Done By: Khawla Al-Shidi Supervisor: Dr. noor

Slides:



Advertisements
Similar presentations
Angelo Farina Dip. di Ingegneria Industriale - Università di Parma Parco Area delle Scienze 181/A, Parma – Italy
Advertisements

Sound Absorptive Material
Acoustics and Concert Halls Stephanie Hsu March 21, 2005.
Basic Acoustics Inverse square law Reinforcement/cancellation
ROOM ACOUSTICS DEFINITION: INTRODUCTION SOUND ABSORPTION
Review of ABCsTypicalBetterBest Absorb – Ceiling Tile AC NRC Average NRC ceiling not rated 0.50 – 0.60 Moderate AC ceiling – 0.80 High AC ceiling.
Auditorium Acoustics Chapter 23. Sound Propagation Free field sound pressure proportional to 1/r SPL drops 6 dB with every doubling of distance. Indoors.
Room Acoustics. Reverberation Reverberation direct sound reflected sounds.
Chapter-8 Room and Auditorium Acoustics 1.Criteria in Acoustical Design The acoustical quality of a room is determined largely by its Reverberation time.
Technology in Architecture Lecture 17 Sound in Enclosed Spaces Reverberation Auditorium Design Lecture 17 Sound in Enclosed Spaces Reverberation Auditorium.
Auditorium Acoustics 1. Sound propagation (Free field)
Vocabulary to know Acoustics is the Science that deals with the waves, frequency, amplitude, pitch, transmission, reception, control, effects, and production.
Vern J. Ostdiek Donald J. Bord Chapter 6 Waves and Sound (Section 5)
TEMPLATE DESIGN © Sound Reflectors and the Projection of Sound Kaegan Gregory Joseph Kim Rockdale Magnet School for Science.
Reflections Diffraction Diffusion Sound Observations Report AUD202 Audio and Acoustics Theory.
ELEC 407 DSP Project Algorithmic Reverberation – A Hybrid Approach Combining Moorer’s reverberator with simulated room IR reflection modeling Will McFarland.
PREDICTION OF ROOM ACOUSTICS PARAMETERS
Acoustics Worksheet Answer Key. 1. Calculate the wavelengths at the standard octave band center frequencies for sound moving through air. Distance between.
GEOMETRICAL DESIGN STUDIES ACOUSTICS OF CONCERT HALLS AND ROOMS Handbook of Acoustics, Chapter 9 Long, Architectural Acoustics, Chapter 19.
PH 105 Dr. Cecilia Vogel Lecture 4. OUTLINE  Room Acoustics  direct and early sound  precedence effect  echoes and anechoic chamber  reverberation.
STUDIOS AND LISTENING ROOMS
Auditorium acoustic (continued) 1. Sound sources Sound source can be characterized by power and directivity Directivity factor Q – ratio of sound intensity.
ACOUSTICAL FOAM PANELS ANTHONY andTORREFIEL. Acoustic foam is an open celled foam used for acoustic treatment. It attenuates airborne sound waves by increasing.
Solutions for Better Sounding Rooms Copyright 2003 PMI, Ltd.
Acoustics Reverberation.
 Sound is a form of energy similar to light, which travels from one place to another by alternately compressing and expanding the medium through which.
 PRACTICE PROBLEM ONE: From Previous lecture A 16’ x 20’ x 9’ room has absorptive coefficients as follows: Ignore doors & windows. Walls.30 Floor.25.
-ِAcoustics -Arch 353 -Dr. Abdelrahman Elbakheit -References الصوتيات, د. سعود صادق حسن.1.
Sound Reverberation Echoes may be heard more than once due to repeated or multiple reflections of sound from several reflecting surfaces. This causes persistence.
Acoustical Treatments and the PAC By: Sarah, Keaton, Luke, and Zeynep.
PH0101 UNIT 1 LECTURE 7 Introduction to Building Acoustics
Chapter 17 Section 2 What is music? Music and noise are groups of sounds. Music is a group of sounds that have been deliberately produced to make a regular.
Applications of Architectural Acoustics Tufts University – ME 93 September 10, 2015.
Acoustics of classrooms, restaurants and offices Eng.Ivaylo Hristev.
Physics-Architecture Marc A. Colón Physicist 11 th Grade.
Fundamentals of Audio Production. Chapter 1 1 Fundamentals of Audio Production Chapter One: The Nature of Sound.
L 18 Auditorium and Room Acoustics. Dekelbaum Concert Hall at the U MD Smith Center.
Room Acoustics Bouncing Around October 27, Music and Other Sounds Come from a source. The source is not isolated, it is in an environment. The environment.
Acoustics in Architecture By Camila Nery. Vocabulary Acoustics- Noun: A science that deals with the production, control, transmission, reception, and.
NOISE REDUCTION IN SPACES THE ABSORPTION OF SOUND ENERGY
Sound field descriptors Eng.Ivaylo Hristev. Contents 1. Wave acoustics. Room resonances. 2. Ray acoustics. Raytracing. 3.Statistical acoustics. Reverberation.
Case Study: The Chapman Graduate School of Business Nicole Figueroa/ Kamilah Bermudez/Elizabeth Berryman Acoustics Assignment #5.
Shrishail Kamble Acoustics is usually very broadly defined as "the science of sound." Hall Acoustics The shaping and equipping of an enclosed space to.
ACOUSTICAL EFFECTS Electronic Music I Is your name and today’s date on your worksheet? Goal for today- To familiarize you with the properties of a number.
Types of Sound Wave Reflections Unless properly controlled, reflected sounds can be detrimental to accurate monitoring Axial – 2 surface reflections Tangential.
ACOUSTICAL EFFECTS Electronic Music I Is your name and today’s date on your worksheet? Goal for today- To familiarize you with the properties of a number.
ELECTRONIC SOUND SYSTEMS INTRODUCTION PRINCIPAL USES DESIGN FACTORS SYSTEM COMPONENTS LOUDSPEAKER ARRANGEMENTS DESCRIPTION: ELECTRONIC SYSTEM WHICH REINFORCES.
MECHANICS OF SOUND ABSORPTION
SOUND ABSORBING MATERIALS. Sound absorption? Or sound proofing If the objective is to stop sound from entering or leaving a space, then you will most.
6 th Grade Science ©j.slater 2011 Adapted from K.Reed.
Room and Auditorium Acoustics
ACOUSTICS Aural Comfort & Noise.
Auditorium Acoustics 1. Sound propagation (Free field)
Propagation of Sound and Vibration
? If a tree fell in a wood and there was no-one there to hear it – would it make a sound?
ِAcoustics الصوتيات , د. سعود صادق حسن .1 Arch 353
PREDICTION OF ROOM ACOUSTICS PARAMETERS
Auditorium acoustic (continued)
INTD 503- Materials Topic: ceilings
Chapter 17 Section 2.
Architectural Acoustics
ROOM ACOUSTICS.
ACOUSTICS part – 4 Sound Engineering Course
Technology in Architecture
 Designing Auditoria.
Bouncing Around October 26, 2007
PREDICTION OF ROOM ACOUSTICS PARAMETERS
Auditorium Acoustics 1. Sound propagation (Free field)
NORMAL MODES AND COUPLED ROOMS
AUDITORIUM ACOUSTICS REFERENCES:
Presentation transcript:

Done By: Khawla Al-Shidi Supervisor: Dr. noor University Of Nizwa Collage Of Engineering & Architecture Department Of Architecture & Interior Design Sound Absorption Done By: Khawla Al-Shidi Supervisor: Dr. noor

Sound Absorption The basic problem with all of these facilities is that the surfaces are too far from the listener and/or performers to provide useful reinforcement by reflected sound energy. Instead, reflections from the boundary surfaces are heard as echoes. The basic acoustical design consists of making these surfaces sound absorbing by means of massive applications of acoustical treatment ..

Sound Absorption The acoustical materials used must have high absorption coefficients in the speech frequency range, particularly 250 to 4000 HZ. Concrete surfaces may employ thick sound-absorbing form boards that are lift in place on the underside of the concrete . Steel surfaces may employ perforated metal roof decks ,

Sound Absorption underside of the consisting of a sandwich of perforated metal on the bottom, glass fibre in the middle, and sheet metal above. Inflatable domes can employ special sound-absorbing fabrics installed to sag beneath the actual dome material . The airspace between the sound-absorbing fabric and the dome material above is necessary for efficient sound absorption. Many ,many alternatives exist for treating ceilings with sound-absorbing materials

Sound Absorption Wall surfaces are usually also treated. Hard seas may be essential in some projects for reasons other than acoustics, but upholstered seats are better, and sometimes perforated seat bottoms (which expose sound-absorbing material within the seats ) are used to control the build-up of reverberation that accrues when occupancy is low.

Sound Absorption The concept of reverberation time is somewhat meaningless in regard to such large spaces. Even with all significant areas treated efficiently, reverberation times can run to4or 5 sec because of their tremendous volume.(If room surfaces are left untreated, reverberation times as high as 10 sec have been recorded.) The important goal is to treat any potential echo-producing surface and not to aim for a particular reverberation time .

Sound Absorption A final reason for the massive application of sound- absorbing treatment is to control crowd noise. In large, untreated sports spaces, crowd noise can build-up to the point where even massive, high-level sound systems cannot communicate emergency information .With treatment, crowd noise during an exciting part of a sports event can usually be held to broadband levels of approximately 95 dB (flat) , and the sound system can be designed to override such levels without causing damage.

Cultural Events The accommodation of cultural events in these large spaces should, after proper treatment of boundary surfaces , be similar to that for outdoor facilities. Stage enclosures or concert shells are useful for symphony orchestras and choruses. Soundproof Wall

Music building Music buildings contain a variety of spaces with special room acoustics needs. Included are recital halls, large rehearsal room, ensemble rooms, music class rooms, practice rooms, among other.

Music building Musical instruments produce as much sound power in small rooms as in large auditoriums and can be uncomfortably loud. for reduced sound intensity, sound absorbing materials are used extensively in music building.

Rehearsal rooms Rehearsal rooms also require a good deal of installed sound-absorbing material for the sake of reverberation control, loudness reduction, and, in particular instances, elimination of flutter-echo paths between parallel walls. The first two of these items relate to quantity of these items relate to quantity of material, while the last relates to distribution.

Home listening rooms Small rooms can produce significant coloration and poor spatial imaging of reproduced sound if they are not treated extensively and uniformly with broadband sound absorbing material. In other words, the sound of the room itself (due to reflections and resonance) should be substantially suppressed, though not totally, and this requires large areas of effective sound- adsorbing and sound-diffusing treatments on all surfaces. Adsorptive treatment should be applied so that average coefficients in each of the room's principal axes are about the same.

Home listening rooms For accurate imaging, a listening room must be totally symmetrical about the vertical plant along the principal listening axis with respect to both treatment and geometry. in other words, the left and right playback channel should see identical sound transmission paths. Surround channels must also be given consideration with respect to loudspeaker placement and transmission.

Lecture rooms Large lecture room acoustic requirements may be equated to those of small theaters. The boundaries should be shaped for good natural reinforcement of the speaking voice, and usually this applies most particularly particularly to the ceiling.

Lecture rooms Applied sound-absorbing treatment may be useful for controlling reverberation, echo, and flutter. Likely areas to receive treatment include the ear wall, the perimeter of the ceiling, and side wall areas between seated and standing head height. The latter is especially helpful in rooms with parallel side walls. The stock solution of acoustic tile ceiling and hard walls should be avoided.