially relevant to libraries and archives: New ‘special case’ exception (s200AB) New definitions: ‘library’ ‘admin purposes,’ ‘reasonable portion’ and ‘course of study’ (ss 49 and 50 library and fair dealing for research and study) Amendment to existing preservation provision and new preservation exception AL©C

51 How will this change practices and procedures in institutions? Preservation – key cultural institutions Availability of document delivery (ss49 & 50) for corporate libraries Potential effect of s200AB

52 Conclusion Contract overrides the Copyright Act! Licenses Creative Commons licenses AL©C

53 Questions? Laura Simes Copyright Adviser Australian Libraries’ Copyright Committee Executive Officer Australian Digital Alliance p: | f: | e: AL©C