Color Theory.

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Presentation transcript:

Color Theory

Color Theory Color Wheel Color Values Color Schemes

The Color Wheel The color wheel fits together like a puzzle - each color in a specific place. Being familiar with the color wheel not only helps you mix colors when painting, but in adding color to all your art creations.

Primary Colors Primary colors are not mixed from other elements and they generate all other colors. Red Yellow Blue

Secondary Colors By mixing two primary colors, a secondary color is created. Red + Yellow = Orange Yellow + Blue = Green Blue + Red = Purple

Tertiary Colors Intermediate, or Tertiary, colors are created by mixing a primary and a secondary. blue-green blue-purple red-purple red-orange yellow-orange yellow-green

Color Values Color values are the lights and darks of a color you create by using black and white (‘neutrals”) with a color. This makes hundreds of more colors from the basic 12 colors of the wheel. white + color = tint color + black = shade

Tints Tints are lightened colors. Always begin with white and add a bit of color to the white until the desired tint is obtained. This is an example of a value scale for the tints of blue.

Shades Shades are darkened colors. Always begin with the color and add just a bit of black at a time to get the desired shade of a color. This is an example of a value scale for the shades of blue.

Neutral Colors The principles of color mixing let us describe a variety of colors, but there are still many colors to explore. The neutral colors contain equal parts of each of the three primary colors. Black, off-black, white, off-white, gray and sometimes brown are considered "neutral”.

Warm Warm colors are found on the right side of the color wheel. They are colors found in fire and the sun. Warm colors make objects look closer in a painting or drawing.

This is an illustration of the use of warm colors - reds, oranges, yellows and greens.

Cool Cool colors are found on the left side of the color wheel. They are the colors found in snow and ice and tend to recede in a composition.

Note the cool color scheme in this painting (greens, purples and blues).

3 Basic Elements Hue – The actual color, such as red or green. A hue can be changed by adding tone, example - white to lighten, black to darken Chroma – the intensity of the color Tone – the amount of black or white in a color.

Key Points Colors are either __primary_____, ___________, or _____________. (three colors from the color wheel) Colors can be used to create _________ and _________. (use your paper from last class) Color is always affected by light and texture.

monochromatic, complementary, analogous, warm and cool. Color Schemes Color Schemes are a systematic way of using the color wheel to put colors together… in your art work, putting together the clothes you wear, deciding what colors to paint your room….. monochromatic, complementary, analogous, warm and cool.

Monochromatic “Mono” means “one”, “chroma” means “color”… monochromatic color schemes have only one color and its values. The following slide shows a painting done in a monochromatic color scheme.

These non-objective paintings have a monochromatic color scheme - blue, yellow, red and the values (tints and shades) of blue, yellow and red.

Complementary Complementary colors are opposite on the color wheel provided a high contrast - if you want to be noticed wear complementary colors!

These pictures have complementary colors and their values.

Split-Complementary Like complementary colors, split-complementary colors are also opposite each other, but include three or four colors, not just two. Split-complementary contains the actual color (hue) and the two colors on either side of its complement.

Analogous The analogous color scheme is 3-5 colors adjacent to each other on the color wheel. This combination of colors provides very little contrast.

Analogous colors are illustrated here: yellow, yellow-green, green and blue-green & purple, red-purple, red, red-orange and orange

Achromatic Designating color perceived to have zero saturation and therefore no hue, such as neutral grays, white, or black