Metamorphoses of a Myth

Slides:



Advertisements
Similar presentations
Cassandra and Clytemnestra
Advertisements

Amasis Lekythos Wedding Robert Arlow. Details Named after the potter not the painter (Amasis) who signed it. Height: 17.1cm Date: BC Type.
Complied by : Rani Pillai
Three Important Elements of Successful Roman Architecture:
HSC Ancient History Core Study Religion in Pompeii and Herculaneum.
Ajax Shannon Sullivan and Christina Durante “Even his shield makes war: and arms, for his arms, are raised.” –Ovid Book XII.
Timetable of Early Greek History Sketch of Early Greece and the Aegean Stone Age Paleolithic Period (before 70,000 B. C.) Neolithic Period (ca
More Trojan War Scenes. Peleus and Thetis Wrestling Attic red figure kylix, by Peithinos (ca. 500 BCE). Berlin, Antikenmuseen (Perseus Project).
Greek Art and Archaeology
Greek Art Introduction Periods Painting Pottery Sculpture Architecture Malaspina Great Books.
Greek Vase Painting Geometric/Orientalizing Review Black-figure Red – figure White - ground.
Classical Mythology The Olympians. The Olympians on the Parthenon Eastern Frieze, later 440s. Poseidon, Apollo, Artemis, Aphrodite, Eros HermesDionysus.
Odysseus and the Cyclops (Polyphemus)
Death as the great leveler. Mosaic from Pompeii, now in Naples, Archaeological Museum. Death in Rome.
Laocoön and His Sons Athanadoros, Hagesandros, and Polydoros of Rhodes early 1st century., Vatican Museum.
Diana (and Actaeon).
The Peloponnese.
Perseus and Andromeda Morgan Hubbard Claire Winter Kimberly Newlan.
Dioscuri (Castor and Polydeuces)
Pan and Syrinx. Museo Archeologico Nazionale di Napoli, Naples, Italy Fresco, Imperial Roman III Style Pompeii,
Hercules American Roman Italian RenaissanceEtruscan Greek.
A BUFFALO Presentation ;). ATTRIBUTION DETAILS 1. Name: Berlin Painter Volute Krater 2. When Made: BC 3. Size: 65 cm in height 4. Potter: Unknown.
Greek Vase Painting.
Classical Mythology Perseus and the Argonauts. Boxers, judge, observer. Panathenaic amphora attributed to the Cleophrades painter, early V. Paris, Louvre.
Late Classical. 2 Figure 5-62 PRAXITELES, Hermes and the infant Dionysos, from the Temple of Hera, Olympia, Greece. Marble copy after an original of ca.
Ancient Etruscan & Roman Art & Architecture.
Apollo and Artemis Children of Zeus and Leto Apollo god of prophecy and healing, referred to as Phoebus (=who shines?) Roman name for Artemis-Diana Leto.
1 Classical Greece and It’s Aftermath. 2 The Art of Greece The Periods The Cretan Period BC The Mycenaean Age BC Geometrical Period.
Pompeii.
APOLLO: Background, Mythology and Images Angie M. Kenna H260: Religious Foundations of Athenian Institutions January 30, 2001.
Greek Vase Painting. Vase Shapes hydra used for water “bell” krater used for mixing amphora used for wine.
Chapter 9 Lecture Two of Two Artemis Athena ©2012 Pearson Education Inc.
She Wolf, 33” high Bronze, considered Etruscan Wolf was cast BCE (2006 study of the She Wolf shows that the bronze sculpture was cast during the.
Content Area 2 Ancient Mediterranean CE Etruscan (3 works); Rome (8 works)
Diana (Artemis).
Polis and Hero: Theseus
Greek Art and Architecture
The Art of Ancient Greece c BCE. MapofAncientGreece.
Classical Mythology The House of Atreus. The House of Dardanus and the House of Atreus.
1 Early Greek Art and Architecture. 2 The Art of Greece The Periods The Cretan Period BC The Mycenaean Age BC Geometrical Period – The.
The Achilles Painter White text: p.71 Black text: p
Hades By: Abi Lua. Hades Greek Name– Hades Roman Name– Pluto Parentage– Kronos and Rhea Sphere of Influence– King of the Underworld, god of death/the.
  Museum: Paris, Louvre  Found in Orvieto Italy Size: 55cm. (calyx-crater) Function: mixing bowl for water & winecalyx-crater  Technique: red-figure.
The Achilles Painter White text: p.71 Black text: p
Perseus.
Ellen Shi Latin 1 Hora 1 Day 4.
Artemis and Actaeon.
"Kritios Boy" c.480 bce from the Acropolis, Athens. Parian marble, 33 7/8" high. "Kritios Boy" is an early fine example of "contrapposto" a term that describes.
10 th c. BCE – 410 CE. Shows a number of ancient influences Etruscans live in Italy before arrival of the Romans Heavily influenced Romans, language &
Etruscan: BCE Republic Rome: BCE Imperial Rome: 27 BCE- 337 CE.
War Languages Artemis – Diana as Warrior woman Vesa Matteo Piludu University of Helsinki Department of Art Research.
ATHENA AND MARSYAS. ATHENA AND MARSYAS FACTS: Artist: Myron Date: c 450 BCE Location: Acropolis Material: original bronze (lost), Roman copies marble.
Ancient Greek Art and Architecture. Greek Architecture ParthenonAcropolis Statue of Athena Public buildings ColumnsMarbleFrieze.
Figure 4.1. View over Sparta to Mount Taygetus from the Shrine of Helen and Menelaus (the Menelaum).
Berlin painter.
Kouros, marble, 6 ft. 4 in., c. 600 BCE (Metropolitan Museum) Peplos Kore, marble, 4 ft., c. 530 BCE (Acropolis Museum)
Figure 3.1. Greek colonization: 750–500 BC.. Figure 3.2. Limestone gorgon pediment from the temple of Artemis on Corcyra (c. 580 BC). Maximum height 9.25.
Greece: Hetaira(i) PorneSymposium Pornoboscos/Pornoboscus Rome: Atellan FarceMime (masked and unmasked) Infamis/infamia Dediticii CharioteersGladiatorsVenatores.
Perseus Danae Andromeda
ARCHAIC GREECE.
Unit Two: Ancient & Classical Art
Gardner’s Art Through the Ages, 12e
Roman Art Part 2 Sculpture & Painting
Learning from the Adversary:
High Empire Part 2.
By: Laura Sanchez, Hannah Snyder, & Kayla Beadles
Roman music Mini-lesson for schools
Meghan Cheever Morgan Gulley Brandi Yoder
Presentation transcript:

Metamorphoses of a Myth Actaeon in Antiquity

Amphora with Artemis and Aktaeon The Eucharides Painter C.500-480 Attic clay, Hamburg Museum fue Kunst und Gewerbe Note that Actaeon is wearing a deerskin.

Pan Painter. Artemis Slaying Actaeon Pan Painter. Artemis Slaying Actaeon. Red figure decoration on bell crater. 37 cm. c. 470 BC. Museum of Fine Arts in Boston, Massachusetts

Melian relief; Paris, Louvre, Nr. 4447 480-430 B.C. 20 cm x 20 cm

Painter of the Woolly Satyrs Actaeon's death The scene is probably based on Aeschylus' lost play The Toxitides, which dealt with the story of Actaeon. Side A from an Attic red-figure volute crater, ca. 450–440 BC. Dimensions H. 51 cm (20 in.), Diam. 33.1 cm (13 in.) Musée du Louvre, Paris, France http://www.mlahanas.de/Greeks/Mythology/ActaeonLouvreCA3482.html

Painter of the Woolly Satyrs Actaeon's death Artemis drives a chariot drawn by a team of deer. Side A from an Attic red-figure volute crater, ca. 450–440 BC. Dimensions H. 51 cm (20 in.), Diam. 33.1 cm (13 in.) Musée du Louvre, Paris, France http://www.mlahanas.de/Greeks/Mythology/ActaeonLouvreCA3482.html

Painter of the Woolly Satyrs Actaeon's death At left Apollo looks calmly over the scene (Delphi) Artemis drives a chariot drawn by a team of deer (Mt. Cithaeron) Side A from an Attic red-figure volute crater, ca. 450–440 BC. Dimensions H. 51 cm (20 in.), Diam. 33.1 cm (13 in.) Musée du Louvre, Paris, France http://www.mlahanas.de/Greeks/Mythology/ActaeonLouvreCA3482.html

Painter of the Woolly Satyrs Actaeon's death To Aactaeon’s right a man reports Actaeon's death to his parents Aristaeus and Autonoe (Thebes) Side A from an Attic red-figure volute crater, ca. 450–440 BC. Dimensions H. 51 cm (20 in.), Diam. 33.1 cm (13 in.) Musée du Louvre, Paris, France http://www.mlahanas.de/Greeks/Mythology/ActaeonLouvreCA3482.html

Actaeon (Aktaion) is transformed into a stag (for the first time indicated by the pair of horns) by Artemis, and torn apart by his dogs. Artemis is depicted with flaming torch and quiver. She is attended by Lyssa (personification of raving madness) who drives the dogs to fury. Lyssa is depicted as a Thracian huntress (similar to Bendis) with a fox-head cap. Zeus passively observes the scene. c 440 BC, Attributed to the Lykaon Painter

Magna Graecia Artemis and Actaeon, Metope from the Temple of Hera, Temple E, in Selinus sculpture c. 470-450 BC Material limestone and marble Measurements height: 162 cm Museo archeologico "A. Salinas" (Palermo, Italy) This standing Actaeon type becomes the norm in later art in Italy.

Dolon Painter Actaeon attacked by his hounds Dolon Painter Actaeon attacked by his hounds. Detail from a red-figure Lucanian nestoris, ca 390-380 BC. From the Basilicata. British Museum GR 1865.1-13.17 (Cat. Vases F 176)

Choephoroi Painter. Death of Actaeon (c. 350-340 B.C.)

THE DEATH OF AKTAION Badisches Landensmuseum, Karlsruhe, Germany Apulian Red-figure Skyphos Date: ca 400 - 350 BC Period: Late Classical

Apulian red-figure situla near Hippolyte Painter showing (below) Actaeon sprouting stag's horns, which attracts his dog's curiosity, while his mother Autonoe gestures anxiously from left and Artemis stands on right with second dog; and (above) Apollo (father of Aristaeus and grandfather of Actaeon), satyr or Actaeon's father Aristaeus, and Pan; Kilinski cat. #29.

Cinerary Urn: Front Actaeon Date 2nd C. B.C Material alabaster Sculpture--Etrusco/Italic (Etruria)--199-100 BC Volterra

Etruscan Urn with Actaeon attacked by dogs (Death of Actaeon) Alabaster sculpture, 2nd century BC , Measurements 51 x 39 x 23 cm Repository Museo Etrusco Guarnacci, Volterra 356

ARTEMIS & AKTAION Museum Collection: Museo Archeologico Nazionale di Napoli, Naples, Italy  Type: Fresco, Roman, Pompeii Imperial Roman SUMMARY Artemis stands holding a bow, watching as Aktaion is torn apart by his hounds. The stag-head above the boy's head represents his metamorphosis.

Pompeii. Casa della Venere in Bikini or House of Venus in the Bikini or Domus of Maximus Room 7, east wall of triclinium.   Wall painting of Acteon and Artemis, or Diana.

ROMAN SARCOPHAGUS 2ND CE Sarcophagus with garlands and scenes from the legend of Actaion.Left oval:Actaion,who has surprised the goddess Artemis in her bath,is attacked by his own pack of hounds.Right:putti pour water for Artemis. Marble,99 x 236 cm.Borghese Collection. Ma 459Louvre, Departement des Antiquites Grecques/Romaines, Paris, France

Diana & maids bathing mosaic Volubilis, Morocco

A mosaic in the Villa of Trajan at Timgad (late fourth- or early fifth-century) shows Actaeon both on top of the cave and reflected in the water

http://www.online-literature.com/forums/showthread.php?p=1062652