SDA SWATCH COLLECTION B A collection of surface design techniques by SDA Members SAMPLE EDITION – SAMPLE EDITION – SAMPLE EDITION BECOME A MEMBER AND GET.

Slides:



Advertisements
Similar presentations
Access Problems and Solutions for Full-text Articles Via OARE, the Journal of Forest Research has been opened.
Advertisements

Annual Reviews: A Nonprofit Scientific Publisher Bringing the Best Review Literature to the Worldwide Scientific Community for over 75 Years.
SDA SWATCH COLLECTION C A collection of surface design techniques by SDA Members SAMPLE EDITION – SAMPLE EDITION – SAMPLE EDITION BECOME A MEMBER AND GET.
The following is designed to give a brief understanding of the different methods you can use to scan, file and search documents in FILEstream. FILEstream.
SDA SWATCH COLLECTION A A collection of surface design techniques by SDA Members SAMPLE EDITION – SAMPLE EDITION – SAMPLE EDITION BECOME A MEMBER AND GET.
SDA SWATCH COLLECTION A A collection of surface design techniques by SDA Members.
Surface Design Association 2013 Student Member Exhibition June 6 – July 31, 2013 interface: Linked Up.
Fashion Design Fibers & Fabrics 1Copyright © Texas Education Agency, All rights reserved. Images and other multimedia content used with permission.
SDA SWATCH COLLECTION A A collection of surface design techniques by SDA Members.
Weaving Wonders Presented by: Christine Schebilski And Sue Ambrioso FAEA Conference October,
Fiber evidence provides information about where a person has been. Its origin must be narrowed down to one or two sources to be useful in crime scene.
Annual Reviews: A Nonprofit Scientific Publisher Bringing the Best Review Literature to the Worldwide Scientific Community for over 75 Years 1.
OBJECTIVE 4.01: RECOGNIZE BASIC TEXTILES USED IN INTERIORS.
Select a link below to get information on a particular source. To get back to this page, select the symbol next to the title of each slide. Sample References.
Parts of A Book 1st and 2nd Grade Library.
Online demonstration  The following screens demonstrate the fantastic resource that is the Oxford DNB online.
SDA SWATCH COLLECTION B A collection of surface design techniques by SDA Members.
Reference Skills. They will help you! Know WHERE to find information Useful for ALL SUBJECTS *You need to know where to look!
E PRESENTATION : delivering your information product to the user
You are about to view an instructional presentation created in PowerPoint. Many of the slides have animated text. Please wait several seconds before advancing.
Presenter- Deborah Coker  Advantages of having a site  Features you may want to have on your site  Menus, Tabs, and Ribbons  Creating.
Teen Living Objective  Before buying a new garment try it on to judge fit and appearance.
Screen Printing & Stencils. Stencils A stencil is a template used to draw or paint identical letters, symbols, shapes, or patterns every time it is used.
Fiber Evidence.
Fiber Evidence - A fiber is the smallest unit of a textile material that has a length many times greater than its diameter. -A fiber can be spun with other.
OBJECTIVE 4.01: RECOGNIZE BASIC TEXTILES USED IN INTERIORS.
Forensic Science Presentation developed by T. Trimpe 2006
Forensic Science Presentation developed by T. Trimpe 2006
Fiber and Textile Evidence
Full-text Article Access Problems Using the ‘Journals by title A-Z’ list, we are attempting to access a full-text article from the Blood. Although HINARI.
Memory Masters Preserving Digitized Histories— for today, for tomorrow, and for the future This project is made possible by a grant from the federal Institute.
Fibers: the raw materials in which fabric is made. They are long, thin and hair-like. Textiles: any product made from fibers.
Textiles Fibers, Yarns and Fabrics. Textiles  Textile is a broad term referring to any material that can be made into fabric by any method.
Activities by Mary Erickson Ph.D., with Arizona art teacher Marissa Vidrio Introduction to Printmaking.
Fiber Art Please get out notebook paper for Cornell Notes.
Natural ultramarine pigment in powdered form Synthetic ultramarine pigment is chemically identical to natural ultramarine.
Fabric Manufacturing. Burlap Woven vegetable fibers.
Fibers as Trace Evidence. Fibers Fibers are EVERYWHERE! As you interact with others or the environment, fibers become attached to your body and clothes,
PRINT MAKING A Two dimensional art form that allows the production of multiple original artworks. Here are the four types..  Relief printmaking  Intaglio.
MARCH 8, 2016 EQ: What are different methods used for fiber identification? WARM-UP: The following slide will have 9 pictures (A-I). Identify the animal/human.

Interior Design 4.01 Basic Home Textiles
Copyright © 2017 Jo Ellen Dardick Lewis. All rights reserved.
Interior Design 4.01 Basic Home Textiles
Full paper submission guideline
Please use the top of the slide. The area that will be printed is 4
Web Development A Visual-Spatial Approach
Fabric Finishing Techniques and Innovations
Fibers Criminalistics.
Exploring Microsoft Office 2013 Word Comprehensive
Fibers Forensic Science
INTD 503- Materials Topic: FABRIC
Lab: Forensic Analysis of Fibers
How to Make a Power Point
Critique ready made clothing for durability, function, and style
SDA SWATCH COLLECTION C
SDA SWATCH COLLECTION A
Are You Smarter Than a 5th Grader?
DECEMBER 4, 2012 EQ: How can synthetic fibers be used to solve crimes?
Fibers Forensic Science
SDA SWATCH COLLECTION B
Click on pictures. Many are hyperlinked to websites.
for Important Information New Students Presented by : Carlos Amaya
ENDANGERED ANIMALS A RESEARCH PROJECT
Fibers Forensic Science
Presentation transcript:

SDA SWATCH COLLECTION B A collection of surface design techniques by SDA Members SAMPLE EDITION – SAMPLE EDITION – SAMPLE EDITION BECOME A MEMBER AND GET THE FULL VERSION AT:

Surface Design Association Swatch Collections comprise over 225 individual 12” x 12” samples created by SDA members. The samples run the full range of techniques used in surface design. Each Collection contains different surface design technique examples. The samples are not arranged by theme - rather, they are examples from a wide variety of surface design techniques. Each collection will surprise and delight! There is no fee to use a Swatch Collection but you must be a current SDA member. All images in this presentation are subject to copyright. Please note SDA’s Terms and Conditions at: For more information on our Swatch Collections please go to: SDA would like to thank everyone who contributed to this project including: SDA President, Jane Dunnewold – Project Advisor SDA Treasurer, Melinda Lowy – Data collection and indexing Beki Biesterfelt - SDA Swatch Collection Administrator Kaitlin Briley – Swatch scanning and presentation design Linda Witte Henke – Data collection and photography

The information contained in this presentation was collected at the time that the sample was submitted to the SDA. Artist name and location may have changed since that time. Web links that were provided by the member have been included but are not active (clickable) if the URL is no longer available. Please note that where information on the swatch was omitted by the member it is noted as “Information Not Available” on the slide. Published in 2013 by Surface Design Association P.O. Box 360 Sebastopol, CA If you would prefer to view a LIST OF ARTISTS click here, otherwise you can continue on to view works arranged alphabetically by artist’s last name. You can view the list at any time by clicking on the list icon in the lower right-hand corner of each slide.

KATY DEROCK Number: B Residence: Aartyke, Belgium Website: Information Not Available Blog: Information Not Available Materials Used: Synthetic voile Processes/Techniques Employed: Ironed-on transfer S URFACE D ESIGN A SSOCIATION

JULIETTE ECKEL Number: B Residence: Meinerzhagen, Germany Website: Blog: Information Not Available Materials Used: Cotton Processes/Techniques Employed: Printed with silk screens, machine- embroidered, covered transfer-fold and gilding wax S URFACE D ESIGN A SSOCIATION

RAE GOLD Number: B Residence: Pittsburgh, PA Website: Information Not Available Blog: Information Not Available Materials Used: Wool, yarn Processes/Techniques Employed: Machine-knitted, felted, acid-dyed, shibori-pleated, over-dyed, steamed S URFACE D ESIGN A SSOCIATION

DEBORAH JOHNSON Number: B Residence: Faribault, MN Website: Blog: Information Not Available Materials Used: Cotton Processes/Techniques Employed: Batik S URFACE D ESIGN A SSOCIATION

JANE KRISS Number: B Residence: Palo Alto, CA Website: Blog: Information Not Available Materials Used: Cotton Processes/Techniques Employed: Design developed on paper (watercolor and ink drawings) and/or CAD systems S URFACE D ESIGN A SSOCIATION

GAY LASHER Number: B Residence: Denver, CO Website: Blog: Information Not Available Materials Used: Nylon, polyester, metallic mesh, metallic thread Processes/Techniques Employed: Reverse appliquéd S URFACE D ESIGN A SSOCIATION

LAURA NICHOLSON Number: B Residence: Chicago, IL Website: Blog: Information Not Available Materials Used: Polyester Processes/Techniques Employed: Jacquard woven ribbons with supplementary brocade weft S URFACE D ESIGN A SSOCIATION

CYNTHIA ST. CHARLES Number: B Residence: Billings, MT Website: Blog: Information Not Available Materials Used: Cotton Processes/Techniques Employed: Rust-dyed and screen-printed S URFACE D ESIGN A SSOCIATION

MAI SHIELDS Number: B Residence: San Francisco, CA Website: Information Not Available Blog: Information Not Available Materials Used: Cotton, rayon Processes/Techniques Employed: Hand-woven on 8-shaft loom, double-weave structure S URFACE D ESIGN A SSOCIATION

BRIGITTA VARADI Number: B Residence: Drumshanbo, Ireland Website: Blog: Information Not Available Materials Used: Wool, silk, animal and vegetable fibers Processes/Techniques Employed: Hand-made felt, hand-dyed S URFACE D ESIGN A SSOCIATION

Margaret Agner B Britta Ankenbauer B (DETAIL) Elizabeth Baum B (DETAIL) Astrid Bennett B Jan Brashears B Mary Chaisson B Judith Content B , B Darlene Danko B , B b Ginni Davlin B Katy DeRock B (DETAIL) Jane Dunnewold B Juliette Eckel B Ginni Fleck B Betsy Giberson B Hilary Gifford B Rayna Gillman B Rae Gold B Katherine Harman Harding B Deborah Johnson B Mary Ann Johnson B (DETAIL) Table of Contents Jane Kriss B , B , B Phillippa Lack B Jene Laman B Gay Lasher B Janine LeBlanc B Cheta Mehta B Karen Miller B (DETAIL), B Beth Molnar Information Not Available Barbara Murak B Laura Murray B Jan Myers-Newbury B Theshini Naicker B Laura Nicholson B (DETAIL) Elin Noble B (DETAIL) Jane Ogren B , B b Joanne O’Reilly B Lorraine Pocklington B Jason Pollen B , B , B , B L. Raper B Wen Redmond B

JoAnne Ryeburn B Cynthia St. Charles B , B , B , B , B Jennifer Sargent B Cristina Schwartz B (DETAIL) Mai Shields B Riny Smits B Joy Stocksdale B Harmony Susalla B (DETAIL) Rita Trefois B Sonja Tugend B Anne-Marie Valezina B Els van Baarle B Dirkje van der Horst- Beetsma B , B Ria van Dijk B (DETAIL) Brigitta Varadi B Saskia Weishut-Snapper B Sylvia Whitesides B Isabella Whitworth B Kathleen Williams B Marguerite Wolfe B