Sound test. Signals and waveforms What is a signal? Need not be electrical Morse Speech Video Contains information.

Slides:



Advertisements
Similar presentations
Introduction to Alternating Current and Voltage
Advertisements

Chapter Six: Receivers
IntroductionIntroduction Most musical sounds are periodic, and are composed of a collection of harmonic sine waves.Most musical sounds are periodic, and.
Chapter 5 Radio Signals & Equipment (Part 2)
Pure Tones and the Sine Wave
Chapter 11.
Mixers Theory and Applications
Math Review with Matlab:
Chapter 11.
Sine waves The sinusoidal waveform (sine wave) is the fundamental alternating current (ac) and alternating voltage waveform. Electrical sine waves are.
The frequency spectrum
The Product Detector BFO
Chapter 4 Problems ECET 214 Prof. Park NJIT.
Copyright © 2011 by Denny Lin1 Simple Synthesizer Part 2 Based on Floss Manuals (Pure Data) “Building a Simple Synthesizer” By Derek Holzer Slides by Denny.
Signals Processing Second Meeting. Fourier's theorem: Analysis Fourier analysis is the process of analyzing periodic non-sinusoidal waveforms in order.
Harmonics and Overtones Waveforms / Wave Interaction Phase Concepts / Comb Filtering Beat Frequencies / Noise AUD202 Audio and Acoustics Theory.
PH 105 Dr. Cecilia Vogel Lecture 12. OUTLINE  Timbre review  Spectrum  Fourier Synthesis  harmonics and periodicity  Fourier Analysis  Timbre and.
Transmitting Signals First Meeting. Signal Processing: Sinewaves Sinewave is a fundamental tool in many areas of science, engineering and mathematics.
EE2F1 Speech & Audio Technology Sept. 26, 2002 SLIDE 1 THE UNIVERSITY OF BIRMINGHAM ELECTRONIC, ELECTRICAL & COMPUTER ENGINEERING Digital Systems & Vision.
 Distortion – the alteration of the original shape of a waveform.  Function of distortion analyzer: measuring the extent of distortion (the o/p differs.
The Oscilloscope shows voltage, Waveforms, & Phase shifts
Technician License Course Chapter 3 Lesson Plan Module 7 – Types of Radio Circuits.
1 Mixers  Mixers plays an important role in both the transmitter and the receiver  Mixers are used for down frequency conversion in the receiver  Mixers.
CHAPTER 13 TRANSMITTERS AND RECEIVERS. Frequency Modulation (FM) Receiver.
Chapter 25 Nonsinusoidal Waveforms. 2 Waveforms Used in electronics except for sinusoidal Any periodic waveform may be expressed as –Sum of a series of.
Where we’re going Speed, Storage Issues Frequency Space.
Beats = Some Graphs Recall what a single frequency tone sounds like Play on Sound Generator A=440 Hz. The Graph:
Section 2 AC Circuits. Chapter 12 Alternating Current.
EE2010 Fundamentals of Electric Circuits Lecture 13 Sinusoidal sources and the concept of phasor in circuit analysis.
TRANSMITTERS AND RECEIVERS
Digital Techniques for Radio. What is digital? Digital normally means binary Digital can mean: Digital techniques for analogue modes e.g. SSB AM FM (Overview.
Fourier series. The frequency domain It is sometimes preferable to work in the frequency domain rather than time –Some mathematical operations are easier.
Fundamentals of Electric Circuits Chapter 17
Copyright 2004 Ken Greenebaum Introduction to Interactive Sound Synthesis Lecture 11: Modulation Ken Greenebaum.
Lecture 9 Fourier Transforms Remember homework 1 for submission 31/10/08 Remember Phils Problems and your notes.
Introduction to the Oscilloscope
Lecture 6 Intro to Fourier Series Introduction to Fourier analysis Today I’m now setting homework 1 for submission 31/10/08.
Where we’ve been Attenuate, Amplify, Linearize, Filter.
Copyright © 2011 by Denny Lin1 Simple Synthesizer Part 1 Based on Floss Manuals (Pure Data) “Building a Simple Synthesizer” By Derek Holzer Slides by Denny.
Physics 1251 The Science and Technology of Musical Sound Unit 1 Session 7 Good Vibrations Unit 1 Session 7 Good Vibrations.
12/2/2015 Fourier Series - Supplemental Notes A Fourier series is a sum of sine and cosine harmonic functions that approximates a repetitive (periodic)
Sinusoid Seventeenth Meeting. Sine Wave: Amplitude The amplitude is the maximum displacement of the sine wave from its mean (average) position. Simulation.
Electronic workshop Dr. Imtiaz Hussain URL :
Sin & Cos with Amplitude and Phase.. In the equation, 2 is a multiplier and called an amplitude. Amplitude describes the “height” of the trigonometric.
SIGNAL GENERATORS.
Signal Analyzers. Introduction In the first 14 chapters we discussed measurement techniques in the time domain, that is, measurement of parameters that.
Amplitude Modulation Circuits
3.3 Waves and Stuff Science of Music 2007 Last Time  Dr. Koons talked about consonance and beats.  Let’s take a quick look & listen at what this means.
TE4201-Communication Electronics 1 9. SSB Demodulation and Receivers SSB demodulation SSB demodulationSSB demodulationSSB demodulation BFO drift effect.
EEE 332 COMMUNICATION Fourier Series Text book: Louis E. Frenzel. Jr. Principles of Electronic Communication Systems, Third Ed. Mc Graw Hill.
Chapter 11 Principles of Electric Circuits, Conventional Flow, 9 th ed. Floyd © 2010 Pearson Higher Education, Upper Saddle River, NJ All Rights.
Radio Equipment. Review: On the Transmitter Side The purpose of radio communications is to transfer information from one point to another. The information.
ELECTRIC CIRCUITS EIGHTH EDITION JAMES W. NILSSON & SUSAN A. RIEDEL.
Measurement and Instrumentation
Basic Acoustics + Digital Signal Processing January 11, 2013.
Chapter 8 © Copyright 2007 Prentice-HallElectric Circuits Fundamentals - Floyd Chapter 8.
Chapter 8 Introduction to Alternating Current and Voltage.
DESIGN AND IMPLEMENTATION OF ANALOG MULTIPLIERS AND IC’s
Introduction to Alternating Current and Voltage
Chapter 11.
Sin & Cos with Amplitude and Phase.
Sinusoidal Waveform Phasor Method.
Electric Circuits Fundamentals
TRANSMITTERS AND RECEIVERS
Electronics Fundamentals
Signal Processing First
7.2 Even and Odd Fourier Transforms phase of signal frequencies
Uses of filters To remove unwanted components in a signal
Module V Wave Analyzers
Presentation transcript:

Sound test

Signals and waveforms

What is a signal? Need not be electrical Morse Speech Video Contains information

Signals have shapes – waveforms Water waves – height Audio – sound pressure Audio – electrical voltage Electrical waveforms are variations in voltage AC mains has a waveform but is not a signal.

BITX20 bidirectional SSB transceiver

Summary of our radio waveforms Audio Frequency (AF) Beat Frequency Oscillator (BFO) Intermediate Frequency stage (IF) Local Oscillator (LO) Radio Frequency stage (RF).

Lets look at the waveforms We start with the input Audio Frequency Many of the waveforms are sine waves Later we will look at why

Why Sine waves are important They are natural They are as fundamental as the circle All other waveforms can be broken down into sine waves (More on this later)

A graph of a Sine Wave Time ->

Another natural Sine Wave generator

Plotting waveforms Scale Axes Origin Time axis Amplitude Frequency Negative axes Scope time base

The sound of waveforms The note A above Middle C is defined to be 440 Hz Here is a pure sine wave at 440Hz Time in seconds-> Volts->

Other waveforms Here is a Square wave at 440Hz (A above Middle C) Time in seconds-> Volts->

Fundamentals and Harmonics In general fundamental frequencies are sine waves. Any waveform can be broken down into a fundamental sine wave and its harmonics. Harmonics are 2,3,4 etc (i.e. integer) times the fundamental frequency. A square wave can be shown to consist of a fundamental (of the same frequency) plus only odd harmonics.

The harmonic content of a square wave A square wave has a 3 rd harmonic of amplitude 1/3 plus a fifth of amplitude 1/5 etc. If it is a perfect square wave these go on forever. (Being a symmetrical waveform it has no even harmonics) We will add the harmonics one at a time and inspect them.

3 rd Harmonic Playing just the harmonic Time in seconds-> Volts->

3 rd Harmonic added

5 th Harmonic also added

7 th Harmonic also added

Fundamental and odd harmonics up to 15 There are a total of 7 notes playing

Compare our original square wave A Square wave at 440Hz (A above Middle C)

And compare our original pure sine wave Here is our pure sine wave at 440Hz again

Linear and non linear systems We have seen that waveforms can be broken down and rebuilt by adding sine waves. This only works well for linear systems (i.e. if you can trust addition.) For example if in your system doubling the input signal doesn’t double the output signal you have a non-linear system.

Non linear systems In a linear system when you apply a sine wave of frequency F you just get a sine wave of frequency F out. In a nonlinear system you also get some harmonics at frequencies 2F, 3F etc. (only odd ones if its symmetrical) E.g. if you seriously overdrive an amplifier with a sine wave you will get something like a square wave.

Non linear systems In a linear system when you apply two sine waves of frequency F and G you just get frequencies F and G In a nonlinear system you also get sine waves at frequencies F+G and F-G. (You also get all the harmonics and all the sums and differences of the harmonics)

The ideal mixer Another day we will look at the electronics of mixers. An ideal mixer multiplies rather than adds waveforms. If you feed two sine waves at frequencies F and G into a multiplier you just get sine waves at frequencies F+G and F-G and no harmonics. Rather than prove this using maths this lets look and listen.

The inputs to the ideal mixer 2000Hz 2200Hz

The output from the ideal mixer 200Hz 4200Hz and

Comparison sounds to check the output 200Hz 4200Hz

Some maths Did you notice the output waveforms were 90 degree phase shifted sine waves of half the amplitude? For many purposes this makes no difference Sin(f)* Sin(g) = Cos(f-g)/2 – Cos(f+g)/2 My last graphs allow for the phase shift. A mathematician would call them cosines but they are still sine waves.

BITX20 bidirectional SSB transceiver

Questions?