Northern Renaissance Art. Characteristics Italian influence strong, but NOT a copy-cat New technology = Painting in OIL The differences between the two.

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Presentation transcript:

Northern Renaissance Art

Characteristics Italian influence strong, but NOT a copy-cat New technology = Painting in OIL The differences between the two cultures: –Italy  change was inspired by humanism (classical antiquity) –No. Europe  change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.

Characteristics of Northern Renaissance Art, cont. attention to details. Tendency toward realism & naturalism [less emphasis on the “classical ideal”]. Interest in landscapes. More emphasis on middle-class and peasant life, details of domestic interiors, & portraits

Rogier van der Weyden ( ) The Deposition 1435

van der Weyden’s Deposition (details)

Giovanni Arnolfini and His Wife (Wedding Portrait) Jan Van Eyck 1434

Jan van Eyck - Giovanni Arnolfini & His Wife (details)

Quentin Massys ( ) Belonged to the humanist circle in Antwerp that included Erasmus. Influenced by da Vinci. Thomas More called him “the renovator of the old art.” The Ugly Dutchess, 

The Ill-Matched Lovers Massys, 1520

Massys’ The Moneylender & His Wife, 1514

Albrecht Dürer ( ) The greatest of German artists. A scholar as well as an artist. His patron was the Emperor Maximilian I. Also a scientist –Wrote books on geometry, fortifications, and human proportions. Self-conscious individualism of the Renaissance is seen in his portraits.  Self-Portrait at 26, 1498.

Dürer – Self-Portrait in Fur-Collared Robe, 1500

Dürer Four Horsemen of the Apocalypse woodcut, 1498

Grunewald, Isenheim Altarpiece (1509)

details

Hieronymus Bosch The Garden of Earthy Delights 1500

Hieronymus Bosch The Garden of Earthy Delights (details) 1500

Bruegel’s, Parable of the Blind Leading the Blind, 1568

Bruegel’s, Niederlandisch Proverbs, 1559

Peasant Wedding

Hans Holbein, the Younger ( ) One of the great German artists who did most of his work in England. While in Basel, he befriended Erasmus. –Erasmus Writing, 1523  Henry VIII was his patron from Great portraitist noted for: –Objectivity & detachment. –Doesn’t conceal the weaknesses of his subjects.

Artist to the Tudors Henry VIII (left), 1540 and the future Edward VI (above), 1543.

Holbein’s, The Ambassadors, 1533 A Skull

Multiple Perspectives

The English Were More Interested in Architecture than Painting Hardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more medieval in style].

Burghley House for William Cecil The largest & grandest house of the early Elizabethan era.