In the name of Allah, A Bismillah

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Presentation transcript:

In the name of Allah, A Bismillah In the form of a bird appearing to drink

Iran, second half of the 19th century Gulzar is defined by Safadi (1979) in Islamic Calligraphy as the technique of filling the area within the outlines of relatively large letters with various ornamental devices, including floral designs, geometric patterns, hunting scenes, portraits, small script, and other motifs. Gulzar is often used in composite calligraphy where it is also surrounded by other decorative units and calligraphic panels.

Zoomorphic Calligraphic Type In zoomorphic calligraphy, the words are manipulated and structured into the shape of a human figure, a bird, an animal, or an object. Safadi notes that Thuluth, Naskh, and Nasta'liq scripts are extensively applied to create such calligraphic compositions.

Ottoman Turkey, Istanbul, 1845 AD Tughra is a unique calligraphic device that is used as a royal seal. The nishanghi or tughrakesh is the only scribe specialized in writing Tughra. The emblems became quite ornate and were particularly favored by Ottoman officialdom.

Page from a manuscript of the Qur’an Tunisia, probably Qairawan, early tenth century Gold and red ink on parchment dyed blue

Two leaves from a manuscript of the Qur’an Abbasid caliphate, ninth to tenth century Ink and gold on parchment

Naskhi Script (18th Century)

Ta'liq Script An Ottoman manuscript

By al-Qandusi, from his remarkable 12-volume Qur'an (completed 1849) A Bismillah By al-Qandusi, from his remarkable 12-volume Qur'an (completed 1849)

Thuluth Script Collage. Arches surrounding inscriptions of thuluth script. Extract from the Dakhira of the Sharqawa

Kufic Lettering Alternation and juxtapositioning of a supple, cursive style with rigid, angular kufic lettering. The combination of stylized floral ornamentation, geometric interlacing and the richness of the polychrome treatment highlight the individual words and invocations.

Andalusian maghribi script Fragment of a page from the Qur'an, copied on colored silk.

Andalusian maghribi script A typical example

Signature by 'Arif Hikmat Sumbuli script Signature by 'Arif Hikmat

Interwoven floral kufic script The name of Allah.

A Bird Bringing a message to the mystic Abdelqadar Jilali, known as the 'White Hawk'. Calligram in relief on an unidentifiable ground.

The double letter lam and alif Maghribi script The double letter lam and alif

With diacriticals in red, written on gazelle skin Maghribi Kufic With diacriticals in red, written on gazelle skin

The opening of the Surah Maryam From al-Qandusi's Qur'an

The name of the Prophet Muhammad (Peace be upon him) In mirror images, by Subail Anwar, Istanbul

A larger version of diwani.Composition by Muhammad 'izzat al-Karkuki Jilli diwani A larger version of diwani.Composition by Muhammad 'izzat al-Karkuki

Qotbi Star on the threshold, 1984

Rashid Koraishi Untitled

The name of Allah