Images from Chapter Three of Ways of Seeing by John Berger.

Slides:



Advertisements
Similar presentations
Venus de Milo cca. 130 BCE (discovered 1820)
Advertisements

19th century: Modernism and Impressionism Vocabulary
Ognissanti Madonna -- Giotto Madonna of Humility -- Masolino 1424?
The Bible through Art Genesis The Creation of Eve, 1510 Depicts Genesis 2:18-25 Michelangelo, Fresco, 170 x 260 cm Sistine Chapel, Vatican,
….One prevailing Modernist concept of the artist and artistic work involves the conviction that art is first and foremost in the service of the artist's.
The Salon, or Paris Salon, beginning in 1725 was the official art exhibitionart exhibition of the Académie des Beaux-Arts in Paris, France. Académie des.
The Beginning of Modern Painting
Midterm Review: Gothic to Mannerism
Representing Women Tradition of the Nude.
Venetian Art. Venice vs Florence Venice is bathed in mist/Florence is dry Venice focused on light and sensuality (colorito)/Florence focused on line and.
Chapter 6 Color Image Processing Chapter 6 Color Image Processing.
God created Adam and Eve. Lesson 5 1. Introduction 2. God finished preparing the earth for man. Isaiah 45:18.
The Long Shadow of Italy: Painting in Seventeenth Century Europe.
Hieronymus Bosch Haywain (Triptych) Oil on panel.
Cultures of Europe 1 Session 3 Greek mythology and The Holy Bible.
The Beginning of Modern Painting: The Renaissance
19th-Century Fatal Woman Paintings Chris 2014.
WAS THERE PROGRESS TOWARD EQUALITY BETWEEN THE SEXES IN EARLY MODERN EUROPE? Literacy rates rose among women, but not as rapidly as they did among men.
Gustave Courbet, The Desparate Man (Self-Portrait), Oil on Canvas, Private Collection GET REAL! ISM.
FIFTH GRADE VISUAL ARTS I. Art of the Renaissance.
High Renaissance Italy, Chapter 22. DaVinci, Madonna of the Rocks, 1483.
The Limbourg Brothers. October, from Les Très Riches Heures du Duc de Berry. 1413–16.
Chapter 30 Europe & America Jacques Louis David, Coronation of Napolean, 1808.
How do we know WHO is beautiful?. Was man created in God’s image or the other way around?
David, Death of Socrates, 1787
Venus of Willendorf. Venus de Milo (Louvre, Paris)
MYTH AS ALLEGORY IN ART. I. DRESSING UP PEOPLE AS GODS A. Gemma Augustaea c. AD 12.
Since Quickdraw is Worthless A Real Review. Giotto-Madonna and Child Enthroned.
BY: CARLY ROSE ROY PETER PAUL RUBENS Peter Paul Rubens- portrait. ( )
Art Appreciation Introduction Professor Rebekah Scoggins.
The Late Renaissance and Mannerism in 16 th Century Italy Events: Reorientation of trade routes from the east (Italy in prime location) to the west (discovery.
How do we know WHO is beautiful?. Was man created in God’s image or the other way around?
Objective 32: The student will demonstrate understanding by examining the characteristics of Realism.
FEMINISM AND PHOTOGRAPHY. Manet, Olympia (1865) Titian, Venus of Urbino (1538)
Important Images: High Renaissance and Mannerism in Europe.
The Avant-Garde and the Female Nude
Gustave Courbet, After Dinner at Ornans, 1849 ****
High Renaissance Italy, Chapter 22. DaVinci, Madonna of the Rocks, 1483.
Key Focus Concepts Seeing the Value in Art Art and Its Reception Art, Politics, and Public Space – Art in “public” vs. “private” spaces – What role does.
Mysterious Figure Ways Of Seeing Chapter 3 “Men Act And Women Appear” -John Berger.
Diego Velázquez. The Water Seller of Seville Diego Velázquez 1623 oil on canvas As a formal style, Baroque is characterized by open compositions in which.
Chapter 30 Europe & America La Grande Odalisque. Jean-Auguste-Dominique Ingres C.E. Oil on canvas. Titian, Venus of Urbino.
Image from
CHAPTERS REVIEW. CHAPTER 22 ITALY HIGH AND LATE RENAISSANCE & MANNERISM 1. Last Supper Da Vinci 2. Philosophy (School of Athens) Raphael.
Early modern practices of looking. Topics to be covered today: 1.Visual culture in early modern Europe 2.Baxandall, period eye 3.Rose, the social effects.
Chapter 30 Europe & America
“THE GAZE” In the animal kingdom, often it is the male that is on display for females—with the presumption that females choose mates.
Loge of the French Empress
History 102, Lecture 7 Bodies
Titian, Woman in a Fur Coat, c.1538
History 371 Classical Mythology
Morphological Image Processing
Chapter 2: Digital Image Fundamentals
Titian and Giorgione, The Pastoral Concert, c. 1508
Chapter 5 Image Restoration.
Chapter 2: Digital Image Fundamentals
Chapter 10 Image Segmentation.
High Renaissance Italy,
Diego Velázquez.
Titian’s Venetian Venuses f
Color Image Processing
Realism Naturalism In the service of?.
For More Details:
Year End Test Part 2.
We are created… Read Gen 2: 4-25 Read Genesis 3:1-24
Ideal Body Image.
Presentation transcript:

Images from Chapter Three of Ways of Seeing by John Berger

Reclining Bacchante by Trutat Ways of Seeing (45)

Adam and Eve by Mabuse, 16 th c. Ways of Seeing (49)

Susannah and the Elders by Tintoretto, Ways of Seeing (50)

Vanity by Memling 1435 – 1494 Ways of Seeing (51)

The Judgement of Paris by Cranach 1472 – 1553 Ways of Seeing (51)

The Judgement of Paris by Rubens 1577 – 1640 Ways of Seeing (52)

Nell Gwynne by Lely Ways of Seeing (52)

Vishnu and Lakshmi (11 th century) Ways of Seeing (53)

Venus, Cupid, Time and Love by Bronzino Ways of Seeing (54)

Detail of La Grande Odalisque by Ingres Ways of Seeing (55)

Bacchus, Ceres and Cupid by Von Aachen Ways of Seeing (56)

Les Oréades by Bouguereau Ways of Seeing (57)

Danäe by Rembrandt Ways of Seeing (58)

Helen Fourment in a Fur Coat by Rubens Ways of Seeing (60)

Man Drawing a Reclining Woman by Dürer Ways of Seeing (62)

The Venus of Urbino by Titian c Ways of Seeing (63)

Olympia by Manet Ways of Seeing (63)