Delivering More Video Content at Half the Cost Using MPEG-4 AVC Bob Wilson Chairman & CEO www.modulusvideo.com.

Slides:



Advertisements
Similar presentations
with RGB Reversibility
Advertisements

AVC Compression Update: FRExt and future Matthew Goldman Vice President of Technology Compression Systems.
Introduction to H.264 / AVC Video Coding Standard Multimedia Systems Sharif University of Technology November 2008.
MPEG-2 to H.264/AVC Transcoding Techniques Jun Xin Xilient Inc. Cupertino, CA.
H.264 Intra Frame Coder System Design Özgür Taşdizen Microelectronics Program at Sabanci University 4/8/2005.
A Performance Analysis of the ITU-T Draft H.26L Video Coding Standard Anthony Joch, Faouzi Kossentini, Panos Nasiopoulos Packetvideo Workshop 2002 Department.
Standards, process, requirements 4K PLAYBACK EXPLAINED.
Basics of MPEG Picture sizes: up to 4095 x 4095 Most algorithms are for the CCIR 601 format for video frames Y-Cb-Cr color space NTSC: 525 lines per frame.
2004 NTU CSIE 1 Ch.6 H.264/AVC Part2 (pp.200~222) Chun-Wei Hsieh.
Overview of the H. 264/AVC video coding standard.
-1/20- MPEG 4, H.264 Compression Standards Presented by Dukhyun Chang
Chapter 11.3 MPEG-2 MPEG-2: For higher quality video at a bit-rate of more than 4 Mbps Defined seven profiles aimed at different applications: Simple,
Technion - IIT Dept. of Electrical Engineering Signal and Image Processing lab Transrating and Transcoding of Coded Video Signals David Malah Ran Bar-Sella.
1 Video Coding Concept Kai-Chao Yang. 2 Video Sequence and Picture Video sequence Large amount of temporal redundancy Intra Picture/VOP/Slice (I-Picture)
Source Coding for Video Application
SWE 423: Multimedia Systems
Overview of the H.264/AVC Video Coding Standard
MPEG: A Video Compression Standard for Multimedia Applications Didier Le Gall Communications of the ACM Volume 34, Number 4 Pages 46-58, 1991.
MPEG: A Video Compression Standard for Multimedia Applications Didier Le Gall Communications of the ACM Volume 34, Number 4 Pages 46-58, 1991.
MPEG Audio Compression by V. Loumos. Introduction Motion Picture Experts Group (MPEG) International Standards Organization (ISO) First High Fidelity Audio.
H.264 / MPEG-4 Part 10 Nimrod Peleg March 2003.
BY AMRUTA KULKARNI STUDENT ID : UNDER SUPERVISION OF DR. K.R. RAO Complexity Reduction Algorithm for Intra Mode Selection in H.264/AVC Video.
Concepts of Multimedia Processing and Transmission
An Introduction to H.264/AVC and 3D Video Coding.
On Error Preserving Encryption Algorithms for Wireless Video Transmission Ali Saman Tosun and Wu-Chi Feng The Ohio State University Department of Computer.
Video Streaming via Transcoding Jianping Fan Department of Computer Science University of North Carolina at Charlotte Charlotte, NC 28223
EE 5359 H.264 to VC 1 Transcoding Vidhya Vijayakumar Multimedia Processing Lab MSEE, University of Arlington Guided.
Moving PicturestMyn1 Moving Pictures MPEG, Motion Picture Experts Group MPEG is a set of standards designed to support ”Coding of Moving Pictures and Associated.
MPEG-2 Standard By Rigoberto Fernandez. MPEG Standards MPEG (Moving Pictures Experts Group) is a group of people that meet under ISO (International Standards.
ECE472/572 - Lecture 12 Image Compression – Lossy Compression Techniques 11/10/11.
Audio/Video compression More about video compression and MPEG Alain Bouffioux December, 20, 2006.
Page 19/15/2015 CSE 40373/60373: Multimedia Systems 11.1 MPEG 1 and 2  MPEG: Moving Pictures Experts Group for the development of digital video  It is.
CS 414 – Multimedia Systems Design Lecture 14 – H.264, H.265
Audio Video coding Standard of (AVS) China Submitted by, Swaminathan Sridhar EE 5359 Multimedia Processing Project.
MPEG-1 and MPEG-2 Digital Video Coding Standards Author: Thomas Sikora Presenter: Chaojun Liang.
MPEG: (Moving Pictures Expert Group) A Video Compression Standard for Multimedia Applications Seo Yeong Geon Dept. of Computer Science in GNU.
Video Coding --- State of the Art and Beyond
Profiles and levelstMyn1 Profiles and levels MPEG-2 is intended to be generic, supporting a diverse range of applications Different algorithmic elements.
Windows Media Video 9 Tarun Bhatia Multimedia Processing Lab University Of Texas at Arlington 11/05/04.
Outline JVT/H.26L: History, Goals, Applications, Structure
Royalty Cost Based Optimization for Video Compression Emrah Akyol, Onur G. Guleryuz, and M. Reha Civanlar DoCoMo USA Labs, Palo Alto, CA USA.
Data Compression. Compression? Compression refers to the ways in which the amount of data needed to store an image or other file can be reduced. This.
- By Naveen Siddaraju - Under the guidance of Dr K R Rao Study and comparison of H.264/MPEG4.
Image Compression Supervised By: Mr.Nael Alian Student: Anwaar Ahmed Abu-AlQomboz ID: IT College “Multimedia”
8. 1 MPEG MPEG is Moving Picture Experts Group On 1992 MPEG-1 was the standard, but was replaced only a year after by MPEG-2. Nowadays, MPEG-2 is gradually.
EE 5359 TOPICS IN SIGNAL PROCESSING PROJECT ANALYSIS OF AVS-M FOR LOW PICTURE RESOLUTION MOBILE APPLICATIONS Under Guidance of: Dr. K. R. Rao Dept. of.
By: Hitesh Yadav Supervising Professor: Dr. K. R. Rao Department of Electrical Engineering The University of Texas at Arlington Optimization of the Deblocking.
- By Naveen Siddaraju - Under the guidance of Dr K R Rao Study and comparison between H.264.
Image Processing Architecture, © 2001, 2002 Oleh TretiakPage 1Lecture 15 ECEC-453 Image Processing Architecture 3/11/2004 Exam Review Oleh Tretiak Drexel.
Fundamentals of Multimedia Chapter 12 MPEG Video Coding II MPEG-4, 7 Ze-Nian Li & Mark S. Drew.
Figure 1.a AVS China encoder [3] Video Bit stream.
Image/Video Coding Techniques for IPTV Applications Wen-Jyi Hwang ( 黃文吉 ) Department of Computer Science and Information Engineering, National Taiwan Normal.
UNDER THE GUIDANCE DR. K. R. RAO SUBMITTED BY SHAHEER AHMED ID : Encoding H.264 by Thread Level Parallelism.
Fine Granularity Scalability in MPEG-4 Video by Weiping Li Presentation by Warren Cheung.
1 Modular Refinement of H.264 Kermin Fleming. 2 What is H.264? Mobile Devices Low bit-rate Video Decoder –Follow on to MPEG-2 and H.26x Operates on pixel.
Video Compression—From Concepts to the H.264/AVC Standard
Overview of Digital Video Compression Multimedia Systems and Standards S2 IF Telkom University.
COMPARATIVE STUDY OF HEVC and H.264 INTRA FRAME CODING AND JPEG2000 BY Under the Guidance of Harshdeep Brahmasury Jain Dr. K. R. RAO ID MS Electrical.
IMAGE/VIDEO COMPRESSION STANDARD JPEG-2000/JasPer/Motion JPEG/Wireless JPEG/Kakadu Jan T. Bialasiewicz.
Implementation and comparison study of H.264 and AVS china EE 5359 Multimedia Processing Spring 2012 Guidance : Prof K R Rao Pavan Kumar Reddy Gajjala.
Multi-Frame Motion Estimation and Mode Decision in H.264 Codec Shauli Rozen Amit Yedidia Supervised by Dr. Shlomo Greenberg Communication Systems Engineering.
H. 261 Video Compression Techniques 1. H.261  H.261: An earlier digital video compression standard, its principle of MC-based compression is retained.
Introduction to H.264 / AVC Video Coding Standard Multimedia Systems Sharif University of Technology November 2008.
CSI-447: Multimedia Systems
CS644 Advanced Topics in Networking
Overview of the Scalable Video Coding
Future Video Coding Prof. Dr.-Ing. Jörn Ostermann.
Video Compression - MPEG
Chap 3: Encoding Video Content
Multimedia Processing Lab MSEE, University of Arlington
Presentation transcript:

Delivering More Video Content at Half the Cost Using MPEG-4 AVC Bob Wilson Chairman & CEO

AVC Finally Delivers on the Technical Vision First Described in 1954 by RAND Corporation!

Modulus Video Copyright

Modulus Video Real-time SD & HD “broadcast quality” encoders and decoders Powerful AVC platform –Software centric encoding –CPU’s and FPGA’s accelerate to real-time SD systems shipping now! HD systems 1 st half 2005 VC backed company founded by broadcast industry veterans

Modulus Video Copyright Video Compression is Mainstream!

Modulus Video Copyright AVC’s Impact on Content Less cost = more content MPEG-4 AVC: the future for all consumer systems –HD DVD’s & Blu-ray DVD’s –HD camcorders –Mobile video & cell phones Apple has already announced support for AVC in their Final Cut Pro professional editing solutions AVC is the next generation encoding standard for content creation & delivery

Modulus Video Copyright A New Standard Arrives – MPEG-4 AVC! MPEG-4 AVC Advanced Video Coding New worldwide standard approved in May 2003 Delivering full resolution video at half the bit rate of MPEG-2 Hundreds of companies now working to deliver practical solutions from “beginners to broadcasters” Both new HD DVD & Blu Ray formats utilize AVC ISO/MPEG ITU-T (VCEG) Joint Video Team MPEG-4 AVC

Modulus Video Copyright Performance - AVC is on a Steep Improvement Curve Near term - 50% less bit rate for many sequences Benefits greatest for many sequences that are tough for MPEG-2 Efficiency will continue to improve CBR Video Bit Rates

Modulus Video Copyright Evolution not Revolution No fractals, wavelet or object coding Block based processing Familiar GOP Picture structure –I- Intra coded pictures interleaved with P and B pictures –P- Forward motion predicted pictures –B- Bi directional motion predicted pictures Same rules apply –Familiar compression artifacts –Benefits from Statistical multiplexing and noise reduction I B B B P B B B P B B B AVC Retains Familiar Picture Structure

Modulus Video Copyright Enhanced Toolset Delivers Efficiency Substantially better motion prediction Better intra prediction modes New entropy encoding technology In loop de-blocking filter New integer transform New quantization mechanisms Temporal (motion) and spatial prediction TransformQuantizationEntropy Coding Inverse Transform Inverse Quantization De-blocking Filter 10X More Computational Complexity!

Modulus Video Copyright Enhanced Motion Prediction Modes ¼ pixel prediction doubles the accuracy Hierarchical block size options track objects more accurately More references combinations Weighted prediction helps convey fades and dissolve MBAFF – Macro block adaptive field frame coding Temporal (motion) and spatial prediction TransformQuantizationEntropy Coding Inverse Transform Inverse Quantization De-blocking Filter

Modulus Video Copyright Enhanced Entropy Coding Entropy coding removes statistical redundancy from bit stream Fully defined loss less codec Similar to ZIP application AVC offers two advanced option –Context Adaptive Variable Length Code (CAVLC) –Context Adaptive Binary Arithmetic Coding (CABAC) CABAC is very complex but powerful –Delivers around 15% efficiency gain Temporal (motion) and spatial prediction TransformQuantization Entropy Coding Inverse Transform Inverse Quantization De-blocking Filter

Modulus Video Copyright New Transforms and Quantization AVC has new 4x4 transform –Converts pixel array into string of coefficients –Coefficient string can be quantized to control bit rate Addresses inaccuracies that exist with MPEG-2 Ease of processing Enhanced quantization tools Temporal (motion) and spatial prediction TransformQuantization Entropy Coding Inverse Transform Inverse Quantization De-blocking Filter

Modulus Video Copyright Smaller blocks good for tracking detail Large blocks good for flat areas 4 x 4 8 x 4 8 x 8 4 x 8 16 x 16 One New Tool: Adaptive Block Sizing MPEG-2 used large 16x16 blocks –Good for large objects –Not so good for tracking small objects AVC offers hierarchical block sizing –Adaptive block sizes Benefit is motion objects tracked accurately –Less residual error More Tools, More Processing, but Fewer Bits

Modulus Video Copyright New De-Blocking Filter NEW - MPEG-2 does not have this feature Aggressive encoding will tend to result in block artifacts Block edges are processed- smoothed Up to 3 pixels either side of block to reduce the visible impact Temporal (motion) and spatial prediction TransformQuantizationEntropy Coding Inverse Transform Inverse Quantization De-blocking Filter

Modulus Video Copyright AVC Compression = Broadcast Mbps Standard defines Decoder –Many low cost chips available this year AVC enables dramatic expansion of low cost video distribution –More channels at lower cost –New channels such as IPTV by Telcos Remove temporal redundancy Transform and quantize Entropy reduction Remove spatial redundancy Standardized Decoder Model Tightly defined bit Stream Syntax Encoding Process Standardized Bit Stream and Decoding Process

Modulus Video Copyright AVC Gets Better! Fidelity Rate EXTensions (FRExt) Extension approved in July 2004 Enhanced modes for SD and HD 4:2:2, 4:4:4 chroma modes Enhanced quantization Benefit - extend support to wider range of applications Profile NameMaximum Chroma FormatMaximum Sample Precision "High" (HP)4:2:08 bits "High 10" (Hi10P)4:2:010 bits "High 4:2:2" (Hi422)4:2:210 bits "High 4:4:4" (Hi444)4:4:412 bits

Modulus Video Copyright AVC Deployment Scenarios AVC complexity - incompatible with MPEG-2 receivers –Hence MPEG-2 will be around for years AVC will increasingly erode MPEG-2 market share –Especially for HD & new applications (mobile video) Increasing use of IP networks for TV –Telco triple play –Professional point to point –Enterprise video –Homeland security AVC Encoder IP Network Tx Gateway AVC Decoder IP Network Rx Gateway WWW IP NETWORK GATEWAYS Protect from Network Anomalies Jitter Packet loss Packet re-ordering Delay

Modulus Video Copyright High Definition = 6x more Information AVC = Practical HDTV HD is exploding –More content being created –Receivers becoming affordable –Service operators are promoting it –A must have service for many applications HD is very bandwidth intensive –Big benefits using AVC

Modulus Video Copyright Summary: AVC is Happening! AVC brings compelling performance benefits + Enables new applications and economic models + Open standards key for the industry growth + AVC SD real-time solutions available now + AVC HD Available in 2005 = More Lower Cost AVC as a Disruptive Technology is Opening Up New Business Opportunities

Delivering More Video Content at Half the Cost Using MPEG-4 AVC Bob Wilson Chairman & CEO